<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2448-5705</journal-id>
<journal-title><![CDATA[Inter disciplina]]></journal-title>
<abbrev-journal-title><![CDATA[Inter disciplina]]></abbrev-journal-title>
<issn>2448-5705</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Centro de Investigaciones Interdisciplinarias en Ciencias y Humanidades]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2448-57052025000100045</article-id>
<article-id pub-id-type="doi">10.22201/ceiich.24485705e.2025.35.90098</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Un acercamiento a la historiofotía y la contravisualidad de las representaciones visuales afroamericanas]]></article-title>
<article-title xml:lang="en"><![CDATA[An approach to the historiophoty and countervisuality of Afro-American visual representations]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Sánchez Menchero]]></surname>
<given-names><![CDATA[Mauricio]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Nacional Autónoma de México Centro de Investigaciones Interdisciplinarias en Ciencias y Humanidades ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Mexico</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>04</month>
<year>2025</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>04</month>
<year>2025</year>
</pub-date>
<volume>13</volume>
<numero>35</numero>
<fpage>45</fpage>
<lpage>66</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S2448-57052025000100045&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S2448-57052025000100045&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S2448-57052025000100045&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen El artículo destaca la importancia de considerar, desde un punto de vista parahistoriográfico y con diferentes dispositivos de imágenes fijas y en movimiento -pintura, foto y cine-, el manejo de lo visual para construir un relato historiográfico o de historiofotía de las representaciones visuales de los afroamericanos. Esto se logra mediante el análisis de un dispositivo visual a través de tres tipos de productos plásticos, fotográficos y fílmicos creados a lo largo de los siglos XIX y XX. De esta forma, con la categoría de historiofotía se identificaron algunos casos en los cuales se manifestaron expresiones de poder desde la imposición visual y su resistencia desde la contravisualidad como ha sido el caso de la comunidad afroamericana.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The article highlights the importance of considering, from a parahistoriographic perspective and with different devices of still and moving images -painting, photography, and film-, the management of the visual to construct a historiographic narrative or historiophoty of the visual representation of African Americans. This is achieved through the analysis of a visual device through three types of plastic, photographic, and filmic products created throughout the 19th and 20th centuries. This way, with the category of historiophoty, some cases were identified where expressions of power were manifested through visual imposition and their resistance through counter-visuality, as has been the case with the Afro-American community.]]></p></abstract>
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<kwd lng="es"><![CDATA[Historiofotía]]></kwd>
<kwd lng="es"><![CDATA[parahistoriografía]]></kwd>
<kwd lng="es"><![CDATA[dispositivo]]></kwd>
<kwd lng="es"><![CDATA[visualidad]]></kwd>
<kwd lng="es"><![CDATA[contravisualidad]]></kwd>
<kwd lng="en"><![CDATA[Historiophoty]]></kwd>
<kwd lng="en"><![CDATA[parahistoriography]]></kwd>
<kwd lng="en"><![CDATA[device]]></kwd>
<kwd lng="en"><![CDATA[visuality]]></kwd>
<kwd lng="en"><![CDATA[countervisuality]]></kwd>
</kwd-group>
</article-meta>
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</person-group>
<source><![CDATA[Bélizaire and the Frey children]]></source>
<year>1837</year>
<publisher-name><![CDATA[The Metropolitan Museum of Art]]></publisher-name>
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<ref id="B37">
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<person-group person-group-type="author">
<name>
<surname><![CDATA[Douglass]]></surname>
<given-names><![CDATA[Frederick]]></given-names>
</name>
</person-group>
<source><![CDATA[Photograph]]></source>
<year>1877</year>
<publisher-name><![CDATA[The Library of Congress]]></publisher-name>
</nlm-citation>
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<ref id="B38">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Jenkins]]></surname>
<given-names><![CDATA[Barry]]></given-names>
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</person-group>
<source><![CDATA[The underground railroad]]></source>
<year>2021</year>
<publisher-name><![CDATA[Amazon]]></publisher-name>
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<ref id="B39">
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<person-group person-group-type="author">
<name>
<surname><![CDATA[Sargent]]></surname>
<given-names><![CDATA[Joseph]]></given-names>
</name>
</person-group>
<source><![CDATA[Miss Evers&#8217; boys]]></source>
<year>1997</year>
<publisher-name><![CDATA[HBO]]></publisher-name>
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</back>
</article>
