<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2594-178X</journal-id>
<journal-title><![CDATA[Bibliographica]]></journal-title>
<abbrev-journal-title><![CDATA[Bibliographica]]></abbrev-journal-title>
<issn>2594-178X</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Bibliográficas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2594-178X2021000100099</article-id>
<article-id pub-id-type="doi">10.22201/iib.2594178xe.2021.1.91</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Tipografía y poder: la imprenta italiana en los planes de la Francia pre y posrevolucionaria]]></article-title>
<article-title xml:lang="en"><![CDATA[Typography and Power: The Italian Press within the Plans of the Pre and Post Revolutionary France]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[López Souto]]></surname>
<given-names><![CDATA[Noelia]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad de Salamanca Instituto de Estudios Medievales y Renacentistas, y de Humanidades Digitales ]]></institution>
<addr-line><![CDATA[Salamanca ]]></addr-line>
<country>Spain</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2021</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2021</year>
</pub-date>
<volume>4</volume>
<numero>1</numero>
<fpage>99</fpage>
<lpage>136</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S2594-178X2021000100099&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S2594-178X2021000100099&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S2594-178X2021000100099&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Este artículo da a conocer una sucesión de episodios que documentan la atención e interés político-cultural de la Francia pre y posrevolucionaria hacia la oficina del tipógrafo Giambattista Bodoni, que representaba lo más granado de la imprenta italiana de finales del siglo XVIII. Esta breve panorámica muestra la preocupación del creciente poder francés por posicionarse a la cabeza de la tipografía europea, evidencia la competencia entre Francia e Italia (Didot-Bodoni) en este arte y aporta nuevos datos para el análisis de la compleja relación entre imprenta y poder, que fue clave en Occidente a finales de la Edad Moderna. La metodología adoptada se basa en el empleo de fuentes primarias, archivísticas y bibliográficas, a fin de armar una reflexión que constate la habilidad de Bodoni para mantenerse en el eje entre imprenta y poder, mediante el protagonismo de su arte tipográfica.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This article presents a series of episodes that document the attention and the political-cultural interest of the pre and post revolutionary France towards the office of the typographer Giambattista Bodoni, which represented the finest in Italian printing at the end of the 18th century. This brief overview shows the concern of the growing French power to position itself at the head of European typography, it reveals the competition between France and Italy (Didot-Bodoni) in that art, and it provides new data for the analysis of the complex relation between printing and power, which was the key in the Western World during the late Modern Age. The methodology adopted is based on the use of primary sources from archives and bibliography, in order to build an analysis that may prove Bodoni&#8217;s ability to stay on the axis between printing and power through the prominence of his typographic art.]]></p></abstract>
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<kwd lng="es"><![CDATA[Giambattista Bodoni]]></kwd>
<kwd lng="es"><![CDATA[tipografía nacional]]></kwd>
<kwd lng="es"><![CDATA[cultura impresa]]></kwd>
<kwd lng="es"><![CDATA[Italia-Francia]]></kwd>
<kwd lng="es"><![CDATA[poder político-cultural]]></kwd>
<kwd lng="en"><![CDATA[Giambattista Bodoni]]></kwd>
<kwd lng="en"><![CDATA[national typography]]></kwd>
<kwd lng="en"><![CDATA[printed culture]]></kwd>
<kwd lng="en"><![CDATA[Italy-France]]></kwd>
<kwd lng="en"><![CDATA[cultural-political power]]></kwd>
</kwd-group>
</article-meta>
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