<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0185-1276</journal-id>
<journal-title><![CDATA[Anales del Instituto de Investigaciones Estéticas]]></journal-title>
<abbrev-journal-title><![CDATA[An. Inst. Investig. Estét]]></abbrev-journal-title>
<issn>0185-1276</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Estéticas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0185-12762020000100029</article-id>
<article-id pub-id-type="doi">10.22201/iie.18703062e.2020.116.2714</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[El espacio participativo y la espectaduría en el museo. Una problemática y una respuesta sobre el uso del espacio expositivo actual]]></article-title>
<article-title xml:lang="en"><![CDATA[Participatory Space and the Spectatorship in the Museum. A Problem and an Answer About the Use of today&#8217;s Exhibition Space]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Mouratidis]]></surname>
<given-names><![CDATA[Ioannis]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Nacional de Educación a Distancia  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>España</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2020</year>
</pub-date>
<volume>42</volume>
<numero>116</numero>
<fpage>29</fpage>
<lpage>59</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0185-12762020000100029&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0185-12762020000100029&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0185-12762020000100029&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen El espacio no es un simple escenario donde se depositan cosas y hechos sino una entidad autónoma construida socialmente. El arte actual crea espacios donde desarrollarse, con el objetivo de fomentar el surgimiento de relaciones en ellos. El presente artículo parte de esa idea de reconside-ración del espacio artístico y su importancia en el desarrollo de relaciones estéticas y sociales para ver cómo el museo puede aplicarla en la renovación de su espacio expositivo. Al tener presentes las perspectivas teóricas sobre la construcción social del espacio y relacionando la construcción espacial de ciertas experiencias artísticas participativas de principios del siglo XX con algunas realizaciones presentadas en la última edición de documenta, se propone investigar las articulaciones espaciales de esas experiencias con su forma de exposición. El tema de este artículo es cómo pasar de un espacio museístico representacional, construido de forma historicista, lineal, nacionalista y exclusiva, a un espacio expositivo participativo de autoría compartida que represente una ciudadanía cambiante.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract Space is not just a place where things and acts are deposited but an autonomous socially constructed entity. Art creates spaces where it develops with the determination to foment the emergence of relationships in them. This paper is based on the idea of a reconsidered artistic space and its importance in the development of aesthetic and social relationships to see how the museum can apply this idea in the renovation of its exhibition space. Keeping in mind the theoretical perspectives on the social construction of space and relating the spatial construction of certain participatory artistic experiences of the early twentieth century with some realizations presented in the last edition of documenta, the spatial articulations of these experiences with their form of exposition is researched. How to move from a museum representational space that is built on a historicist, linear, nationalist and exclusive way, to a participatory exhibition space of a shared authorship that represents a changing society, is the central issue.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Museos]]></kwd>
<kwd lng="es"><![CDATA[colonialismo]]></kwd>
<kwd lng="es"><![CDATA[espacio expositivo]]></kwd>
<kwd lng="es"><![CDATA[arte participativo]]></kwd>
<kwd lng="es"><![CDATA[relaciones estéticas]]></kwd>
<kwd lng="es"><![CDATA[EMST]]></kwd>
<kwd lng="es"><![CDATA[documenta]]></kwd>
<kwd lng="en"><![CDATA[Museum]]></kwd>
<kwd lng="en"><![CDATA[colonialism]]></kwd>
<kwd lng="en"><![CDATA[exhibition space]]></kwd>
<kwd lng="en"><![CDATA[participatory art]]></kwd>
<kwd lng="en"><![CDATA[relational aesthetics]]></kwd>
<kwd lng="en"><![CDATA[EMST]]></kwd>
<kwd lng="en"><![CDATA[documenta]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Szymczyk]]></surname>
<given-names><![CDATA[Adam]]></given-names>
</name>
<name>
<surname><![CDATA[Latimer]]></surname>
<given-names><![CDATA[Quinn]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[&#917;&#960;&#945;&#957;&#945;&#955;&#951;&#968;&#953;&#956;&#972;&#964;&#951;&#964;&#945; &#954;&#945;&#953; &#949;&#964;&#949;&#961;&#972;&#964;&#951;&#964;&#945; - &#956;&#945;&#952;&#945;&#953;&#957;&#959;&#957;&#964;&#945;&#962; &#954;&#945;&#953; &#948;&#959;&#965;&#955;&#949;&#965;&#959;&#957;&#964;&#945;&#962; &#945;&#960;&#959; &#964;&#951;&#957; &#913;&#952;&#951;&#957;&#945;]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Szymczyk]]></surname>
<given-names><![CDATA[Adam]]></given-names>
</name>
</person-group>
<source><![CDATA[Documenta 14 Reader]]></source>
<year>2017</year>
<page-range>19-42</page-range><publisher-loc><![CDATA[Múnich ]]></publisher-loc>
<publisher-name><![CDATA[Prestel Verlag]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Buttlar]]></surname>
<given-names><![CDATA[Adrian von]]></given-names>
</name>
<name>
<surname><![CDATA[Gil Aristu]]></surname>
<given-names><![CDATA[José Luis]]></given-names>
</name>
</person-group>
<source><![CDATA[Jardines del clasicismo y romanticismo. El jardín paisajista]]></source>
<year>1993</year>
<page-range>179-84</page-range><publisher-loc><![CDATA[Madrid ]]></publisher-loc>
<publisher-name><![CDATA[Nerea]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bishop]]></surname>
