<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0188-6649</journal-id>
<journal-title><![CDATA[Tópicos (México)]]></journal-title>
<abbrev-journal-title><![CDATA[Tópicos (México)]]></abbrev-journal-title>
<issn>0188-6649</issn>
<publisher>
<publisher-name><![CDATA[Universidad Panamericana, Facultad de Filosofía]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0188-66492025000300231</article-id>
<article-id pub-id-type="doi">10.21555/top.v730.2997</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[El baile en Metafísica de la juventud de Walter Benjamin]]></article-title>
<article-title xml:lang="en"><![CDATA[Dance in Walter Benjamin&#8217;s The Metaphysics of Youth]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Hlebovich]]></surname>
<given-names><![CDATA[Ludmila]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Nacional de La Plata  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Argentina</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2025</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2025</year>
</pub-date>
<numero>73</numero>
<fpage>231</fpage>
<lpage>251</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0188-66492025000300231&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0188-66492025000300231&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0188-66492025000300231&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen. En este artículo proponemos un análisis del apartado &#8220;El baile&#8221; de Metafísica de la juventud, de Walter Benjamin. Puntualmente, nos preguntamos por los motivos que llevaron al joven Benjamin a trazar una imagen de la danza y evaluamos si allí otorga a la filosofía un rol jerárquico. Al respecto consideramos que Benjamin recurre al baile para contribuir al movimiento cultural del Jugendbewegung, para lo cual cuenta con referencias artísticas e intelectuales en las que aparece la danza. Asimismo, puesto que Benjamin se involucra en la escena del baile, sostenemos que no toma una posición de espectador objetivante sobre la danza, sino que, a través de ella, expone un movimiento de reforma cultural.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract. In this paper, we propose an analysis of the section &#8220;The Ball&#8221; in Walter Benjamin&#8217;s The Metaphysics of Youth. In particular, we consider the reasons that led Benjamin to draw an image of dance, and we evaluate whether he confers a hierarchical role to philosophy. In this regard, we suggest that, based on artistic and intellectual sources which include dance, Benjamin refers to the latter in order to contribute to the cultural movement of Jugendbewegung. In addition, given that Benjamin is involved in the image of dance, we argue that he does not take the position of an objectifying spectator, but rather intends to showcase a movement of cultural reform through dance.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[baile]]></kwd>
<kwd lng="es"><![CDATA[Metafísica de la juventud]]></kwd>
<kwd lng="es"><![CDATA[imagen de la danza]]></kwd>
<kwd lng="es"><![CDATA[filosofía de la danza]]></kwd>
<kwd lng="es"><![CDATA[espectador objetivante]]></kwd>
<kwd lng="es"><![CDATA[movimiento cultural]]></kwd>
<kwd lng="es"><![CDATA[filosofía del arte]]></kwd>
<kwd lng="es"><![CDATA[Walter Benjamin]]></kwd>
<kwd lng="es"><![CDATA[Nietzsche]]></kwd>
<kwd lng="es"><![CDATA[Ibsen]]></kwd>
<kwd lng="es"><![CDATA[Strindberg]]></kwd>
<kwd lng="en"><![CDATA[ball]]></kwd>
<kwd lng="en"><![CDATA[The Metaphysics of Youth]]></kwd>
<kwd lng="en"><![CDATA[image of dance]]></kwd>
<kwd lng="en"><![CDATA[philosophy of dance]]></kwd>
<kwd lng="en"><![CDATA[objectifying spectator]]></kwd>
<kwd lng="en"><![CDATA[cultural movement]]></kwd>
<kwd lng="en"><![CDATA[philosophy of art]]></kwd>
<kwd lng="en"><![CDATA[Walter Benjamin]]></kwd>
<kwd lng="en"><![CDATA[Nietzsche]]></kwd>
<kwd lng="en"><![CDATA[Ibsen]]></kwd>
<kwd lng="en"><![CDATA[Strindberg]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Badiou]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[La danza como metáfora del pensamiento]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Badiou]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
<name>
<surname><![CDATA[Molina]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
<name>
<surname><![CDATA[Vogelfang]]></surname>
<given-names><![CDATA[L.]]></given-names>
</name>
<name>
<surname><![CDATA[Caputo]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
<name>
<surname><![CDATA[Burello]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<source><![CDATA[Pequeño manual de inestética]]></source>
<year>2009</year>
<page-range>105-20</page-range><publisher-name><![CDATA[Prometeo]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bardet]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
<name>
<surname><![CDATA[Ires]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
</person-group>
<source><![CDATA[Pensar con mover. Un encuentro entre danza y filosofía]]></source>
<year>2012</year>
<publisher-name><![CDATA[Cactus]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bardet]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Paul Valéry y La Argentina, una escena com-partida entre palabras y gestos]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Muñoz]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
<name>
<surname><![CDATA[Vela]]></surname>
<given-names><![CDATA[L.]]></given-names>
</name>
</person-group>
<source><![CDATA[Afecciones, cuerpos y escrituras: políticas de la subjetividad]]></source>
