SciELO - Scientific Electronic Library Online

 
vol.12 issue24Development means peace these days: Context, sequence and validity of the Encyclical Letter Populorum ProgressioStudy and popular knowledge in The Essays. By michel de montaigne author indexsubject indexsearch form
Home Pagealphabetic serial listing  

Services on Demand

Journal

Article

Indicators

Related links

  • Have no similar articlesSimilars in SciELO

Share


En-claves del pensamiento

On-line version ISSN 2594-1100Print version ISSN 1870-879X

Abstract

SUSTAITA, Antonio  and  SUSTAITA, Liuva. Dialectics of emptiness: presence and absence in José Luis Romo’s masks. En-clav. pen [online]. 2018, vol.12, n.24, pp.34-56. ISSN 2594-1100.

The aim of this paper is to analyze an outstanding work of art: Jose Luis Romo’s masks. He is a very important otomi artist whose main work is about masks made out of brass and bunch of maguey. The artist has tried to set his work in a traditional, even though forgotten, ritual practice. Before the Spanish people came to America these masks of maguey bunch were part of a harvest ritual feast in Valle del Mezquital (Hidalgo, a central state of Mexico). In order to go on with the analysis of this masks we have developed a mask aesthetic and semiotic that points to the explanation of Romo’s mask as Works of art.

Keywords : mask; aesthetic; mexican art.

        · abstract in Spanish     · text in Spanish     · Spanish ( pdf )