<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0188-252X</journal-id>
<journal-title><![CDATA[Comunicación y sociedad]]></journal-title>
<abbrev-journal-title><![CDATA[Comun. soc]]></abbrev-journal-title>
<issn>0188-252X</issn>
<publisher>
<publisher-name><![CDATA[Universidad de Guadalajara, Departamento de Estudios de la Comunicación Social]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0188-252X2023000100420</article-id>
<article-id pub-id-type="doi">10.32870/cys.v2023.8514</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Expansión transmedia del video musical: casos de estudio de álbumes visuales en la industria musical actual]]></article-title>
<article-title xml:lang="pt"><![CDATA[Expansão transmídia no videoclipe: estudos de caso de álbuns visuais na indústria musical atual]]></article-title>
<article-title xml:lang="en"><![CDATA[Transmedia expansion in music video: study cases for visual albums in the current music industry]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Sedeño-Valdellos]]></surname>
<given-names><![CDATA[Ana]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af2">
<institution><![CDATA[,Universidad de Málaga  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Spain</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2023</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2023</year>
</pub-date>
<volume>20</volume>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0188-252X2023000100420&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0188-252X2023000100420&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0188-252X2023000100420&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen El álbum visual supone un nuevo artefacto comunicativo originado con la lógica del contexto transmedia en su expansión del formato videoclip musical. Se analizan tres casos de estudio, empleando el análisis multimodal para conocer el significado y aporte de los materiales visuales, buscando elementos de intertextualidad y recursividad de motivos y patrones visuales para la realización de un storytelling. Las conclusiones apuntan a tres caminos diversos en la construcción de una representación autoexpresiva de las artistas, gracias a una performatividad visualizada materializada en una mayor intertextualidad y uso de la apropiación cultural.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo O álbum visual representa um novo artefato comunicativo originado na lógica do contexto transmídia em sua expansão do formato de videoclipe musical. São analisados t rês estudos de caso, utilizando análise multimodal para conhecer o significado e a contribuição dos materiais visuais, buscando elementos de intertextualidade e recursão de motivos e padrões visuais para a realização de uma narrativa. As conclusões apontam para três caminhos diferentes na construção de uma representação autoexpressiva dos artistas, graças a uma performatividade visualizada materializada numa maior intertextualidade e utilização da apropriação cultural.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The visual album represents a new communicative artifact originated with the logic of the transmedia context in its expansion of the music video clip format. Three case studies are analyzed, using multimodal analysis to know the meaning and contribution of visual materials, looking for elements of intertextuality and repetition of motifs and visual patterns for the realization of a storytelling. The conclusions point to three different paths in the construction of a self-expressive representation of the artists, thanks to a visualized performativity and materialized in a greater intertextuality and use of cultural appropriation.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Álbum visual]]></kwd>
<kwd lng="es"><![CDATA[industria musical]]></kwd>
<kwd lng="es"><![CDATA[narrativa transmedia]]></kwd>
<kwd lng="es"><![CDATA[video musical]]></kwd>
<kwd lng="pt"><![CDATA[Álbum visual]]></kwd>
<kwd lng="pt"><![CDATA[indústria da música]]></kwd>
<kwd lng="pt"><![CDATA[narrativa transmídia]]></kwd>
<kwd lng="pt"><![CDATA[vídeo musical]]></kwd>
<kwd lng="en"><![CDATA[Visual album]]></kwd>
<kwd lng="en"><![CDATA[music industry]]></kwd>
<kwd lng="en"><![CDATA[transmedia narrative]]></kwd>
<kwd lng="en"><![CDATA[music video]]></kwd>
</kwd-group>
</article-meta>
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