<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1870-1191</journal-id>
<journal-title><![CDATA[Culturales]]></journal-title>
<abbrev-journal-title><![CDATA[Culturales]]></abbrev-journal-title>
<issn>1870-1191</issn>
<publisher>
<publisher-name><![CDATA[Universidad Autónoma de Baja California, Instituto de Investigaciones Culturales-Museo]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1870-11912019000100109</article-id>
<article-id pub-id-type="doi">10.22234/recu.20190701.e452</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[La mirada etnográfica de Charles Chaplin: la crítica del capitalismo en Tiempos modernos]]></article-title>
<article-title xml:lang="en"><![CDATA[Charles Chaplin&#8217;s ethnographic gaze: critique of capitalism in Modern Times]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Radetich Filinich]]></surname>
<given-names><![CDATA[Natalia]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Cuevas Lara]]></surname>
<given-names><![CDATA[Grecia]]></given-names>
</name>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Autónoma Metropolitana  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Mexico</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2019</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2019</year>
</pub-date>
<volume>7</volume>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S1870-11912019000100109&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S1870-11912019000100109&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S1870-11912019000100109&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: Tiempos modernos, de Charles Chaplin, constituye uno de los documentos culturales más reveladores del sentido profundo de la organización capitalista del trabajo. ¿Cómo interpela nuestra contemporaneidad esa película de vieja factura? ¿Qué puede extraerse, para una antropología del capitalismo, de ese viejo documento ficcional? A través de un análisis de la cinematografía de Chaplin y, sobre todo, de las primeras escenas de Tiempos modernos, se plantea que la ficción chapliniana permite desplegar una interrogación crítica sobre algunos rasgos fundamentales de la racionalidad capitalista y de su violencia intrínseca. Pensando a Chaplin como una suerte de etnógrafo del capitalismo, se examina su crítica a la relación entre capitalismo y marginalidad, a la experiencia moderna del tiempo y al sentido de la tecnología del capital. Deteniéndonos en estos núcleos de problematización, analizamos la crítica chapliniana a un modo de producción que, centrado en la acumulación privada, engendra un malestar colectivo de múltiples dimensiones.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: Charles Chaplin&#8217;s Modern Times is one of the most revealing cultural documents about the deep sense of capitalist organization of work. How does that old-time film interpellates our contemporaneity? Could something be extracted about that old fictional document for an anthropology of capitalism? Through an analysis of Chaplin&#8217;s cinematography, and especially of Modern Times first scenes, this article sets that chaplinian fiction allows critical questioning about some essential characteristics of capitalist rationality and its intrinsecal violence. Thinking Chaplin as a sort of ethnographer of capitalism, we examine his critique of the relationship between capitalism and marginality, of the modern experience of time, and of the meaning of technology of capital. Stopping at these medullar points of problematization, we analize the chaplinian critic of the mode of production that, centered on private accumulation, produces a collective discomfort of multiple dimensions.]]></p></abstract>
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<kwd lng="es"><![CDATA[Charles Chaplin]]></kwd>
<kwd lng="es"><![CDATA[cine]]></kwd>
<kwd lng="es"><![CDATA[capitalismo]]></kwd>
<kwd lng="es"><![CDATA[trabajo]]></kwd>
<kwd lng="es"><![CDATA[tecnología]]></kwd>
<kwd lng="en"><![CDATA[Charles Chaplin]]></kwd>
<kwd lng="en"><![CDATA[cinema]]></kwd>
<kwd lng="en"><![CDATA[capitalism]]></kwd>
<kwd lng="en"><![CDATA[work]]></kwd>
<kwd lng="en"><![CDATA[technology]]></kwd>
</kwd-group>
</article-meta>
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