<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2007-3607</journal-id>
<journal-title><![CDATA[PAAKAT: revista de tecnología y sociedad]]></journal-title>
<abbrev-journal-title><![CDATA[PAAKAT: rev. tecnol. soc.]]></abbrev-journal-title>
<issn>2007-3607</issn>
<publisher>
<publisher-name><![CDATA[Universidad de Guadalajara, Sistema de Universidad Virtual]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2007-36072019000100004</article-id>
<article-id pub-id-type="doi">10.32870/pk.a9n16.384</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Desasosiegos de la memoria. Tecnología y recuerdo amplificado en la serie Black Mirror]]></article-title>
<article-title xml:lang="en"><![CDATA[Memory restlessness. Technology and amplified memories in Black Mirror series]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Amaya Trujillo]]></surname>
<given-names><![CDATA[Janny]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad de Guadalajara  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Mexico</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2019</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2019</year>
</pub-date>
<volume>9</volume>
<numero>16</numero>
<fpage>4</fpage>
<lpage>17</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S2007-36072019000100004&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S2007-36072019000100004&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S2007-36072019000100004&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Una de las temáticas recurrentes en la ciencia ficción audiovisual contemporánea ha girado en torno a las relaciones entre memoria y tecnología. En este tipo de relatos se han abordado con relativa frecuencia las implicaciones sociales e individuales de una memoria transhumana, es decir, tecnológicamente mejorada o aumentada. En este trabajo, se analizan cómo se ha representado la relación entre memoria y tecnología en la exitosa serie de ficción televisiva Black Mirror. Desde un enfoque basado en los estudios sobre memoria cultural y ficción televisiva, y a partir del análisis de contenido cualitativo, examino específicamente dos capítulos que tematizan de manera explícita las relaciones entre memoria y tecnología: The Entire History of You (2011) y Crocodile (2017). Los resultados del análisis muestran cómo, en estos episodios, la irrupción de innovaciones mnemotecnológicas conlleva a un descentramiento en torno a los conceptos mismos de recordar y olvidar, trastornando los límites entre el registro y el recuerdo, entre el archivo y la memoria, entre lo personal y lo público e incluso, entre pasado y presente. En estos capítulos, los alcances sociales y humanos de la amplificación mediante prótesis tecnológicas de las capacidades biológicas de registro, almacenamiento y recuperación de la memoria se delinean críticamente a partir de dos ejes fundamentales: por una parte, la memoria como objeto de consumo compulsivo, y por otra, la memoria como objeto de control social.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract One of the recurring themes in contemporary audiovisual science fiction has revolved around the relationship between memory and technology. In these types of stories, the social and individual implications of a transhuman memory, that is, technologically improved or augmented, have been approached with relative frequency. In this paper, I intend to analyze how the relationship between memory and technology has been represented in the successful television fiction series Black Mirror. From an approach based on studies on cultural memory and television fiction, and from the analysis of qualitative content, I specifically examine two chapters that explicitly thematize the relationships between memory and technology: The Entire History of You (2011) and Crocodile (2017). The results of the analysis show how, in these episodes, the irruption of mnemotechnological innovations leads to a decentering around the very concepts of remembering and forgetting, upsetting the limits between registration and recall, between the archive and memory, between personal and public and even between past and present. In these chapters, the social and human reaches of the amplification by technological prostheses of the biological capacities of registration, storage and recovery of memory are delineated critically from two fundamental axes: on the one hand, memory as an object of compulsive consumption, and on the other, memory as an object of social control.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Memoria cultural]]></kwd>
<kwd lng="es"><![CDATA[ciencia ficción]]></kwd>
<kwd lng="es"><![CDATA[tecnologías de la memoria]]></kwd>
<kwd lng="es"><![CDATA[ficción televisiva]]></kwd>
<kwd lng="es"><![CDATA[transhumanismo]]></kwd>
<kwd lng="en"><![CDATA[Cultural Memory]]></kwd>
<kwd lng="en"><![CDATA[Science Fiction]]></kwd>
<kwd lng="en"><![CDATA[Technologies of memory]]></kwd>
<kwd lng="en"><![CDATA[Television fiction]]></kwd>
<kwd lng="en"><![CDATA[Transhumanism]]></kwd>
</kwd-group>
</article-meta>
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