Presentation |
| |
| · Presentation González-Flores, Laura
|
| |
Articles |
| |
| · Alberto Ruz Lhuillier and His Insights into Art Schele, Elaine Day; Izquierdo y de la Cueva, Ana Luisa
|
| |
| · On the Creation and Articulation of Forms in the Abstract Rock Art of Durango. The Case of Signs made by Pressing with the Hands Herrera Maldonado, Daniel
|
| |
| · Uses of the Image in the Novo-Hispanic Prints within the Congregation of Saint Philip Neri Garone Gravier, Marina; González León, Erika B
|
| |
| · Political Exiles/Banishments and Artistic Affinities of Fray Manuel de San Juan Crisóstomo Nájera, 1803-1853 Cuadriello, Jaime
|
| |
| · Memory’s Trot: The Equestrian Statue of Charles IV, El Caballito, and the Experience of Time Valero Pie, Aurelia
|
| |
| · In defense of Fabián Cháirez’s La Revolución: Contemporary Art as a Possibility of Queer Resistance Soto Rodríguez, Mario Andrés
|
| |
| · Systematization of Marcel Duchamp’s infrathin Proposal as an Aesthetic Category Torre Llorente, Elisa de la
|
| |
| · Directorial Conceptions in Argentine Contemporary Theatre in Relation to Staging and the Notion of Device Marin, Fwala-lo
|
| |
| · The Engineering that Shapes the Landscape. The Work of Iwasaki Takahiro in the Japanese Pavilion at the 57th Venice Biennale Cabañas Moreno, Pilar
|
| |
| · Development of a Musical Composition System with the Numeric Vedic Table Rocha Iturbide, Manuel
|
| |
| · Design of an Art History and Archaeology Corpus and an Overview of Using AntConc to Generate Term Candidate Lists Molina Salinas, Claudio
|
| |
Reviews |
| |
| · Dafne Cruz Porchini, Claudia Garay Molina y Mireida Velázquez Torres, eds. Diplomacia cultural en México durante la Guerra Fría. Exposiciones y prácticas artísticas, 1946-1968, by Luis Adrián Vargas Santiago Vargas Santiago, Luis
|
| |