<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1870-0063</journal-id>
<journal-title><![CDATA[Andamios]]></journal-title>
<abbrev-journal-title><![CDATA[Andamios]]></abbrev-journal-title>
<issn>1870-0063</issn>
<publisher>
<publisher-name><![CDATA[Universidad Autónoma de la Ciudad de México, Colegio de Humanidades y Ciencias Sociales]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1870-00632024000200371</article-id>
<article-id pub-id-type="doi">10.29092/uacm.v21i55.1109</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[La necesidad de resignificar académicamente la obra de los cinefotógrafos en el cine]]></article-title>
<article-title xml:lang="en"><![CDATA[The need to academically redefine the work of cinematographers in film]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[García Macías]]></surname>
<given-names><![CDATA[Omar]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Popular Autónoma del Estado de Puebla  ]]></institution>
<addr-line><![CDATA[ Puebla]]></addr-line>
<country>Mexico</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>08</month>
<year>2024</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>08</month>
<year>2024</year>
</pub-date>
<volume>21</volume>
<numero>55</numero>
<fpage>371</fpage>
<lpage>409</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S1870-00632024000200371&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S1870-00632024000200371&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S1870-00632024000200371&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Los cinefotógrafos, son responsables no sólo de la operación de cámara e iluminación de un film, sino que, gracias a su bagaje cultural, a su conocimiento del lenguaje cinematográfico y de su sensibilidad artística, colaboran con quien dirige una película en la concepción estética y narrativa de esta. Se busca a partir de un estudio comparativo en sitios de bases de datos indexadas como Scopus, Web of Science, REDALYC o SCIELO, dar cuenta de la desproporcionada cantidad de textos donde se cita a los directores como autores totales del film y se invisibiliza la labor conceptual y artística de los cinefotógrafos, intentado resignificar dicha labor entre la academia y quienes lean el presente trabajo.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract Cinematographers are responsible not only for the camera operation and lighting of a film, but thanks to their cultural background, their knowledge of cinematographic language and their artistic sensibility, they collaborate with the director of a film in the aesthetic conception. and narrative of it. Based on a comparative study on indexed database sites such as Scopus, Web of Science, REDALYC or SCIELO, will try to emphasize the disproportionate amount of texts where the directors are cited as the only authors of the film and made cinematographers conceptual and artistic works invisible in the academic world.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Cinefotógrafo]]></kwd>
<kwd lng="es"><![CDATA[directores]]></kwd>
<kwd lng="es"><![CDATA[académicos]]></kwd>
<kwd lng="es"><![CDATA[artístico]]></kwd>
<kwd lng="es"><![CDATA[autoría]]></kwd>
<kwd lng="en"><![CDATA[Cinematographer]]></kwd>
<kwd lng="en"><![CDATA[director]]></kwd>
<kwd lng="en"><![CDATA[academics]]></kwd>
<kwd lng="en"><![CDATA[artistic]]></kwd>
<kwd lng="en"><![CDATA[author]]></kwd>
</kwd-group>
</article-meta>
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