<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1870-1191</journal-id>
<journal-title><![CDATA[Culturales]]></journal-title>
<abbrev-journal-title><![CDATA[Culturales]]></abbrev-journal-title>
<issn>1870-1191</issn>
<publisher>
<publisher-name><![CDATA[Universidad Autónoma de Baja California, Instituto de Investigaciones Culturales-Museo]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1870-11912024000100206</article-id>
<article-id pub-id-type="doi">10.22234/recu.20241201.e861</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Después de medio siglo (1966) y el ocaso de la Shell como agente modernizador en Venezuela]]></article-title>
<article-title xml:lang="en"><![CDATA[After Half a Century (1966) and the decline of Shell as a modernizing agent in Venezuela]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Colmenares España]]></surname>
<given-names><![CDATA[María Gabriela]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Central de Venezuela  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Venezuela</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2024</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2024</year>
</pub-date>
<volume>12</volume>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S1870-11912024000100206&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S1870-11912024000100206&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S1870-11912024000100206&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[RESUMEN: Desde el estudio de las petroculturas y del cine empresarial, este trabajo analiza la representación del impacto modernizador de la industria petrolera en la región de Lagunillas, Estado Zulia, en el filme Después de medio siglo. Dicho filme fue un encargo de la Compañía Shell a la productora Neofilm tras el cierre de la Unidad Fílmica Shell de Venezuela, durante la reorganización de los medios y discursos corporativos ante el inminente fin de las concesiones petroleras. El abordaje histórico-pragmático y textual-discursivo aquí propuesto abarca el contexto de producción, distribución y exhibición del filme; sus funciones; su temática y su construcción textual y discursiva. El análisis del filme permitió identificar continuidades y rupturas en relación con la producción de la unidad fílmica interna de la Shell. Estos hallazgos apuntan a una posible crisis en los discursos corporativos de la Shell ante el ocaso de su rol como agente modernizador en Venezuela.1]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[ABSTRACT: Framed within the study of petroculture and the business cinema of the global petroleum industry, this article analyzes the representation of the modernizing impact of oil in Lagunillas (Zulia State) in the film After Half a Century. This film was commissioned by the Shell Company from the production company Neofilm as Shell reorganized its corporate media and discourses due to the end of oil concessions. Our research&#8217;s historical-pragmatic and textual-discursive perspective encompasses the context of production, distribution, and exhibition; as well as the film&#8217;s functions, topics, and textual and discursive construction. The analysis allowed us to identify continuities and ruptures in After a Half Century regarding a selection of films produced by Shell&#8217;s Venezuelan film unit until 1965. We may interpret these findings as signs of a crisis in Shell&#8217;s corporate discourses as the company faced the decline of its role as a modernizing agent in Venezuela.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Venezuela]]></kwd>
<kwd lng="es"><![CDATA[modernización]]></kwd>
<kwd lng="es"><![CDATA[industria petrolera]]></kwd>
<kwd lng="es"><![CDATA[cine]]></kwd>
<kwd lng="es"><![CDATA[archivos cinematográficos]]></kwd>
<kwd lng="en"><![CDATA[Venezuela]]></kwd>
<kwd lng="en"><![CDATA[modernization]]></kwd>
<kwd lng="en"><![CDATA[petroleum industry]]></kwd>
<kwd lng="en"><![CDATA[cinema]]></kwd>
<kwd lng="en"><![CDATA[film archives]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Armitage]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
</person-group>
<source><![CDATA[Proud Ships]]></source>
<year>1954</year>
<publisher-name><![CDATA[Shell Film Unit]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Azuaga]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
</person-group>
<source><![CDATA[El cine como habla: identificación de los temas presentes en tres largometrajes de ficción venezolanos (1989-1991)]]></source>
<year>2000</year>
<publisher-name><![CDATA[Universidad Central de Venezuela]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Barthes]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Retórica de la imagen]]></article-title>
<source><![CDATA[Lo obvio y lo obtuso: imágenes, gestos, voces]]></source>
<year>1986</year>
<page-range>29-47</page-range><publisher-name><![CDATA[Paidós]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Barthes]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
</person-group>
<source><![CDATA[S/Z]]></source>
<year>1980</year>
<publisher-name><![CDATA[Siglo Veintiuno Editores]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Berman]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<source><![CDATA[Todo lo sólido se desvanece en el aire]]></source>
