<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1405-1435</journal-id>
<journal-title><![CDATA[Convergencia]]></journal-title>
<abbrev-journal-title><![CDATA[Convergencia]]></abbrev-journal-title>
<issn>1405-1435</issn>
<publisher>
<publisher-name><![CDATA[Universidad Autónoma del Estado de México, Facultad de Ciencias Políticas y Administración]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1405-14352018000200077</article-id>
<article-id pub-id-type="doi">10.29101/crcs.v25i77.9303</article-id>
<title-group>
<article-title xml:lang="en"><![CDATA[Spanish history and female characters. Representations of women in Spanish historical fiction]]></article-title>
<article-title xml:lang="es"><![CDATA[Historia española y personajes femeninos. Representaciones de mujer en la ficción histórica española]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Chicharro-Merayo]]></surname>
<given-names><![CDATA[Mar]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad de Burgos  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Spain</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>08</month>
<year>2018</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>08</month>
<year>2018</year>
</pub-date>
<volume>25</volume>
<numero>77</numero>
<fpage>77</fpage>
<lpage>98</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S1405-14352018000200077&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S1405-14352018000200077&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S1405-14352018000200077&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: This article provides some thoughts on how serialized fiction may be utilized to reconstruct history. More specifically, it considers how some television series have helped to make a re-reading of past Spanish society by focusing on female characters. Three pieces of historical fiction were thoroughly analyzed from a semantic perspective. These series reconstructed different periods in Spanish history (Amar en tiempos revueltos [Loving in Troubled Times], La Señora [The Lady] and 14 de abril. La República [April 14, the Republic]. This article holds that these stories articulate an interconnected representation of social change in Spain, with a leading role being allocated to female figures. They depict increasingly empowered women characters who had an increasing presence in the public and, particularly, in the political sphere. Qualitative content analysis was used to unravel the narrative and semantics of these audio-visual texts.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: Este artículo refleja la capacidad de la ficción seriada para reconstruir la historia. Más concretamente, se entiende que las series de televisión han ayudado a releer el pasado de la sociedad Española, centrándose en personajes de mujeres. Tres productos de ficción histórica son analizados en detalle, desde una perspectiva semántica. Estas series reconstruyen diferentes períodos de la historia española (Amar en tiempos revueltos, La Señora y 14 de abril. La República). El artículo sostiene que estos relatos articulan una representación conectada del cambio social en España, concediendo un papel de liderazgo a las figuras femeninas. Apuestan crecientemente por personajes de mujer empoderados, con creciente peso en el espacio público y particularmente en la esfera política. El análisis de contenido cualitativo ha sido utilizado para desentrañar la narrativa y los significados de estos textos audiovisuales.]]></p></abstract>
<kwd-group>
<kwd lng="en"><![CDATA[television]]></kwd>
<kwd lng="en"><![CDATA[soap opera]]></kwd>
<kwd lng="en"><![CDATA[woman]]></kwd>
<kwd lng="en"><![CDATA[historical fiction]]></kwd>
<kwd lng="en"><![CDATA[public]]></kwd>
<kwd lng="en"><![CDATA[messages]]></kwd>
<kwd lng="es"><![CDATA[televisión]]></kwd>
<kwd lng="es"><![CDATA[telenovela]]></kwd>
<kwd lng="es"><![CDATA[mujeres]]></kwd>
<kwd lng="es"><![CDATA[ficción histórica]]></kwd>
<kwd lng="es"><![CDATA[públicos]]></kwd>
<kwd lng="es"><![CDATA[mensajes]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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