<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0188-252X</journal-id>
<journal-title><![CDATA[Comunicación y sociedad]]></journal-title>
<abbrev-journal-title><![CDATA[Comun. soc]]></abbrev-journal-title>
<issn>0188-252X</issn>
<publisher>
<publisher-name><![CDATA[Universidad de Guadalajara, Departamento de Estudios de la Comunicación Social]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0188-252X2020000100204</article-id>
<article-id pub-id-type="doi">10.32870/cys.v2020.7492</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Televisión, melodrama y bioseries: Juan Gabriel, Luis Miguel, y José José]]></article-title>
<article-title xml:lang="en"><![CDATA[Television, melodrama and bio-series: Juan Gabriel, Luis Miguel, and José José]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[González Hernández]]></surname>
<given-names><![CDATA[David]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Mercado Anaya]]></surname>
<given-names><![CDATA[Antonieta]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Delgado Rivera]]></surname>
<given-names><![CDATA[Efraín]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[González Chávez]]></surname>
<given-names><![CDATA[Jaime Miguel]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Instituto Tecnológico y de Estudios Superiores de Occidente  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Mexico</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,University of San Diego  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>USA</country>
</aff>
<aff id="Af3">
<institution><![CDATA[,Universidad de La Salle Bajío  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Mexico</country>
</aff>
<aff id="Af4">
<institution><![CDATA[,Universidad de La Salle Bajío  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Mexico</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2020</year>
</pub-date>
<volume>17</volume>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0188-252X2020000100204&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0188-252X2020000100204&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0188-252X2020000100204&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Este artículo examina las estrategias narrativas que estructuran las series biográficas de Juan Gabriel, Luis Miguel, y José José transmitidas por canales de televisión y plataformas de streaming con alcance internacional. Se enfoca principalmente en sus historias retrospectivas y sus luchas por alcanzar el &#8220;éxito&#8221;. Discutimos cómo estas historias se reconfiguran como melodramas para manejar las tensiones sobre el género, la sexualidad, la drogadicción y la familia.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This article examines the narrative strategies that have structured the biographical series of Juan Gabriel, Luis Miguel, and José José transmitted by television channels and streaming platforms with international influence. It focuses primarily on their retrospective stories and struggles to achieve &#8220;success&#8221;. We discussed how these storylines are reconfigured as melodramas to manage tensions about gender, sexuality, drug addiction and family.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Televisión]]></kwd>
<kwd lng="es"><![CDATA[melodrama]]></kwd>
<kwd lng="es"><![CDATA[series biográficas]]></kwd>
<kwd lng="en"><![CDATA[Television]]></kwd>
<kwd lng="en"><![CDATA[melodrama]]></kwd>
<kwd lng="en"><![CDATA[biographical series]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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