Abstract

VAZQUEZ VILLANUEVA, Graciana. Visibility and enunciability by lengthy political violence: La sombra azul of Sergio Schmucler. Acta poét [online]. 2014, vol.35, n.1, pp.175-212. ISSN 2448-735X.

A life history, the fundamental axis of a film, is the discourse that we have investigated new ways to perceive the relation film, memory and violence in the area extensive of the discourses produced on state terrorism in Argentina. The blue Shadow, written and directed by Sergio Schmucler, bursts to break up consciousness. Our work, insert in discourse analysis, has been detained in the investigation of three devices: the visibilities, the enunciability's and temporalities, superposed, sometimes fragmentary, other omnipresent, sliding specialists on the long duration of social memory. These devices, made by Foucault to swing discursivities order exasperating taxes, are a privileged way to get through the shelling, wrought an intolerable truth in this film. In The blue Shadow the long duration of state violence, impunity of the repressors for democracy and, essentially, a surviving -to torture, imprisonment, exile, belonging to the police force in one of the provinces most affected by the dictatorship, are chiseled in heteroglossia, dialogue and antagonism with other voices. This surviving, turned re-viving, shows how an ethical framework, able to assess the human tragedy, it stands as a knack to provide really, to enlighten a society that, in many areas, still remains in shadow. These trip discursive points out how, from the original undecidability a subject mourner, burst visibilities and enunciability's able to tell truth so as to proceed with a memory that never ceases.

Keywords : Memory; state violence; visibilities; enunciability's; temporalities.

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