<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1870-879X</journal-id>
<journal-title><![CDATA[En-claves del pensamiento]]></journal-title>
<abbrev-journal-title><![CDATA[En-clav. pen]]></abbrev-journal-title>
<issn>1870-879X</issn>
<publisher>
<publisher-name><![CDATA[Instituto Tecnológico y de Estudios Superiores de Monterrey, División de Humanidades y Ciencias Sociales]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1870-879X2020000200159</article-id>
<article-id pub-id-type="doi">10.46530/ecdp.v0i28.383</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[¿Dónde está Dante ahora? Street art: conservación, rechazo y eliminación. El caso de los mosaicos de Street art en Rávena, Italia]]></article-title>
<article-title xml:lang="en"><![CDATA[Where is Dante Now? Street Art: Conservation, Rejection and Elimination. The Case of the Street Art Mosaics in Ravenna, Italy]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Quintero Balbás]]></surname>
<given-names><![CDATA[Diego Iván]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Università di Bologna  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Italia</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2020</year>
</pub-date>
<volume>14</volume>
<numero>28</numero>
<fpage>159</fpage>
<lpage>183</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S1870-879X2020000200159&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S1870-879X2020000200159&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S1870-879X2020000200159&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen El street art o arte urbano presenta nuevos retos para la conservación del patrimonio cultural de una ciudad. El problema se revela complejo y requiere de un abordaje interdisciplinario que sigue en proceso de desarrollo. Varias son las preguntas que se presentan: ¿quién tiene la propiedad legal de dichas obras?; ¿cuáles son los instrumentos legales para protegerlas?; ¿qué hacer cuando las obras son rechazadas por la sociedad? Este artículo explora dos casos particulares de rechazo, vandalismo y eliminación de los mosaicos de Invader y Dicky Cock de street art, en Rávena, Italia.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract Conserving street art is a challenge. Is a complex problem that requires an interdisciplinary approach that currently is not clearly defined. There are several questions facing the problem of street art: Who is the owner? Are there any legal instruments to protect this artwork? What to do when the work of art is rejected by society? This paper explores two particular cases of rejection, vandalism and elimination of street art mosaics by Invader and Dicky Cock in Ravenna, Italy.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Street art]]></kwd>
<kwd lng="es"><![CDATA[mosaico]]></kwd>
<kwd lng="es"><![CDATA[conservación]]></kwd>
<kwd lng="es"><![CDATA[patrimonio cultural]]></kwd>
<kwd lng="es"><![CDATA[Rávena]]></kwd>
<kwd lng="en"><![CDATA[Street art]]></kwd>
<kwd lng="en"><![CDATA[mosaic]]></kwd>
<kwd lng="en"><![CDATA[conservation]]></kwd>
<kwd lng="en"><![CDATA[cultural heritage]]></kwd>
<kwd lng="en"><![CDATA[Ravenna]]></kwd>
</kwd-group>
</article-meta>
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