<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2007-249X</journal-id>
<journal-title><![CDATA[Intervención (México DF)]]></journal-title>
<abbrev-journal-title><![CDATA[Intervención (Méx. DF)]]></abbrev-journal-title>
<issn>2007-249X</issn>
<publisher>
<publisher-name><![CDATA[Instituto Nacional de Antropología e Historia, Escuela Nacional de Conservación, Restauración y Museografía]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2007-249X2023000100147</article-id>
<article-id pub-id-type="doi">10.30763/intervencion.280.v1n27.59.2023</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Investigación de los tipos de maderas y origen geográfico del clavecín del Museo Casa de la Bola, México]]></article-title>
<article-title xml:lang="en"><![CDATA[Research into the Wood Species and Geographical Origin of the Harpsichord at the Museo Casa de la Bola, Mexico]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Juárez Callejas]]></surname>
<given-names><![CDATA[Ramsés]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Quintanar-Isaías]]></surname>
<given-names><![CDATA[Alejandra]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Jaramillo-Pérez]]></surname>
<given-names><![CDATA[Ana Teresa]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Nacional Autónoma de México Facultad de Música Programa de Maestría y Doctorado en Música]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Mexico</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidad Autónoma Metropolitana Departamento de Biología ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Mexico</country>
</aff>
<aff id="Af3">
<institution><![CDATA[,Universidad Autónoma Metropolitana Departamento de Biología ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Mexico</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2023</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2023</year>
</pub-date>
<volume>14</volume>
<numero>27</numero>
<fpage>147</fpage>
<lpage>188</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S2007-249X2023000100147&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S2007-249X2023000100147&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S2007-249X2023000100147&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen El presente artículo aborda el estudio del clavecín perteneciente a la colección del Museo Casa de la Bola, ejemplar único en la Ciudad de México. Puesto que se desconoce el origen del instrumento, es necesario determinar su procedencia geográfica. Para obtener esta información, se realizó un estudio que analiza, por un lado, las características estructurales del clavecín al compararlas con aquellas referenciadas en la literatura existente y, por el otro, la anatomía microscópica de las maderas mediante la toma de muestras para la revisión de las estructuras celulares. Los resultados muestran que ambos aspectos corresponden con las tradiciones de construcción de clavecines italianos durante el Barroco, particularmente en la ciudad de Nápoles.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This article takes a deeper look at the harpsichord in the collection of the Museo Casa de la Bola, a unique example of its kind in Mexico City. Since the origin of the instrument is unknown, we first need to determine its geographic provenance. To obtain this information, a thorough study was carried out to analyze, on the one hand, the structural characteristics of the harpsichord by comparing it against those referenced in the existing literature and, on the other, the microscopic anatomy of the wood by taking samples for the analysis of its cellular structures. The results show that both aspects correspond to Italian harpsichord building traditions during the Baroque period, particularly those associated with the city of Naples.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[maderas]]></kwd>
<kwd lng="es"><![CDATA[clavecín]]></kwd>
<kwd lng="es"><![CDATA[anatomía]]></kwd>
<kwd lng="es"><![CDATA[construcción]]></kwd>
<kwd lng="es"><![CDATA[Italia]]></kwd>
<kwd lng="en"><![CDATA[woods]]></kwd>
<kwd lng="en"><![CDATA[harpsichord]]></kwd>
<kwd lng="en"><![CDATA[anatomy]]></kwd>
<kwd lng="en"><![CDATA[construction]]></kwd>
<kwd lng="en"><![CDATA[Italy]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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