<given-names><![CDATA[Claire]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Antagonism and Relational Aesthetics]]></article-title>
<source><![CDATA[October]]></source>
<year>2004</year>
<numero>110</numero>
<issue>110</issue>
<page-range>51-79</page-range></nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bishop]]></surname>
<given-names><![CDATA[Claire]]></given-names>
</name>
<name>
<surname><![CDATA[Galina Vaca]]></surname>
<given-names><![CDATA[Israel]]></given-names>
</name>
</person-group>
<source><![CDATA[Infiernos artificiales: arte participativo y políticas de espectaduría]]></source>
<year>2016</year>
<publisher-loc><![CDATA[Guadalajara, México ]]></publisher-loc>
<publisher-name><![CDATA[T-e-eoria]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Harvey]]></surname>
<given-names><![CDATA[David]]></given-names>
</name>
</person-group>
<source><![CDATA[Spaces of Capital. Towards a Critical Geography]]></source>
<year>2002</year>
<publisher-loc><![CDATA[Londres ]]></publisher-loc>
<publisher-name><![CDATA[Routledge]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B6">
<nlm-citation citation-type="journal">
<collab>documenta</collab>
<article-title xml:lang=""><![CDATA[Art of the Twentieth Century. International Exhibition]]></article-title>
<source><![CDATA[Documenta]]></source>
<year>1955</year>
</nlm-citation>
</ref>
<ref id="B7">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Massey]]></surname>
<given-names><![CDATA[Doreen]]></given-names>
</name>
</person-group>
<source><![CDATA[Space, Place and Gender]]></source>
<year>1994</year>
<publisher-loc><![CDATA[Cambridge ]]></publisher-loc>
<publisher-name><![CDATA[Polity Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B8">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Said]]></surname>
<given-names><![CDATA[Edward]]></given-names>
</name>
<name>
<surname><![CDATA[Fuentes]]></surname>
<given-names><![CDATA[María Luisa]]></given-names>
</name>
</person-group>
<source><![CDATA[El orientalismo]]></source>
<year>2010</year>
<publisher-loc><![CDATA[Barcelona ]]></publisher-loc>
<publisher-name><![CDATA[DeBolsillo]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B9">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Lefebvre]]></surname>
<given-names><![CDATA[Henri]]></given-names>
</name>
<name>
<surname><![CDATA[Martínez]]></surname>
<given-names><![CDATA[Emilio]]></given-names>
</name>
</person-group>
<source><![CDATA[La producción del espacio]]></source>
<year>2013</year>
<publisher-loc><![CDATA[Madrid ]]></publisher-loc>
<publisher-name><![CDATA[Capitán Swing]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B10">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bhabha]]></surname>
<given-names><![CDATA[Homi]]></given-names>
</name>
<name>
<surname><![CDATA[Aira]]></surname>
<given-names><![CDATA[César]]></given-names>
</name>
</person-group>
<source><![CDATA[El lugar de la cultura]]></source>
<year>2011</year>
<publisher-loc><![CDATA[Buenos Aires ]]></publisher-loc>
<publisher-name><![CDATA[Manantial]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B11">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bourriaud]]></surname>
<given-names><![CDATA[Nicolas]]></given-names>
</name>
</person-group>
<source><![CDATA[Esthétique relationnelle]]></source>
<year>1998</year>
<publisher-loc><![CDATA[Dijón ]]></publisher-loc>
<publisher-name><![CDATA[Presses du Réel]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B12">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Helguera]]></surname>
<given-names><![CDATA[Pablo]]></given-names>
</name>
</person-group>
<source><![CDATA[Education for Socially Engaged Art. A Materials and Techniques Handbook]]></source>
<year>2011</year>
<publisher-loc><![CDATA[Nueva York ]]></publisher-loc>
<publisher-name><![CDATA[Jorge Pinto Books]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B13">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Latimer]]></surname>
<given-names><![CDATA[Quinn]]></given-names>
</name>
<name>
<surname><![CDATA[Szymczyk]]></surname>
<given-names><![CDATA[Adam]]></given-names>
</name>
</person-group>
<source><![CDATA[Athens, D 14: Day Book. Map Booklet]]></source>
<year>2017</year>
<page-range>4</page-range><publisher-loc><![CDATA[Múnich ]]></publisher-loc>
<publisher-name><![CDATA[Prestel Verlag]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B14">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Argullol]]></surname>
<given-names><![CDATA[Rafael]]></given-names>
</name>
</person-group>
<source><![CDATA[La atracción del abismo. Un itinerario por el paisaje romántico]]></source>
<year>2006</year>
<page-range>12</page-range><publisher-loc><![CDATA[Barcelona ]]></publisher-loc>
<publisher-name><![CDATA[Acantilado]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B15">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bennett]]></surname>
<given-names><![CDATA[Tony]]></given-names>
</name>
</person-group>
<source><![CDATA[The Birth of the Museum: History, Theory, Politics]]></source>
<year>1995</year>
<page-range>59-88</page-range><publisher-loc><![CDATA[Londres ]]></publisher-loc>
<publisher-name><![CDATA[Routledge]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B16">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Mignolo]]></surname>
<given-names><![CDATA[Walter D.]]></given-names>
</name>
<name>
<surname><![CDATA[Madariaga]]></surname>
<given-names><![CDATA[Juanmari]]></given-names>
</name>
<name>
<surname><![CDATA[Vega Solís]]></surname>
<given-names><![CDATA[Cristina]]></given-names>
</name>
</person-group>
<source><![CDATA[Historias locales / diseños globales. Colonialidad, conocimientos subalternos y pensamiento fronterizo]]></source>
<year>2003</year>
<publisher-loc><![CDATA[Madrid ]]></publisher-loc>
<publisher-name><![CDATA[Akal]]></publisher-name>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
