<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0185-1276</journal-id>
<journal-title><![CDATA[Anales del Instituto de Investigaciones Estéticas]]></journal-title>
<abbrev-journal-title><![CDATA[An. Inst. Investig. Estét]]></abbrev-journal-title>
<issn>0185-1276</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Estéticas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0185-12762024000200009</article-id>
<article-id pub-id-type="doi">10.22201/iie.18703062e.2024.125.2865</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[El ocultamiento de imágenes eróticas en la historia del arte: una investigación inspirada en las pinturas rupestres del sitio arqueológico brasileño de Serra da Capivara]]></article-title>
<article-title xml:lang="en"><![CDATA[The Concealment of Erotic Images in Art History: An Inquiry Inspired by Cave Paintings at the Brazilian Archaeological Site of Serra da Capivara]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Masella]]></surname>
<given-names><![CDATA[Paulo]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Instituto Federal do Paraná  ]]></institution>
<addr-line><![CDATA[Paraná ]]></addr-line>
<country>Brazil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2024</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2024</year>
</pub-date>
<volume>46</volume>
<numero>125</numero>
<fpage>9</fpage>
<lpage>36</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0185-12762024000200009&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0185-12762024000200009&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0185-12762024000200009&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Dado que las pinturas rupestres brasileñas con un contenido erótico no se publican ampliamente en los libros de historia del arte, surgieron preguntas sobre las razones de su ocultamiento o posible censura: ¿se ocultan estas imágenes o simplemente se desconocen? ¿Se esconderían por su contenido erótico o incluso pornográfico? ¿Qué campos del saber están autorizados para ver y hablar de estas imágenes? Tales indagaciones llevaron esta investigación hacia cuestiones como la relación entre obra de arte y sexualidad, así como entre arte visual e imagen técnica, además de considerar la hipótesis de un abordaje poscolonialista en el caso de su desconocimiento. Se pretende así abordar el lugar de las imágenes eróticas en el contexto artístico, así como el significado mismo de las artes visuales en un mundo lleno de imágenes técnicas.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract Since Brazilian cave paintings with erotic content are barely published in art history books, questions arise about the reasons for their absence: Are these images being censored, or are they simply unknown? Are they being concealed on account of their erotic or even pornographic content? In what fields of knowledge is one authorized to see and talk about these images? Such inquiries led this research towards issues such as the relationship between artwork and sexuality, as well as between visual art and the technical image, in addition to considering the hypothesis of a post-colonialist approach in the case of their simply being unknown. Thus, the aim is to address the place of erotic pictures in the artistic context, as well as the very meaning of visual arts in a world full of technical images.]]></p></abstract>
<kwd-group>
<kwd lng="en"><![CDATA[Philosophy of art]]></kwd>
<kwd lng="en"><![CDATA[sexuality]]></kwd>
<kwd lng="en"><![CDATA[art censorship]]></kwd>
<kwd lng="en"><![CDATA[pornographic images]]></kwd>
<kwd lng="en"><![CDATA[technical images]]></kwd>
<kwd lng="en"><![CDATA[post colonialism]]></kwd>
<kwd lng="en"><![CDATA[ontology of the image]]></kwd>
<kwd lng="en"><![CDATA[epistemology of communication]]></kwd>
<kwd lng="es"><![CDATA[Filosofía del arte]]></kwd>
<kwd lng="es"><![CDATA[sexualidad]]></kwd>
<kwd lng="es"><![CDATA[censura de arte]]></kwd>
<kwd lng="es"><![CDATA[imágenes pornográficas]]></kwd>
<kwd lng="es"><![CDATA[imágenes técnicas]]></kwd>
<kwd lng="es"><![CDATA[poscolonialismo]]></kwd>
<kwd lng="es"><![CDATA[ontología de la imagen]]></kwd>
<kwd lng="es"><![CDATA[epistemología de la comunicación]]></kwd>
</kwd-group>
</article-meta>
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