Abstract

OSORNO MALDONADO, Víctor Manuel. La revalorización ontológica de la obra en las vanguardias: algunos apuntes teóricos. Valenciana [online]. 2013, vol.6, n.12, pp.155-179. ISSN 2007-2538.

In this article it is proposed that the emergence of the European avant-garde is not only a stylistic change, but a change in the essential structure of the arts, that is, an appreciation of the ontology inherent aesthetic work. To support this approach, the author turns to thoughts of some theorists and philosophers as Renato Poggioli, Peter Bürger, Hans Magnus Enzensberger, Ortega y Gasset, among others, while he finds in several avant-garde features, for example, the absorption, the paradox, the humour, the fragmentation and shock, solid arguments to explain why literature and the arts modified essential being during the first decades of the twentieth century. As a coda, is mentioned how this series of European avant-garde innovations found resonance in some Latin American works, not ignoring the problem involving the phenomenon of acculturation.

Keywords : Avant-Garde; Ontology; Literature; Transformation; Mimetic crisis.

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