Abstract

PAUL ARRANZ, María del Mar. La última obra de Virginia Woolf: Las horas, de Stephen Daldry. LiminaR [online]. 2007, vol.5, n.1, pp.99-118. ISSN 2007-8900.  https://doi.org/10.29043/liminar.v5i1.238.

Given the bond that almost from the origins settled down between Literature and the cinema, the advisable of certain methods of analysis in the treatment is discussed that has given the cinema to literary texts. The ilm the hours (2003) appears as an exemplary sample of a creative dialogue not only with the novel of Michel Cunningham from which it leaves, but with the literary work of Virginia Woolf, who is in the base of both. The ILM invites to us to reframe aspects to us of the human condition granting the women, as soon as such, an absolute and unusual protagonism. In appearance they separate from the habitual representations of the feminine thing, of certain conceptions of the love or the experience of the maternity, but it will be seen how the conquest of freedom territories when the established values are questioned can have a high price.

Keywords : movie; literature; intertextuality; models of woman; love; maternity.

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