<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2007-2538</journal-id>
<journal-title><![CDATA[Valenciana]]></journal-title>
<abbrev-journal-title><![CDATA[Valenciana]]></abbrev-journal-title>
<issn>2007-2538</issn>
<publisher>
<publisher-name><![CDATA[Universidad de Guanajuato, Departamentos de Filosofía y de Letras Hispánicas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2007-25382019000100063</article-id>
<article-id pub-id-type="doi">10.15174/rv.v0i23.406</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[&#8220;Episodio en la huerta&#8230;&#8221;, de Agustín Yáñez. Jugar a &#8220;El milano&#8221;, citar al toro.]]></article-title>
<article-title xml:lang="en"><![CDATA["Episodio en la huerta&#8230;&#8221;, by Agustín Yáñez. Couting rhymes with &#8220;El milano&#8221;, citing the fighting bull.]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Blancas Blancas]]></surname>
<given-names><![CDATA[Noé]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Popular Autónoma del Estado de Puebla  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Mexico</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2019</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2019</year>
</pub-date>
<volume>12</volume>
<numero>23</numero>
<fpage>63</fpage>
<lpage>92</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S2007-25382019000100063&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S2007-25382019000100063&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S2007-25382019000100063&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: En el relato de Agustín Yáñez &#8220;Episodio en la huerta&#8230;&#8221;, Jacinto, tras mes y medio de convalecencia, observa a sus vecinitos jugando a la ronda &#8220;El Milano&#8221;, y recuerda que sus primos jugaban esa misma ronda. Sobre todo, rememora las alucinaciones que la fiebre le ha producido. En éstas, se sobreponen ciertas imágenes de la ronda -el toro, el milano, la rosa, el clavel- y otras de la película La alondra y el milano. A través de estas asociaciones, el niño intenta develar el sentido erótico del juego. De tal manera, la ronda no se incorpora a su discurso para constituirse en canto o en juego, que es para lo que se citan las rondas; los fragmentos que de ella se repiten constituyen más bien imágenes o símbolos que se vuelven un instrumento para cobrar conciencia de su deseo y, al mismo tiempo, de la infancia perdida. Siguiendo la teoría narratológica y las investigaciones de Graciela Reyes sobre el fenómeno de la citación, en este trabajo sostengo la tesis de que no el juego, en el plano actancial, sino la citación de ciertas palabras o frases, en el plano discursivo, le permiten al niño encontrar el sentido de sus alucinaciones y, finalmente, acceder a la revelación del misterio, el despertar de la pulsión sexual.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: In &#8220;Episodio en la huerta...&#8221;, Jacinto after one and half month of convalescence, watched his neighbors playing the round &#8220;El Milano&#8221; and remembers how his cousins played it too. Over all, he remembers the hallucinations that fever has produced to him. In these, certain images of the round are superimposed -the bull, the kite, the rose, the carnation- with others images from the movie La alondra y el Milano. Through these associations, the child tries to reveal the erotic meaning of the round. In such way, the round is not incorporated into his speech to become a song or a game, and it is what the rounds are cited for; the fragments that are repeated are rather images or symbols that become an instrument to become aware of their desire and, at the same time, of his lost childhood. Following the narratological theory of Graciela Reyes&#8217;s research on citation, in this paper, I support this thesis: not the game, in the actantial plane, but the citation of certain words or phrases, in the discursive plane, allow the child to find the meaning of his hallucinations and finally, access to the revelation of the mystery, the awakening of the sexual drive.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Agustín Yáñez]]></kwd>
<kwd lng="es"><![CDATA[&#8220;Episodio en la huerta&#8230;&#8221;]]></kwd>
<kwd lng="es"><![CDATA[citación]]></kwd>
<kwd lng="es"><![CDATA[Flor de juegos antiguos]]></kwd>
<kwd lng="es"><![CDATA[lírica infantil]]></kwd>
<kwd lng="en"><![CDATA[Agustín Yáñez]]></kwd>
<kwd lng="en"><![CDATA[&#8220;Episodio en la huerta&#8230;&#8221;]]></kwd>
<kwd lng="en"><![CDATA[Citation]]></kwd>
<kwd lng="en"><![CDATA[Flor de juegos antiguos]]></kwd>
<kwd lng="en"><![CDATA[Children&#8217;s lyric]]></kwd>
</kwd-group>
</article-meta>
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