<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0185-1276</journal-id>
<journal-title><![CDATA[Anales del Instituto de Investigaciones Estéticas]]></journal-title>
<abbrev-journal-title><![CDATA[An. Inst. Investig. Estét]]></abbrev-journal-title>
<issn>0185-1276</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Estéticas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0185-12762025000100343</article-id>
<article-id pub-id-type="doi">10.22201/iie.18703062e.2025.126.2883.</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Estética y responsabilidad: una experiencia artística conectiva]]></article-title>
<article-title xml:lang="en"><![CDATA[Aesthetics and Responsibility: a Connective Artistic Experience]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Añino Granados]]></surname>
<given-names><![CDATA[Isabel]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Garrido-Román]]></surname>
<given-names><![CDATA[Mar]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad de Granada Escuela Internacional de Posgrado, Historia y Artes ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Spain</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidad de Granada Facultad de Bellas Artes Departamento de Dibujo]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Spain</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2025</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2025</year>
</pub-date>
<volume>47</volume>
<numero>126</numero>
<fpage>343</fpage>
<lpage>378</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0185-12762025000100343&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0185-12762025000100343&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0185-12762025000100343&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Este reporte de investigación sostiene que las prácticas artísticas basadas en la estética conectiva destacan la dimensión ética de la estética como fundamento filosófico del arte y muestran su capacidad transformadora hacia una sociedad más madura y solidaria, pues al desvincularse de las dinámicas de producción y consumo, el arte actúa como resistencia contra estos procesos homogeneizadores. Se presenta un caso de estudio que, junto con los comentarios de las personas participantes, revela cómo el arte puede tender un puente que conecta nuestra responsabilidad con el ámbito jurídico.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This research report argues that artistic practices based on connective aesthetics emphasize the ethical dimension of aesthetics as the philosophical foundation of art and demonstrate its transformative capacity towards a more mature and supportive society. By disengaging from the dynamics of production and consumption, art acts as resistance against these homogenizing processes. A case study is presented which, along with the participants&#8217; comments, reveals how art can bridge our responsibility with the legal realm.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[estética]]></kwd>
<kwd lng="es"><![CDATA[arte relacional]]></kwd>
<kwd lng="es"><![CDATA[derecho (disciplina)]]></kwd>
<kwd lng="es"><![CDATA[responsabilidad]]></kwd>
<kwd lng="es"><![CDATA[comunidad]]></kwd>
<kwd lng="en"><![CDATA[aesthetics]]></kwd>
<kwd lng="en"><![CDATA[relational art]]></kwd>
<kwd lng="en"><![CDATA[law (discipline)]]></kwd>
<kwd lng="en"><![CDATA[responsibility]]></kwd>
<kwd lng="en"><![CDATA[community (social groups)]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Badiou]]></surname>
<given-names><![CDATA[Alain]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Las condiciones del arte contemporáneo]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Team]]></surname>
<given-names><![CDATA[Brumaria]]></given-names>
</name>
</person-group>
<source><![CDATA[El arte no es política/La política no es arte. Materiales para la dialéctica renovada]]></source>
<year>2014</year>
<page-range>27-35</page-range><publisher-loc><![CDATA[Madrid ]]></publisher-loc>
<publisher-name><![CDATA[Traficantes]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bauman]]></surname>
<given-names><![CDATA[Zygmunt]]></given-names>
</name>
<name>
<surname><![CDATA[Udina]]></surname>
<given-names><![CDATA[Dolors]]></given-names>