<year>2013</year>
<page-range>203-14</page-range><publisher-name><![CDATA[Universidad Nacional de Cuyo]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bardet]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
<name>
<surname><![CDATA[Ires]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
</person-group>
<source><![CDATA[Perder la cara]]></source>
<year>2021</year>
<publisher-name><![CDATA[Cactus]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Benjamin]]></surname>
<given-names><![CDATA[W.]]></given-names>
</name>
<name>
<surname><![CDATA[Scholem]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
<name>
<surname><![CDATA[Adorno]]></surname>
<given-names><![CDATA[T.]]></given-names>
</name>
</person-group>
<source><![CDATA[Briefe. I]]></source>
<year>1978</year>
<publisher-name><![CDATA[Suhrkamp]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B6">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Benjamin]]></surname>
<given-names><![CDATA[W.]]></given-names>
</name>
<name>
<surname><![CDATA[Tiedemann]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
<name>
<surname><![CDATA[Schweppenhäuser]]></surname>
<given-names><![CDATA[H.]]></given-names>
</name>
</person-group>
<source><![CDATA[Gesammelte Schriften. Band II-1]]></source>
<year>1991</year>
<publisher-name><![CDATA[Suhrkamp]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B7">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Benjamin]]></surname>
<given-names><![CDATA[W.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Diálogo sobre la religiosidad del presente]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Navarro-Pérez]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<source><![CDATA[Obras. Libro II. Vol. 1]]></source>
<year>2007</year>
<page-range>17-35</page-range><publisher-name><![CDATA[Abada]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B8">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Benjamin]]></surname>
<given-names><![CDATA[W.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Educación erótica]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Navarro-Pérez]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<source><![CDATA[Obras. Libro II. Vol. 1]]></source>
<year>2007</year>
<page-range>73-4</page-range><publisher-name><![CDATA[Abada]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B9">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Benjamin]]></surname>
<given-names><![CDATA[W.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[El surrealismo. La última instantánea de la inteligencia europea]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Navarro-Pérez]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<source><![CDATA[Obras. Libro II. Vol. 1]]></source>
<year>2007</year>
<page-range>301-16</page-range><publisher-name><![CDATA[Abada]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B10">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Benjamin]]></surname>
<given-names><![CDATA[W.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Experiencia]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Navarro-Pérez]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<source><![CDATA[Obras. Libro II. Vol. 1]]></source>
<year>2007</year>
<page-range>54-6</page-range><publisher-name><![CDATA[Abada]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B11">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Benjamin]]></surname>
<given-names><![CDATA[W.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[La bella durmiente]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Navarro-Pérez]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<source><![CDATA[Obras. Libro II. Vol. 1]]></source>
<year>2007</year>
<page-range>9-13</page-range><publisher-name><![CDATA[Abada]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B12">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Benjamin]]></surname>
<given-names><![CDATA[W.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[La reforma escolar, un movimiento cultural]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Navarro-Pérez]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<source><![CDATA[Obras. Libro II. Vol. 1]]></source>
<year>2007</year>
<page-range>13-6</page-range><publisher-name><![CDATA[Abada]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B13">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Benjamin]]></surname>
<given-names><![CDATA[W.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[La vida de los estudiantes]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Navarro-Pérez]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<source><![CDATA[Obras. Libro II. Vol. 1]]></source>
<year>2007</year>
<page-range>77-89</page-range><publisher-name><![CDATA[Abada]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B14">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Benjamin]]></surname>
<given-names><![CDATA[W.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Metafísica de la juventud]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Navarro-Pérez]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<source><![CDATA[Obras. Libro II. Vol. 1]]></source>
<year>2007</year>
<page-range>93-107</page-range><publisher-name><![CDATA[Abada]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B15">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Benjamin]]></surname>
<given-names><![CDATA[W.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Romanticismo]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Navarro-Pérez]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<source><![CDATA[En Obras. Libro II. Vol. 1]]></source>