<year>1988</year>
<publisher-name><![CDATA[Siglo Veintiuno Editores]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B6">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bueno]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Hacia una definición de los beneficios sociales como Gasto Deducible del Impuesto a la Renta]]></article-title>
<source><![CDATA[Derecho &amp; Sociedad]]></source>
<year>2006</year>
<volume>27</volume>
<page-range>67-75</page-range></nlm-citation>
</ref>
<ref id="B7">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Canjels]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Framing Local and International Sentiments and Sounds: Unilever and Royal Dutch Shell in a Changing Nigeria]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Hediger]]></surname>
<given-names><![CDATA[V.]]></given-names>
</name>
<name>
<surname><![CDATA[Hoof]]></surname>
<given-names><![CDATA[F.]]></given-names>
</name>
<name>
<surname><![CDATA[Zimmermann]]></surname>
<given-names><![CDATA[Y.]]></given-names>
</name>
</person-group>
<source><![CDATA[Films that Work Harder: The Circulation of Industrial Film]]></source>
<year>2024</year>
<page-range>473-94</page-range><publisher-name><![CDATA[Amsterdam University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B8">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Canjels]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Creating Partners in Progress: Shell Communicating Oil During Nigeria&#8217;s Independence]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Dalquist]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
<name>
<surname><![CDATA[Vonderau]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
</person-group>
<source><![CDATA[Petrocinema: Sponsored Film and the Oil Industry]]></source>
<year>2021</year>
<page-range>208-24</page-range><publisher-name><![CDATA[Bloomsbury]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B9">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Carrera]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
</person-group>
<source><![CDATA[Las industrias venezolanas de buena voluntad]]></source>
<year></year>
<publisher-name><![CDATA[Compañía Shell de Venezuela]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B10">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Carrera]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
</person-group>
<source><![CDATA[Vida en la comunidad I: las escuelas]]></source>
<year>1964</year>
<publisher-name><![CDATA[Unidad Fílmica Shell de Venezuela]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B11">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Carrera]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
</person-group>
<source><![CDATA[Vida en la comunidad II: la recreación]]></source>
<year>1964</year>
<publisher-name><![CDATA[Unidad Fílmica Shell de Venezuela]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B12">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Casamiglia]]></surname>
<given-names><![CDATA[H.]]></given-names>
</name>
<name>
<surname><![CDATA[Tusón]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<source><![CDATA[Las cosas del decir: manual de análisis del discurso]]></source>
<year>2002</year>
<publisher-name><![CDATA[Ariel]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B13">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Chiavenato]]></surname>
<given-names><![CDATA[I.]]></given-names>
</name>
</person-group>
<source><![CDATA[Administración de recursos humanos: el capital humano de las organizaciones]]></source>
<year>2011</year>
<publisher-name><![CDATA[McGraw-Hill]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B14">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Cilento]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Infraestructura petrolera en Venezuela 1917-1975: conquista del territorio, poblamiento e innovación tecnológica]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Martín]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
<name>
<surname><![CDATA[Texera]]></surname>
<given-names><![CDATA[Y.]]></given-names>
</name>
</person-group>
<source><![CDATA[Petróleo nuestro y ajeno: la ilusión de modernidad]]></source>
<year>2005</year>
<page-range>109-72</page-range><publisher-name><![CDATA[Universidad Central de Venezuela]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B15">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Clouzot]]></surname>
<given-names><![CDATA[H.]]></given-names>
</name>
</person-group>
<source><![CDATA[Le salaire de la peur]]></source>
<year>1953</year>
<publisher-name><![CDATA[CICC]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B16">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Colmenares]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Excavando en los acervos fílmicos de las compañías petroleras en Venezuela: una experiencia de archivo]]></article-title>
<source><![CDATA[Fuera de campo]]></source>
<year>2020</year>
<volume>4</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>10-43</page-range></nlm-citation>
</ref>
<ref id="B17">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Colmenares]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<source><![CDATA[Venezuela en marcha: imaginario social y representaciones de la nación moderna en el cine empresarial de la industria petrolera en Venezuela (1947-1968)]]></source>