</name>
</person-group>
<source><![CDATA[El arte de la vida. De la vida como obra de arte]]></source>
<year>2009</year>
<publisher-loc><![CDATA[Barcelona ]]></publisher-loc>
<publisher-name><![CDATA[Ediciones Paidós Ibérica, S.A]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bodenmann-Ritter]]></surname>
<given-names><![CDATA[Clara]]></given-names>
</name>
<name>
<surname><![CDATA[Arántegui]]></surname>
<given-names><![CDATA[José Luis]]></given-names>
</name>
</person-group>
<source><![CDATA[Joseph Beuys. Cada hombre, un artista]]></source>
<year>2005</year>
<publisher-loc><![CDATA[Madrid ]]></publisher-loc>
<publisher-name><![CDATA[A. Machado Libros, S.A]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bourdieu]]></surname>
<given-names><![CDATA[Pierre]]></given-names>
</name>
<name>
<surname><![CDATA[Gutiérrez]]></surname>
<given-names><![CDATA[Alicia Beatriz]]></given-names>
</name>
</person-group>
<source><![CDATA[Las estrategias de la reproducción social]]></source>
<year>2011</year>
<publisher-loc><![CDATA[Buenos Aires ]]></publisher-loc>
<publisher-name><![CDATA[Siglo XXI]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bourriaud]]></surname>
<given-names><![CDATA[Nicolas]]></given-names>
</name>
<name>
<surname><![CDATA[Beceyro]]></surname>
<given-names><![CDATA[Celia]]></given-names>
</name>
<name>
<surname><![CDATA[Delgado]]></surname>
<given-names><![CDATA[Sergio]]></given-names>
</name>
</person-group>
<source><![CDATA[Estética relacional]]></source>
<year>2008</year>
<publisher-loc><![CDATA[Buenos Aires ]]></publisher-loc>
<publisher-name><![CDATA[Adriana Hidalgo editora, S.A]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B6">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Careri]]></surname>
<given-names><![CDATA[Francesco]]></given-names>
</name>
</person-group>
<source><![CDATA[Walkscapes. El andar como práctica estética]]></source>
<year>2002</year>
<publisher-loc><![CDATA[Barcelona ]]></publisher-loc>
<publisher-name><![CDATA[Editorial Gustavo Gili, S.L]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B7">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Cortina]]></surname>
<given-names><![CDATA[Adela]]></given-names>
</name>
</person-group>
<source><![CDATA[Ética aplicada y democracia radical]]></source>
<year>2007</year>
<publisher-loc><![CDATA[Madrid ]]></publisher-loc>
<publisher-name><![CDATA[Editorial Tecnos (Grupo Anaya, S.A.)]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B8">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Esquirol Calaf]]></surname>
<given-names><![CDATA[Josep Maria]]></given-names>
</name>
</person-group>
<source><![CDATA[El respeto o la mirada atenta]]></source>
<year>2006</year>
<publisher-loc><![CDATA[Barcelona ]]></publisher-loc>
<publisher-name><![CDATA[Editorial Gedisa, S.A]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B9">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Gablik]]></surname>
<given-names><![CDATA[Suzi]]></given-names>
</name>
</person-group>
<source><![CDATA[Has Modernism Failed?]]></source>
<year>1984</year>
<publisher-loc><![CDATA[Nueva York ]]></publisher-loc>
<publisher-name><![CDATA[Thames and Hudson Inc]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B10">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Gablik]]></surname>
<given-names><![CDATA[Suzi]]></given-names>
</name>
</person-group>
<source><![CDATA[The Reenchantment of Art]]></source>
<year>1991</year>
<publisher-loc><![CDATA[Nueva York ]]></publisher-loc>
<publisher-name><![CDATA[Thames and Hudson Inc]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B11">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Goethe]]></surname>
<given-names><![CDATA[Johann Wolfgang von]]></given-names>
</name>
<name>
<surname><![CDATA[Sánchez Meca]]></surname>
<given-names><![CDATA[Diego]]></given-names>
</name>
</person-group>
<source><![CDATA[Teoría de la naturaleza]]></source>
<year>2013</year>
<publisher-loc><![CDATA[Madrid ]]></publisher-loc>
<publisher-name><![CDATA[Editorial Tecnos]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B12">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Kafka]]></surname>
<given-names><![CDATA[Franz]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Ante la ley]]></article-title>