<year>2007</year>
<publisher-name><![CDATA[Abada]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B16">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Benjamin]]></surname>
<given-names><![CDATA[W.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Sobre el &#8220;Gymnasium&#8221; humanista]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Navarro-Pérez]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<source><![CDATA[Obras. Libro II. Vol. 1]]></source>
<year>2007</year>
<month>j</month>
<page-range>39-42</page-range><publisher-name><![CDATA[Abada]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B17">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Benjamin]]></surname>
<given-names><![CDATA[W.]]></given-names>
</name>
<name>
<surname><![CDATA[Barja]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<source><![CDATA[Obras. Libro V. Vol. 1]]></source>
<year>2013</year>
<publisher-name><![CDATA[Abada]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B18">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Benjamin]]></surname>
<given-names><![CDATA[W.]]></given-names>
</name>
<name>
<surname><![CDATA[Barja]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<source><![CDATA[Obras. Libro V. Vol. 2]]></source>
<year>2015</year>
<publisher-name><![CDATA[Abada]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B19">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Cavalletti]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<source><![CDATA[Clase. El despertar de la multitud]]></source>
<year>2013</year>
<publisher-name><![CDATA[Adriana Hidalgo]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B20">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Cragnolini]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<source><![CDATA[Nietzsche, camino y demora]]></source>
<year>2003</year>
<publisher-name><![CDATA[Biblos]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B21">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[George]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<source><![CDATA[The Naked Truth. Viennese Modernism and the Body]]></source>
<year>2020</year>
<publisher-name><![CDATA[The University of Chicago Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B22">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Hlebovich]]></surname>
<given-names><![CDATA[L.]]></given-names>
</name>
</person-group>
<source><![CDATA[Experiencia, cuerpo y montaje: una lectura sobre la subjetividad como problema semejante entre la filosofía de Walter Benjamin y el teatro-danza de Pina Bausch]]></source>
<year>2021</year>
<publisher-name><![CDATA[Universidad Nacional de La Plata]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B23">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Ibsen]]></surname>
<given-names><![CDATA[H.]]></given-names>
</name>
<name>
<surname><![CDATA[Kupchik]]></surname>
<given-names><![CDATA[C.]]></given-names>
</name>
</person-group>
<source><![CDATA[Casa de muñecas]]></source>
<year>2016</year>
<publisher-name><![CDATA[Losada]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B24">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Jarque]]></surname>
<given-names><![CDATA[V.]]></given-names>
</name>
</person-group>
<source><![CDATA[Imagen y metáfora. La estética de Walter Benjamin]]></source>
<year>1992</year>
<publisher-name><![CDATA[Ediciones de la Universidad de Castilla-La Mancha]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B25">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Jennings]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
<name>
<surname><![CDATA[Eiland]]></surname>
<given-names><![CDATA[H.]]></given-names>
</name>
</person-group>
<source><![CDATA[Walter Benjamin: A Critical Life]]></source>
<year>2014</year>
<publisher-name><![CDATA[The Belknap Press of Harvard University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B26">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Levin]]></surname>
<given-names><![CDATA[D.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Philosophers and the Dance]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Copeland]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
<name>
<surname><![CDATA[Cohen]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<source><![CDATA[What Is Dance? Readings in Theory and Criticism]]></source>
<year>1983</year>
<page-range>85-93</page-range><publisher-name><![CDATA[Oxford University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B27">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Mateos de Manuel]]></surname>
<given-names><![CDATA[V.]]></given-names>
</name>
</person-group>
<source><![CDATA[El silencio de Salomé. Ensayos coreográficos sobre lo dionisíaco en la modernidad]]></source>
<year>2019</year>
<publisher-name><![CDATA[Plaza y Valdés Editores]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B28">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Nancy]]></surname>
<given-names><![CDATA[J. L.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Dance as Image - Image as Dance]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Brandstetter]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
<name>
<surname><![CDATA[Hartung]]></surname>
<given-names><![CDATA[H.]]></given-names>
</name>
</person-group>
<source><![CDATA[Moving (Across) Borders. Performing Translation, Intervention, Participation]]></source>
<year>2017</year>
