<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2007-2538</journal-id>
<journal-title><![CDATA[Valenciana]]></journal-title>
<abbrev-journal-title><![CDATA[Valenciana]]></abbrev-journal-title>
<issn>2007-2538</issn>
<publisher>
<publisher-name><![CDATA[Universidad de Guanajuato, Departamentos de Filosofía y de Letras Hispánicas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2007-25382022000100057</article-id>
<article-id pub-id-type="doi">10.15174/rv.v14i29.559</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Lectura simbólica de ciertas adaptaciones del mito: de Orfeu da Conceição a Orfeu Negro]]></article-title>
<article-title xml:lang="en"><![CDATA[Symbolic reading of certain adaptations of the myth: from Orfeu da Conceiçao a Orfeu Negro]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Morales Campos]]></surname>
<given-names><![CDATA[Arturo]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Pardo Fernández]]></surname>
<given-names><![CDATA[Rodrigo]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Michoacana de San Nicolás de Hidalgo  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidad Michoacana de San Nicolás de Hidalgo  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2022</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2022</year>
</pub-date>
<volume>15</volume>
<numero>29</numero>
<fpage>57</fpage>
<lpage>80</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S2007-25382022000100057&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S2007-25382022000100057&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S2007-25382022000100057&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen La adaptación, o el paso de un texto cifrado en un código a otro código diferente, suele entenderse como una especie de traducción sin más. No obstante, las circunstancias sociohistóricas en las que se da esa &#8220;traducción&#8221; son altamente determinantes; es decir, algunas de las condiciones sociales bajo las que emerge el nuevo texto &#8220;adaptado&#8221; pueden integrarse y darle un sentido un tanto diferente, ya sea transcribiendo o criticando dichas circunstancias. El presente trabajo aborda el filme Orfeu Negro (1959), de Marcel Camus, con la finalidad de analizar determinados elementos textuales: signos, símbolos, mitos, etc., comunes en el contexto que emerge dicho texto. Estos elementos le imprimen una especificidad y, en adición, una serie de referencias ideológicas que, en gran medida, se opone a la percepción tradicional de la adaptación.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract It is common to understand adaptation as a simple translation. However, social-historic circumstances could be highly determining and significant within that &#8220;translation&#8221;. In other words, some social conditions in which the new text emerges can be integrated and give it a somewhat different meaning: either transcribing or criticizing these circumstances. This paper deals with the film Orfeu Negro (1959), by Marcel Camus, with the objective of analyzing certain textual elements: signs, symbols, myths, etc., common in the context that this text emerges. These elements give it specificity and, in addition, a series of ideological references, that, to a large extent, oppose the traditional perception of the term &#8216;adaptation&#8217;.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Orfeo]]></kwd>
<kwd lng="es"><![CDATA[mito]]></kwd>
<kwd lng="es"><![CDATA[símbolo]]></kwd>
<kwd lng="es"><![CDATA[código]]></kwd>
<kwd lng="es"><![CDATA[película]]></kwd>
<kwd lng="en"><![CDATA[Orpheus]]></kwd>
<kwd lng="en"><![CDATA[Myth]]></kwd>
<kwd lng="en"><![CDATA[Symbol]]></kwd>
<kwd lng="en"><![CDATA[Code]]></kwd>
<kwd lng="en"><![CDATA[Film]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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