<source><![CDATA[La condena]]></source>
<year>1972</year>
<page-range>77-8</page-range><publisher-loc><![CDATA[Madrid ]]></publisher-loc>
<publisher-name><![CDATA[Alianza Editorial, S.A]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B13">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Le Breton]]></surname>
<given-names><![CDATA[David]]></given-names>
</name>
<name>
<surname><![CDATA[Castignani]]></surname>
<given-names><![CDATA[Hugo]]></given-names>
</name>
</person-group>
<source><![CDATA[Caminar la vida. La interminable geografía del caminante]]></source>
<year>2022</year>
<publisher-loc><![CDATA[Madrid ]]></publisher-loc>
<publisher-name><![CDATA[Ediciones Siruela, S.A]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B14">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Menke]]></surname>
<given-names><![CDATA[Christoph]]></given-names>
</name>
<name>
<surname><![CDATA[Gonnet]]></surname>
<given-names><![CDATA[Maximiliano]]></given-names>
</name>
<name>
<surname><![CDATA[Zúñiga]]></surname>
<given-names><![CDATA[José F]]></given-names>
</name>
</person-group>
<source><![CDATA[Fuerza un concepto fundamental de la antropología estética]]></source>
<year>2020</year>
<publisher-loc><![CDATA[Granada ]]></publisher-loc>
<publisher-name><![CDATA[Comares, S.L]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B15">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Oliveros]]></surname>
<given-names><![CDATA[Pauline]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Quantum listening: From practice to theory (to practice practice).]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Chan]]></surname>
<given-names><![CDATA[Sin-wai]]></given-names>
</name>
</person-group>
<source><![CDATA[Culture and Humanity in the New Millennium: The Future of Human Values]]></source>
<year>2002</year>
<page-range>27-41</page-range><publisher-loc><![CDATA[Hong Kong ]]></publisher-loc>
<publisher-name><![CDATA[The Chinese University of Hong Kong]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B16">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Sacks]]></surname>
<given-names><![CDATA[Shelley]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Geben und Ökologische Bürgerschaft. Aus innerer Bewegung zur passenden Form]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Tönnis]]></surname>
<given-names><![CDATA[Antje]]></given-names>
</name>
<name>
<surname><![CDATA[Mertens]]></surname>
<given-names><![CDATA[Julian]]></given-names>
</name>
<name>
<surname><![CDATA[Lieberoth-Leden]]></surname>
<given-names><![CDATA[Michale]]></given-names>
</name>
</person-group>
<source><![CDATA[Da hilft nur schenken. Mit Schenken und Stiften die Gesellschaft gestalten]]></source>
<year>2011</year>
<page-range>38-43</page-range><publisher-loc><![CDATA[Fráncfort del Meno ]]></publisher-loc>
<publisher-name><![CDATA[Info-3 Verlag]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B17">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Sacks]]></surname>
<given-names><![CDATA[Shelley]]></given-names>
</name>
<name>
<surname><![CDATA[Kurt]]></surname>
<given-names><![CDATA[Hildegard]]></given-names>
</name>
</person-group>
<source><![CDATA[Die rote Blume. Ästhetische Praxis in Zeiten des Wandels]]></source>
<year>2013</year>
<publisher-loc><![CDATA[Klein Jasedow ]]></publisher-loc>
<publisher-name><![CDATA[Think0ya Drachen Verlag]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B18">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Ursprung]]></surname>
<given-names><![CDATA[Philip]]></given-names>
</name>
</person-group>
<source><![CDATA[Joseph Beuys. Kunst, Capital, Revolution]]></source>
<year>2021</year>
<publisher-loc><![CDATA[Múnich ]]></publisher-loc>
<publisher-name><![CDATA[Verlag, C.H. Beck oHG]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B19">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Welsch]]></surname>
<given-names><![CDATA[Wolfgang]]></given-names>
</name>
</person-group>
<source><![CDATA[Ästhetisches Denken]]></source>
<year>2017</year>
<publisher-loc><![CDATA[Stuttgart ]]></publisher-loc>
<publisher-name><![CDATA[Philipp Reclam jun. GmbH &amp; Co. KG]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B20">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Gablik]]></surname>