<year>2019</year>
<publisher-name><![CDATA[Universidad Autónoma de Baja California]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B18">
<nlm-citation citation-type="">
<collab>Compañía Shell de Venezuela</collab>
<source><![CDATA[Resumen de actividades de la Shell en Venezuela 1966]]></source>
<year>1967</year>
</nlm-citation>
</ref>
<ref id="B19">
<nlm-citation citation-type="book">
<collab>Compañía Shell de Venezuela</collab>
<article-title xml:lang=""><![CDATA[Resumen de actividades de la Shell en Venezuela 1965]]></article-title>
<person-group person-group-type="author">
<name>
<surname><![CDATA[Coronil]]></surname>
<given-names><![CDATA[F.]]></given-names>
</name>
</person-group>
<source><![CDATA[El Estado mágico: naturaleza, dinero y modernidad en Venezuela]]></source>
<year>2002</year>
<publisher-name><![CDATA[Universidad Central de Venezuela]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B20">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Dahlquist]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
<name>
<surname><![CDATA[Vonderau]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Introduction]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Dahlquist]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
<name>
<surname><![CDATA[Vonderau]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
</person-group>
<source><![CDATA[Petrocinema: Sponsored Film and the Oil Industry]]></source>
<year>2021</year>
<page-range>1-11</page-range><publisher-name><![CDATA[Bloomsbury]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B21">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Damluji]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Oil Media Archives]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Dalquist]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
<name>
<surname><![CDATA[Vonderau]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
</person-group>
<source><![CDATA[Petrocinema: Sponsored Film and the Oil Industry]]></source>
<year>2021</year>
<page-range>15-32</page-range><publisher-name><![CDATA[Bloomsbury]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B22">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Damluji]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Visualizing Iraq: Oil, Cinema and the Modern City]]></article-title>
<source><![CDATA[Urban History]]></source>
<year>2016</year>
<volume>43</volume>
<numero>4</numero>
<issue>4</issue>
</nlm-citation>
</ref>
<ref id="B23">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Damluji]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The Image World of Middle Eastern Oil]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Appel]]></surname>
<given-names><![CDATA[H.]]></given-names>
</name>
<name>
<surname><![CDATA[Mason]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
<name>
<surname><![CDATA[Watts]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<source><![CDATA[Subterranean Estates: Life Worlds of Oil and Gas]]></source>
<year>2015</year>
<page-range>147-64</page-range><publisher-name><![CDATA[Cornell University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B24">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Damluji]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<source><![CDATA[Petroleum&#8217;s Promise: The Neo-Colonial Imaginary of Oil Cities in the Modern Arabian Gulf]]></source>
<year>2013</year>
<publisher-name><![CDATA[Universidad de California en Berkeley]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B25">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Davison]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Understanding the Contribution of Music and Sound in Industrial Films]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Hediger]]></surname>
<given-names><![CDATA[V.]]></given-names>
</name>
<name>
<surname><![CDATA[Hoof]]></surname>
<given-names><![CDATA[F.]]></given-names>
</name>
<name>
<surname><![CDATA[Zimmermann]]></surname>
<given-names><![CDATA[Y.]]></given-names>
</name>
</person-group>
<source><![CDATA[Films that Work Harder: The Circulation of Industrial Film]]></source>
<year>2024</year>
<page-range>757-78</page-range><publisher-name><![CDATA[Amsterdam University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B26">
<nlm-citation citation-type="journal">
<article-title xml:lang=""><![CDATA[Distrito Bolívar]]></article-title>
<source><![CDATA[Wikipedia]]></source>
<year>2021</year>
</nlm-citation>
</ref>
<ref id="B27">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Eco]]></surname>
<given-names><![CDATA[U.]]></given-names>
</name>
</person-group>
<source><![CDATA[Tratado de semiótica general]]></source>
<year>2000</year>
<publisher-name><![CDATA[Lumen]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B28">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Eisenstadt]]></surname>
<given-names><![CDATA[S.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Multiple Modernities]]></article-title>
<source><![CDATA[Daedalus]]></source>
<year>2000</year>
<volume>129</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>1-29</page-range></nlm-citation>
</ref>
