<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2007-2538</journal-id>
<journal-title><![CDATA[Valenciana]]></journal-title>
<abbrev-journal-title><![CDATA[Valenciana]]></abbrev-journal-title>
<issn>2007-2538</issn>
<publisher>
<publisher-name><![CDATA[Universidad de Guanajuato, Departamentos de Filosofía y de Letras Hispánicas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2007-25382020000200255</article-id>
<article-id pub-id-type="doi">10.15174/rv.vi26.529</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Reescritura y Crítica en la Era Digital: Reversiones de crítica y literatura en los blogs de Cristina Rivera Garza y Vicente Luis Mora]]></article-title>
<article-title xml:lang="en"><![CDATA[Rewriting and Criticism in the Digital Age: Reversals of criticism and literature in the blogs of Cristina Rivera Garza and Vicente Luis Mora]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Mendoza]]></surname>
<given-names><![CDATA[Juan José]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Mosquera]]></surname>
<given-names><![CDATA[Mariano Ernesto]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Olaizola]]></surname>
<given-names><![CDATA[Andrés]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,UBA  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Argentina</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,UBA  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Argentina</country>
</aff>
<aff id="Af3">
<institution><![CDATA[,UBA  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Argentina</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2020</year>
</pub-date>
<volume>13</volume>
<numero>26</numero>
<fpage>255</fpage>
<lpage>293</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S2007-25382020000200255&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S2007-25382020000200255&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S2007-25382020000200255&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen El presente artículo procura, a partir del examen de dos blogs de literatura y crítica en español, rastrear los avatares de la crítica y &#8220;las trayectorias de la escritura como proceso&#8221; en el cruce entre cultura libresca y era digital. A partir de la lectura de No hay tal lugar de Cristina Rivera Garza (2002 y continúa) y Diario de lecturas de Vicente Luis Mora (2004 y continúa), el artículo rastrea los modos de aparición de la crítica, procurando una reflexión en torno a las páginas en línea de los escritores como lugares de intervención, como laboratorios de la propia escritura, como lugar de producción de enunciados provisorios, lugar de construcción de archivos de autor y como obras interactivas. Hacia el final del artículo, se examinan los modos de aparición de la tradición literaria en el presente: la reescritura de textos caros a la tradición de la modernidad, las pervivencias del canon, la vigencia en el siglo XXI de antiguos debates del campo.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This article seeks, from the examination of two blogs of literature and criticism in Spanish, to trace the &#8220;avatars of criticism&#8221; and &#8220;the trajectories of writing as a process&#8221; in the cross between bookish culture and digital age. From the reading of No hay tal lugar by Cristina Rivera Garza (2002 and continues) and Diario de lecturas by Vicente Luis Mora (2004 and continues), the article traces the ways of appearance of criticism in blogs in general; and the online pages of writers as places of intervention, as writing laboratories, as a place of production of provisional statements, place of construction of author files and as interactive and online works. Towards the end of the article, the ways of appearance of the literary tradition in the present are examined: the rewriting of expensive texts to the tradition of modernity, the survivors of the canon, the validity in the 21st century of ancient debates in the field.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Reescritura]]></kwd>
<kwd lng="es"><![CDATA[Crítica]]></kwd>
<kwd lng="es"><![CDATA[Era Digital]]></kwd>
<kwd lng="es"><![CDATA[Cristina Rivera Garza]]></kwd>
<kwd lng="es"><![CDATA[Vicente Luis Mora]]></kwd>
<kwd lng="en"><![CDATA[Rewriting]]></kwd>
<kwd lng="en"><![CDATA[Criticism]]></kwd>
<kwd lng="en"><![CDATA[Digital Age]]></kwd>
<kwd lng="en"><![CDATA[Cristina Rivera Garza]]></kwd>
<kwd lng="en"><![CDATA[Vicente Luis Mora]]></kwd>
</kwd-group>
</article-meta>
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