<given-names><![CDATA[Suzi]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Changing paradigms for the artist]]></article-title>
<source><![CDATA[The Structurist]]></source>
<year>1985</year>
<volume>0</volume>
<numero>25</numero>
<issue>25</issue>
<page-range>25</page-range></nlm-citation>
</ref>
<ref id="B21">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Gablik]]></surname>
<given-names><![CDATA[Suzi]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Connective Aesthetics]]></article-title>
<source><![CDATA[American Art]]></source>
<year>1992</year>
<volume>6</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>2</page-range></nlm-citation>
</ref>
<ref id="B22">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Gablik]]></surname>
<given-names><![CDATA[Suzi]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Leaving the 'Culture of Separation]]></article-title>
<source><![CDATA[ReVision]]></source>
<year>2001</year>
<volume>23</volume>
<numero>4</numero>
<issue>4</issue>
<page-range>38</page-range></nlm-citation>
</ref>
<ref id="B23">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Philippopoulos-Mihalopoulos]]></surname>
<given-names><![CDATA[Andreas]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Atmospheres of law: Senses, affects, lawscapes]]></article-title>
<source><![CDATA[Emotion, Space and Society]]></source>
<year>2012</year>
<numero>7</numero>
<issue>7</issue>
<page-range>35-44</page-range></nlm-citation>
</ref>
<ref id="B24">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Briggs]]></surname>
<given-names><![CDATA[Marion]]></given-names>
</name>
</person-group>
<source><![CDATA[Social Sculpture Event at the Goetheanum]]></source>
<year></year>
</nlm-citation>
</ref>
<ref id="B25">
<nlm-citation citation-type="journal">
<article-title xml:lang=""><![CDATA[Ästhetik des Wandels]]></article-title>
<source><![CDATA[CCL Videos]]></source>
<year>2019</year>
</nlm-citation>
</ref>
<ref id="B26">
<nlm-citation citation-type="">
<collab>Comité Económico y Social Europeo</collab>
<source><![CDATA[Digital Services Act and Digital Markets Act]]></source>
<year></year>
</nlm-citation>
</ref>
<ref id="B27">
<nlm-citation citation-type="">
<source><![CDATA[Friends of Aston's Eyo]]></source>
<year></year>
</nlm-citation>
</ref>
<ref id="B28">
<nlm-citation citation-type="">
<source><![CDATA[FusionArts]]></source>
<year></year>
</nlm-citation>
</ref>
<ref id="B29">
<nlm-citation citation-type="">
<source><![CDATA[Francis Al¨ys, A pie desde el estudio]]></source>
<year>2024</year>
</nlm-citation>
</ref>
<ref id="B30">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Mazeaud]]></surname>
<given-names><![CDATA[Dominique]]></given-names>
</name>
</person-group>
<source><![CDATA[Earth Heartist]]></source>
<year></year>
</nlm-citation>
</ref>
<ref id="B31">
<nlm-citation citation-type="">
<collab>PhilosophieKanal</collab>
<source><![CDATA[Gadamer erzählt die Geschichte der Philosophie 6/6]]></source>
<year>2012</year>
</nlm-citation>
</ref>
<ref id="B32">
<nlm-citation citation-type="journal">
<collab>Real Academia Española</collab>
<article-title xml:lang=""><![CDATA[Estética]]></article-title>
<source><![CDATA[Diccionario de la lengua española]]></source>
<year></year>
</nlm-citation>
</ref>
<ref id="B33">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Sacks]]></surname>
<given-names><![CDATA[Shelley]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Social Sculpture Research Unit Website]]></article-title>
<source><![CDATA[SSRU Social Sculpture Research Unit]]></source>
<year></year>
</nlm-citation>
</ref>
<ref id="B34">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Sacks]]></surname>
<given-names><![CDATA[Shelley]]></given-names>
</name>
</person-group>
<source><![CDATA[Exchange Values]]></source>
<year></year>
</nlm-citation>
</ref>
<ref id="B35">
<nlm-citation citation-type="">
<collab>United Nations Office for Disarmament Affairs</collab>
<source><![CDATA[Treaty on Principles Governing the Activities of States in the Exploration and Use of Outer Space, including the Moon and Other Celestial Bodies]]></source>
<year></year>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