<ref id="B29">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Elsaesser]]></surname>
<given-names><![CDATA[T.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Archives and Archaeologies: The Place of Non-Fiction Film in Contemporary Media]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Hediger]]></surname>
<given-names><![CDATA[V.]]></given-names>
</name>
<name>
<surname><![CDATA[Vonderau]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
</person-group>
<source><![CDATA[Films that Work: Industrial Film and the Productivity of Media]]></source>
<year>2009</year>
<page-range>19-34</page-range><publisher-name><![CDATA[Amsterdam University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B30">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Filloy]]></surname>
<given-names><![CDATA[O.]]></given-names>
</name>
</person-group>
<source><![CDATA[Unidad fílmica de la Shell de Venezuela 1952-1965]]></source>
<year>1995</year>
<publisher-name><![CDATA[Universidad Central de Venezuela]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B31">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[González]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
<name>
<surname><![CDATA[Guilarte]]></surname>
<given-names><![CDATA[C.]]></given-names>
</name>
</person-group>
<source><![CDATA[Producción cinematográfica de la Creole Petroleum Corporation]]></source>
<year>1992</year>
<publisher-name><![CDATA[Universidad Central de Venezuela]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B32">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[González]]></surname>
<given-names><![CDATA[L.]]></given-names>
</name>
</person-group>
<source><![CDATA[Acción colectiva y espacios de poder en una ciudad-petróleo: Ciudad Ojeda, 1937-1989]]></source>
<year>2013</year>
<publisher-loc><![CDATA[Universidad del Zulia ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B33">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Hediger]]></surname>
<given-names><![CDATA[V.]]></given-names>
</name>
<name>
<surname><![CDATA[Hoof]]></surname>
<given-names><![CDATA[F.]]></given-names>
</name>
<name>
<surname><![CDATA[Zimmermann]]></surname>
<given-names><![CDATA[Y.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Introduction: A Sequel and a Shift]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Hediger]]></surname>
<given-names><![CDATA[V.]]></given-names>
</name>
<name>
<surname><![CDATA[Hoof]]></surname>
<given-names><![CDATA[F.]]></given-names>
</name>
<name>
<surname><![CDATA[Zimmermann]]></surname>
<given-names><![CDATA[Y.]]></given-names>
</name>
</person-group>
<source><![CDATA[Films that Work Harder: The Circulation of Industrial Film]]></source>
<year>2024</year>
<page-range>19-33</page-range><publisher-name><![CDATA[Amsterdam University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B34">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Hediger]]></surname>
<given-names><![CDATA[V.]]></given-names>
</name>
<name>
<surname><![CDATA[Vonderau]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Introduction]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Hediger]]></surname>
<given-names><![CDATA[V.]]></given-names>
</name>
<name>
<surname><![CDATA[Vonderau]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
</person-group>
<source><![CDATA[Films that Work: Industrial Film and the Productivity of Media]]></source>
<year>2009</year>
<page-range>9-16</page-range><publisher-name><![CDATA[Amsterdam University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B35">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Hediger]]></surname>
<given-names><![CDATA[V.]]></given-names>
</name>
<name>
<surname><![CDATA[Vonderau]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Record, Rhetoric, Rationalization: Industrial Organization and Film]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Hediger]]></surname>
<given-names><![CDATA[V.]]></given-names>
</name>
<name>
<surname><![CDATA[Vonderau]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
</person-group>
<source><![CDATA[Films that Work: Industrial Film and the Productivity of Media]]></source>
<year>2009</year>
<page-range>35-50</page-range><publisher-name><![CDATA[Amsterdam University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B36">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Lovera]]></surname>
<given-names><![CDATA[N.]]></given-names>
</name>
</person-group>
<source><![CDATA[Venezuela y petróleo III: sus comunidades]]></source>
<year>1960</year>
<publisher-name><![CDATA[Unidad Fílmica Shell de Venezuela]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B37">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Nemes]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<source><![CDATA[Venezuela y petróleo II: sus técnicas]]></source>
<year>1960</year>
<publisher-name><![CDATA[Unidad Fílmica Shell de Venezuela]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B38">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Nemes]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<source><![CDATA[Pueblo petrolero]]></source>
<year>1957</year>
<publisher-name><![CDATA[Unidad Fílmica Shell de Venezuela]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B39">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Rebolledo]]></surname>
