<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0186-0348</journal-id>
<journal-title><![CDATA[Secuencia]]></journal-title>
<abbrev-journal-title><![CDATA[Secuencia]]></abbrev-journal-title>
<issn>0186-0348</issn>
<publisher>
<publisher-name><![CDATA[Instituto de Investigaciones Dr. José María Luis Mora]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0186-03482020000300202</article-id>
<article-id pub-id-type="doi">10.18234/secuencia.v0i108.1835</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[El Museo de la Solidaridad de la Unidad Popular al exilio (1971-1991). Una experiencia transnacional en tiempo de guerra fría cultural]]></article-title>
<article-title xml:lang="en"><![CDATA[The Museum of Solidarity of the Popular Unity in Exile (1971-1991). A Transnational Experience at a Time of Cultural Cold War]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Lebeau]]></surname>
<given-names><![CDATA[Élodie]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Université Toulouse 2 Jean Jaurès épartement histoire de l&#8217;art et archéologie ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2020</year>
</pub-date>
<numero>108</numero>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0186-03482020000300202&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0186-03482020000300202&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0186-03482020000300202&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: Este artículo se propone presentar las redes transnacionales de solidaridad que permitieron la creación del Museo de la Solidaridad (1971-1973) durante la Unidad Popular y su desarrollo en el exilio a través del Museo Internacional de la Resistencia Salvador Allende (1975-1990), hasta su regreso a Chile en 1991. Analizando las interconexiones entre redes políticas, artísticas e intelectuales, nos proponemos destacar el papel central de las artes visuales en las manifestaciones de solidaridad con Chile durante el gobierno de Salvador Allende y, luego, contra la dictadura del general Pinochet. Enfocándose en los niveles locales, nacionales e internacionales, esta contribución privilegia el diálogo entre varias escalas geográficas y temporales y distintos enfoques disciplinarios. Se interesa a la vez en los discursos y estrategias de los agentes y de las instituciones participantes, incluso los de los artistas mediante el análisis de los imaginarios que emergen de las obras.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: This article seeks to present the transnational solidarity networks that allowed the creation of the Museo de la Solidaridad (1971-1973) during the Popular Unity and its development in exile through Museo Internacional de la Resistencia Salvador Allende (1975-1990) until its return to Chile in 1991. Analyzing the interconnections between political, artistic and intellectual networks, we set out to highlight the central role of the visual arts in the manifestations of solidarity with Chile during the government of Salvador Allende and subsequently against the dictatorship of General Pinochet. Focusing on the local, national, and international levels, this contribution examines the dialogue between various geographical and time scales and disciplinary approaches. At the same time, it explores the discourses and strategies of the participating agents and institutions, including those of artists through the analysis of the imaginaries that emerge from their works.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Museo de la Solidaridad]]></kwd>
<kwd lng="es"><![CDATA[Unidad Popular (1970-1973)]]></kwd>
<kwd lng="es"><![CDATA[solidaridad internacional]]></kwd>
<kwd lng="es"><![CDATA[redes artísticas]]></kwd>
<kwd lng="es"><![CDATA[América Latina]]></kwd>
<kwd lng="en"><![CDATA[Museo de la Solidaridad]]></kwd>
<kwd lng="en"><![CDATA[Popular Unity (1970-1973)]]></kwd>
<kwd lng="en"><![CDATA[international solidarity]]></kwd>
<kwd lng="en"><![CDATA[artistic networks]]></kwd>
<kwd lng="en"><![CDATA[Latin America]]></kwd>
</kwd-group>
</article-meta>
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