<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0185-1276</journal-id>
<journal-title><![CDATA[Anales del Instituto de Investigaciones Estéticas]]></journal-title>
<abbrev-journal-title><![CDATA[An. Inst. Investig. Estét]]></abbrev-journal-title>
<issn>0185-1276</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Estéticas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0185-12762024000100225</article-id>
<article-id pub-id-type="doi">10.22201/iie.18703062e.2024.124.2856</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Sistematización de la propuesta infraleve de Marcel Duchamp como categoría estética]]></article-title>
<article-title xml:lang="en"><![CDATA[Systematization of Marcel Duchamp&#8217;s infrathin Proposal as an Aesthetic Category]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Torre Llorente]]></surname>
<given-names><![CDATA[Elisa de la]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Francisco de Vitoria  ]]></institution>
<addr-line><![CDATA[Madrid ]]></addr-line>
<country>Spain</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2024</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2024</year>
</pub-date>
<volume>46</volume>
<numero>124</numero>
<fpage>225</fpage>
<lpage>252</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0185-12762024000100225&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0185-12762024000100225&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0185-12762024000100225&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Este artículo analiza el poco difundido concepto infraleve, propuesto de manera críptica por Duchamp en 1914. Con él se refería a aquellas observaciones particulares de la vida anotadas en un cuaderno y que, conectadas por un nexo ambiguo, agrupó bajo este término, dejando a la libre interpretación del lector la decodificación de su contenido. Fruto de un largo camino conceptual que desemboca en la negación de lo visual, lo infraleve recoge múltiples y variadas acepciones y supone, por ello, un concepto bastante difícil de explicar y definir por lo complejo de su significado. La propuesta de esta investigación sintetiza a diferentes autores conocedores de la obra de Duchamp, y concluye que la relación de significación entre todas sus acepciones guarda un sentido metafísico en torno a la contingencia de la realidad. Por último, se propone una sistematización que se ajusta a todas sus posibles variantes para su mayor comprensión y posible aplicación como categoría estética artística.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The article analyzes the little-known concept of infrathin, introduced cryptically by Duchamp in a notebook in 1914. The artist used it at several moments subsequently in reference to particular observations of life which he grouped using this term as an ambiguous link and leaving the decoding of its content to the free interpretation of the reader. Fruit of a long conceptual path that leads to the denial of the visual, the infrathin collects multiple and varied meanings; thus its complexity makes it a quite difficult concept to explain and define. The text synthesizes the work of a number of authors versed in Duchamp&#8217;s work, and comes to the conclusion that the relationship between all the different meanings lies in a metaphysical sense concerned with the contingency of reality. Finally, it proposes a systematization that adjusts to all possible variants for a greater understanding and possible application as an artistic-aesthetic category.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Infraleve]]></kwd>
<kwd lng="es"><![CDATA[Duchamp]]></kwd>
<kwd lng="es"><![CDATA[conceptual]]></kwd>
<kwd lng="es"><![CDATA[estética]]></kwd>
<kwd lng="es"><![CDATA[contemporánea]]></kwd>
<kwd lng="en"><![CDATA[Infrathin]]></kwd>
<kwd lng="en"><![CDATA[Duchamp]]></kwd>
<kwd lng="en"><![CDATA[conceptual]]></kwd>
<kwd lng="en"><![CDATA[contemporary]]></kwd>
<kwd lng="en"><![CDATA[aesthetics]]></kwd>
</kwd-group>
</article-meta>
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