<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2594-178X</journal-id>
<journal-title><![CDATA[Bibliographica]]></journal-title>
<abbrev-journal-title><![CDATA[Bibliographica]]></abbrev-journal-title>
<issn>2594-178X</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Bibliográficas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2594-178X2024000200211</article-id>
<article-id pub-id-type="doi">10.22201/iib.2594178xe.2024.2.514</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Umbrales de lo postsecular: ilustraciones de portada y narrativa española contemporánea]]></article-title>
<article-title xml:lang="en"><![CDATA[Postsecular Portals: Cover Illustrations and Contemporary Spanish Narratives]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[García Donoso]]></surname>
<given-names><![CDATA[Daniel]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,The Catholic University of America  ]]></institution>
<addr-line><![CDATA[Washington Columbia]]></addr-line>
<country>United States of America</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2024</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2024</year>
</pub-date>
<volume>7</volume>
<numero>2</numero>
<fpage>211</fpage>
<lpage>241</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S2594-178X2024000200211&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S2594-178X2024000200211&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S2594-178X2024000200211&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Este artículo propone un acercamiento intermedial a la configuración simbólica de lo postsecular, atendiendo al espacio de cruce entre el texto propiamente literario (novela-texto) y el texto visual de la ilustración de portada (novela-libro). En la medida en que existe una literatura postsecular en el contexto español, nos interesa adentrarnos en el análisis de cómo las imágenes que ilustran dichas publicaciones interactúan, por un lado, con ese mismo concepto de lo postsecular en la configuración de una imagen autónoma y, por otro, con un texto con el que la imagen establece una relación de interpretación mutua. Este análisis revela la función de estas representaciones visuales como portales de paso al complejo diálogo que existe entre temas religiosos y narrativas contemporáneas, y entre éstos y la cultura visual del momento. El análisis versará sobre tres obras narrativas publicadas en España desde finales del siglo XX hasta la actualidad, que tienen un particular encaje en la reflexión sobre lo religioso en el momento contemporáneo postsecular: El hereje (1998) de Miguel Delibes, Crematorio (2007) de Rafael Chirbes y Pasión del dios que quiso ser hombre (2014) de Rafael Argullol.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This article proposes an intermedial approach to the symbolic configuration of the postsecular, focusing on the intersection between the literary text (novel-as-text) and the visual text of the cover illustration (novel-as-book). Given the existence of a postsecular literature within the Spanish context, we are interested in delving into the analysis of how the images illustrating such publications interact, on the one hand, with the concept of the postsecular itself in forming an autonomous image, and on the other, with the text, establishing a relationship of mutual interpretation. This analysis reveals the role of these visual representations as portals to the complex dialogue between religious themes and contemporary narratives, and between these and the visual culture of the period. This study emphasizes three narrative works published in Spain from the late 20th century to the present, which have a particular place in reflection on the religious in the contemporary postsecular times: Miguel Delibes&#8217;s El hereje (1998), Rafael Chirbes&#8217;s Crematorio (2007), and Rafael Argullol&#8217;s Pasión del dios que quiso ser hombre (2014).]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Postsecular]]></kwd>
<kwd lng="es"><![CDATA[ilustración de portada]]></kwd>
<kwd lng="es"><![CDATA[Miguel Delibes]]></kwd>
<kwd lng="es"><![CDATA[Rafael Chirbes]]></kwd>
<kwd lng="es"><![CDATA[Rafael Argullol]]></kwd>
<kwd lng="en"><![CDATA[Postsecular]]></kwd>
<kwd lng="en"><![CDATA[cover illustrations]]></kwd>
<kwd lng="en"><![CDATA[Miguel Delibes]]></kwd>
<kwd lng="en"><![CDATA[Rafael Chirbes]]></kwd>
<kwd lng="en"><![CDATA[Rafael Argullol]]></kwd>
</kwd-group>
</article-meta>
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