<page-range>43-54</page-range><publisher-name><![CDATA[Transcript]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B29">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Nancy]]></surname>
<given-names><![CDATA[J.L.]]></given-names>
</name>
<name>
<surname><![CDATA[Monnier]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<source><![CDATA[Allitérations. Conversations sur la danse]]></source>
<year>2005</year>
<publisher-name><![CDATA[Galilée]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B30">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Nietzsche]]></surname>
<given-names><![CDATA[F.]]></given-names>
</name>
<name>
<surname><![CDATA[García-Borrón]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<source><![CDATA[Así habló Zarathustra]]></source>
<year>1992</year>
<publisher-name><![CDATA[Planeta-De Agostini]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B31">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Pérez Royo]]></surname>
<given-names><![CDATA[V.]]></given-names>
</name>
</person-group>
<source><![CDATA[Cuerpos fuera de sí. Figuras de la inclinación en las artes vivas y las protestas sociales]]></source>
<year>2022</year>
<publisher-name><![CDATA[Ediciones DocumentA/Escénicas]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B32">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Pouillaude]]></surname>
<given-names><![CDATA[F.]]></given-names>
</name>
</person-group>
<source><![CDATA[Unworking Choreography: The Notion of the Work in Dance]]></source>
<year>2017</year>
<publisher-name><![CDATA[Oxford University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B33">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Rancière]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
<name>
<surname><![CDATA[Pons]]></surname>
<given-names><![CDATA[H.]]></given-names>
</name>
</person-group>
<source><![CDATA[Aisthesis. Escenas del régimen estético del arte]]></source>
<year>2018</year>
<publisher-name><![CDATA[Manantial]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B34">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Rancière]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
<name>
<surname><![CDATA[Manrique]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<source><![CDATA[Tiempos modernos. Ensayos sobre la temporalidad en el arte y la política]]></source>
<year>2018</year>
<publisher-name><![CDATA[Contracampo]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B35">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Sparshott]]></surname>
<given-names><![CDATA[F.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Why Philosophy Neglects Dance]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Copeland]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
<name>
<surname><![CDATA[Cohen]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<source><![CDATA[What Is Dance? Readings in Theory and Criticism]]></source>
<year>1983</year>
<page-range>94-102</page-range><publisher-name><![CDATA[Oxford University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B36">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Strindberg]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
<name>
<surname><![CDATA[Liscano]]></surname>
<given-names><![CDATA[C.]]></given-names>
</name>
</person-group>
<source><![CDATA[La señorita Julia]]></source>
<year>2011</year>
<publisher-name><![CDATA[Losada]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B37">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Valéry]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
<name>
<surname><![CDATA[Châtenois]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
</person-group>
<source><![CDATA[Filosofía de la danza]]></source>
<year>2016</year>
<publisher-name><![CDATA[Casimiro]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B38">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Vargas]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[La Bella Durmiente y el motivo del despertar de la juventud en el Walter Benjamin temprano]]></article-title>
<source><![CDATA[Revista de Filosofía y Teoría Política]]></source>
<year>2015</year>
<volume>45</volume>
</nlm-citation>
</ref>
<ref id="B39">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Walkowitz]]></surname>
<given-names><![CDATA[J. R.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Sexualidades peligrosas]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Duby]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
<name>
<surname><![CDATA[Perrot]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<source><![CDATA[Historia de las mujeres. El siglo XIX]]></source>
<year>1993</year>
<page-range>346-79</page-range><publisher-name><![CDATA[Taurus]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B40">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Weigel]]></surname>
<given-names><![CDATA[S.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Eros]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Opitz]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
<name>
<surname><![CDATA[Wizisla]]></surname>
<given-names><![CDATA[E.]]></given-names>
</name>
<name>
<surname><![CDATA[Belforte]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
<name>
<surname><![CDATA[Vedda]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<source><![CDATA[Conceptos de Walter Benjamin]]></source>
<year>2014</year>
<page-range>417-78</page-range><publisher-name><![CDATA[Las Cuarenta]]></publisher-name>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
