<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2007-8110</journal-id>
<journal-title><![CDATA[Cultura y representaciones sociales]]></journal-title>
<abbrev-journal-title><![CDATA[Cultura representaciones soc]]></abbrev-journal-title>
<issn>2007-8110</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Sociales]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2007-81102019000200001</article-id>
<article-id pub-id-type="doi">10.28965/2019-27-01</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Las culturas populares como teorías críticas frente a las tendencias ultraconservadoras del contexto ideológico-político actual]]></article-title>
<article-title xml:lang="en"><![CDATA[Popular cultures as critical theories against the ultraconservative tendencies of the current ideological-political context]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Corcuff]]></surname>
<given-names><![CDATA[Philippe]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Giménez]]></surname>
<given-names><![CDATA[Gilberto]]></given-names>
</name>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Instituto de Estudios Políticos de Lyon  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Francia</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2019</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2019</year>
</pub-date>
<volume>14</volume>
<numero>27</numero>
<fpage>9</fpage>
<lpage>34</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S2007-81102019000200001&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S2007-81102019000200001&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S2007-81102019000200001&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Una teoría crítica de orientación emancipadora puede encontrar en nuestros días un nuevo aliento en las culturas populares, a las que sería mejor llamar culturas ordinarias (novelas policiales, canciones, cine, series de TV&#8230;), siguiendo los pasos de los trabajos de Stanley Cavell. Esto supone pasar por un diálogo transfronterizo entre &#8220;juegos de lenguaje&#8221; (Wittgenstein). Abordaremos tres casos: una canción popular francesa (Envole-moi), una serie de TV americana (American Crime) y un film británico-americano-irlandés (Disobedience). Los recursos extraídos de estos productos culturales pueden ayudarnos a confrontar la oleada actual del ultra conservadurismo identitarista en Francia, en Europa, en los Estados Unidos y en el Brasil&#8230; gracias a su afinidad con una política de &#8220;apertura del ser&#8221; inspirada en Emmanuel Levinas.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract A critical theory with an emancipatory aim currently finds a new lease of life in popular cultures that should realistically be better known as &#8216;everyday&#8217; cultures (detective novels, songs, cinema, TV series, etc.) in the wake of Stanley Cavell&#8217;s work. This involves going through a cross-border dialogue of &#8220;language games&#8221; (Wittgenstein). Three cases are dealt with: a French folk song (Envole-moi), an American TV series (American Crime) and a British-American-Irish film (Disobedience). The resources drawn from these cultural products can help contain the current wave of ultra-conservative identity-making in France, Europe, United States, Brazil&#8230; thanks to their affinity with a policy of &#8216;openness&#8217; as inspired by Emmanuel Levinas.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[culturas populares]]></kwd>
<kwd lng="es"><![CDATA[Emmanuel Levinas]]></kwd>
<kwd lng="es"><![CDATA[Stanley Cavell]]></kwd>
<kwd lng="es"><![CDATA[teoría crítica]]></kwd>
<kwd lng="es"><![CDATA[conservadurismo]]></kwd>
<kwd lng="en"><![CDATA[conservatism]]></kwd>
<kwd lng="en"><![CDATA[critical theory]]></kwd>
<kwd lng="en"><![CDATA[Emmanuel Levinas]]></kwd>
<kwd lng="en"><![CDATA[Stanley Cavell]]></kwd>
<kwd lng="en"><![CDATA[popular cultures]]></kwd>
</kwd-group>
</article-meta>
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