<given-names><![CDATA[C.]]></given-names>
</name>
</person-group>
<source><![CDATA[Pozo muerto]]></source>
<year>1967</year>
<publisher-name><![CDATA[El Techo de la Ballena]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B40">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Riesco]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[&#8220;Progreso&#8221;: una idea controvertida en una sociedad paradójica]]></article-title>
<source><![CDATA[Educación y Futuro]]></source>
<year>2014</year>
<volume>30</volume>
<page-range>15-38</page-range></nlm-citation>
</ref>
<ref id="B41">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Roffé]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Una introducción al análisis fílmico]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Hernández]]></surname>
<given-names><![CDATA[T.]]></given-names>
</name>
</person-group>
<source><![CDATA[Pensar en cine]]></source>
<year>1990</year>
<page-range>93-132</page-range><publisher-name><![CDATA[Consejo Nacional de la Cultura]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B42">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Rosenfeld]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
<name>
<surname><![CDATA[Feng]]></surname>
<given-names><![CDATA[L.]]></given-names>
</name>
</person-group>
<source><![CDATA[Risk of Hazardous Wastes]]></source>
<year>2011</year>
<publisher-name><![CDATA[Elsevier]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B43">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Sánchez]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[La cultura como elemento esencial en la movilidad social con trayectoria ascendente]]></article-title>
<source><![CDATA[Contribuciones a las ciencias sociales]]></source>
<year>2012</year>
<numero>17</numero>
<issue>17</issue>
</nlm-citation>
</ref>
<ref id="B44">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Silva-Ferrer]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<source><![CDATA[Modernidad, Estado, cultura y medios de comunicación en la Venezuela de Hugo Chávez (1999-2009)]]></source>
<year>2013</year>
<publisher-name><![CDATA[Freie Universität Berlin]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B45">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Straka]]></surname>
<given-names><![CDATA[T.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Introducción]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Straka]]></surname>
<given-names><![CDATA[T.]]></given-names>
</name>
</person-group>
<source><![CDATA[La nación petrolera: Venezuela, 1914-2014]]></source>
<year>2016</year>
<page-range>7-14</page-range><publisher-name><![CDATA[Academia Nacional de la Historia]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B46">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Tinker]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<source><![CDATA[The Enduring Legacy: Oil, Culture and Society in Venezuela]]></source>
<year>2009</year>
<publisher-name><![CDATA[Duke University press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B47">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Urbaneja]]></surname>
<given-names><![CDATA[D.]]></given-names>
</name>
</person-group>
<source><![CDATA[La renta y el reclamo: ensayo sobre petróleo y economía política en Venezuela]]></source>
<year>2013</year>
<publisher-name><![CDATA[Alfa]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B48">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Vidal]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<source><![CDATA[La batalla de Carabobo]]></source>
<year>1971</year>
<publisher-name><![CDATA[Compañía Shell de Venezuela]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B49">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Vidal]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<source><![CDATA[Los primeros frutos]]></source>
<year>1967</year>
<publisher-name><![CDATA[Compañía Shell de Venezuela]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B50">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Vidal]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<source><![CDATA[Los criollitos]]></source>
<year>1967</year>
<publisher-name><![CDATA[Compañía Shell de Venezuela]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B51">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Vidal]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<source><![CDATA[Por qué usar buenas semillas]]></source>
<year>1967</year>
<publisher-name><![CDATA[Compañía Shell de Venezuela]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B52">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Vidal]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<source><![CDATA[Después de medio siglo]]></source>
<year>1966</year>
<publisher-name><![CDATA[Compañía Shell de Venezuela]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B53">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Zazzarino]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Magic and Haunting: Oil Media at Venezuela&#8217;s Lake Maracaibo]]></article-title>
<source><![CDATA[Media+Environment]]></source>
<year>2022</year>
<volume>4</volume>
<numero>1</numero>
<issue>1</issue>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
