<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1870-879X</journal-id>
<journal-title><![CDATA[En-claves del pensamiento]]></journal-title>
<abbrev-journal-title><![CDATA[En-clav. pen]]></abbrev-journal-title>
<issn>1870-879X</issn>
<publisher>
<publisher-name><![CDATA[Instituto Tecnológico y de Estudios Superiores de Monterrey, División de Humanidades y Ciencias Sociales]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1870-879X2026000100021</article-id>
<article-id pub-id-type="doi">10.46530/ecdp.v0i39.776</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Sobre un intertexto baudelaireano en La velocidad de la luz de Javier Cercas: una interpretación levinasiana sobre la culpabilidad]]></article-title>
<article-title xml:lang="en"><![CDATA[On a Baudelairean Intertext in La velocidad de la luz by Javier Cercas: A Levinasian Interpretation of Guilt]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Navascués Martínez]]></surname>
<given-names><![CDATA[Nicolás de]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Internacional de la Rioja  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Spain</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2026</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2026</year>
</pub-date>
<volume>20</volume>
<numero>39</numero>
<fpage>21</fpage>
<lpage>40</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S1870-879X2026000100021&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S1870-879X2026000100021&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S1870-879X2026000100021&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen En este artículo se propone una lectura de La velocidad de la luz, de Javier Cercas, desde la filosofía de Emmanuel Levinas. Mi hipótesis es que la fenomenología ética del filósofo lituano permite comprender con una luz inusitada la obra literaria mencionada, y que al mismo tiempo esta novela permite acercarse a la obra de Emmanuel Levinas con una mirada diferente, especialmente con respecto al arte. Así, mi argumento se desarrolla a través de la identificación de un intertexto de Baudelaire en la narrativa estudiada. A través del análisis de esta intertextualidad, defiendo que Cercas rompe el movimiento lineal y cerrado del texto para abrirse, interpelar, conmover y alterar la experiencia del lector. De este modo, los problemas morales que suscita la obra no permanecen en un exterior inidentificable, sino que vuelven al lector incapaz de sustraerse a su propia culpabilidad. En este punto se percibe cómo hay una analogía entre lo literario, o lo estético, y lo ético. Este problema, tradicional en los estudios levinasianos, se comprende e interpreta aquí de otro modo gracias al uso de la novela de Cercas, y al mismo tiempo el pensamiento ético de Levinas aparece entonces como una clave de lectura que desvela las dificultades ante las que nos pone el escritor español en su obra.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This article proposes a reading of La velocidad de la luz by Javier Cercas through the lens of Emmanuel Levinas&#8217;s philosophy. My hypothesis is that the Lithuanian philosopher&#8217;s ethical phenomenology allows for an unprecedented understanding of the literary work in question, while at the same time, this novel offers a different perspective on Levinas&#8217;s thought, particularly with regard to art. Thus, my argument develops through the identification of an intertext from Baudelaire in the narrative under study. By analyzing this intertextuality, I argue that Cercas disrupts the linear and closed movement of the text in order to open it up, to interpellate, to unsettle, and to alter the reader&#8217;s experience. In this way, the moral problems raised by the novel do not remain in an unidentifiable exteriority; rather, they return to the reader, rendering them incapable of escaping their own sense of guilt. At this point, one perceives an analogy between the literary or the aesthetic and the ethical. This issue, which is traditional in Levinasian studies, is understood and interpreted here in a different way thanks to the use of Cercas&#8217;s novel. At the same time, Levinas&#8217;s ethical thought emerges as a key interpretative framework that reveals the challenges posed by the Spanish writer in his work.]]></p></abstract>
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<kwd lng="es"><![CDATA[Filosofía y literatura]]></kwd>
<kwd lng="es"><![CDATA[intertextualidad]]></kwd>
<kwd lng="es"><![CDATA[filosofía francesa contemporánea]]></kwd>
<kwd lng="es"><![CDATA[literatura ética]]></kwd>
<kwd lng="es"><![CDATA[literatura española contemporánea]]></kwd>
<kwd lng="en"><![CDATA[Philosophy and Literature]]></kwd>
<kwd lng="en"><![CDATA[Intertextuality]]></kwd>
<kwd lng="en"><![CDATA[Contemporary French Philosophy]]></kwd>
<kwd lng="en"><![CDATA[Ethical Literature]]></kwd>
<kwd lng="en"><![CDATA[Spanish Contemporary Literature]]></kwd>
</kwd-group>
</article-meta>
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