<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1665-1200</journal-id>
<journal-title><![CDATA[Tópicos del Seminario]]></journal-title>
<abbrev-journal-title><![CDATA[Tóp. Sem]]></abbrev-journal-title>
<issn>1665-1200</issn>
<publisher>
<publisher-name><![CDATA[Benemérita Universidad Autónoma de Puebla, Seminario de Estudios de la Significación]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1665-12002019000100057</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Subjetividad, subjetalidad y subjetivación: el devenir (del) sujeto]]></article-title>
<article-title xml:lang="fr"><![CDATA[Subjectivité, subjectalité et subjectivation : comment devenir un sujet]]></article-title>
<article-title xml:lang="en"><![CDATA[Subjectivity, subjectality and subjectivation: how to become a subject]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Colas-Blaise]]></surname>
<given-names><![CDATA[Marion]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad de Luxemburgo Campus Walferdange  Facultad de Letras, Ciencias Humanas, Artes y Ciencias de la Educación]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Luxemburgo</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2019</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2019</year>
</pub-date>
<numero>41</numero>
<fpage>57</fpage>
<lpage>77</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S1665-12002019000100057&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S1665-12002019000100057&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S1665-12002019000100057&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: El marco teórico y metodológico de este artículo proviene de la semiótica greimasiana y postgreimasiana, en su relación con la lingüística. En el cruce de estas disciplinas la semiótica de la enunciación posibilita examinar con detenimiento los conceptos subjetividad, subjetalidad y subjetivación, en la medida en que intervienen en la definición de sujeto de enunciación, conceptos íntimamente relacionados. Estos términos son tratados desde tres puntos de vista. Primeramente, la autora se centra en las marcas, rastros y huellas (empreintes) en el texto, con el objetivo de profundizar en la noción de expresividad, vinculada con uno de los regímenes de subjetividad: la subjetividad subjetiva, que caracteriza al sujeto enunciador. En segundo lugar, ella presta atención a los orígenes del sujeto de enunciación e identifica otros dos regímenes de subjetividad: la subjetividad participante, relacionada con un cuerpo sensible (cuerpo-actante) y con su sensorio-motricidad, y la subjetividad subjetal, asociada a la percepción. Por último, intenta mostrar cómo la subjetividad subjetiva y el sujeto de enunciación toman forma en un texto no sólo a través de marcas, rastros y huellas, sino sobre todo a partir de formas organizacionales llamadas género, estilo, idiolecto o textura. Así pues, el sujeto enunciador puede definirse como el punto de convergencia de tres regímenes de subjetividad, que caracterizan el desarrollo del sujeto (la subjetivación). Los distintos niveles correspondientes a los regímenes de subjetividad participante, subjetal y subjetivo definen un recorrido enunciativo.]]></p></abstract>
<abstract abstract-type="short" xml:lang="fr"><p><![CDATA[Résumé : Le cadre théorique et méthodologique de cet article est fourni par la sémiotique greimassienne et post-greimassienne ainsi que par la linguistique. Au carrefour de ces disciplines, la sémiotique de l&#8217;énonciation permet d&#8217;examiner en détail les notions de subjectivité, de subjectalité et de subjectivation, qui entrent dans la définition du sujet d&#8217;énonciation. Plus précisément, ces notions sont approchées de trois points de vue différents. D&#8217;abord, nous focalisons notre attention sur les marques, traces et empreintes dans un texte, afin d&#8217;interroger davantage la notion d&#8217;expressivité, qui est reliée à un des régimes de subjectivité : celui de la subjectivité « subjective », qui caractérise le sujet d&#8217;énonciation. Ensuite, l&#8217;attention se porte sur l&#8217;origine ou la genèse du sujet d&#8217;énonciation et nous identifions deux autres régimes de subjectivité : la subjectivité « participante », qui est liée au corps-actant sensible et à sa sensori-motricité, et la subjectivité « subjectale », qui est liée à la perception. Enfin, nous souhaitons montrer en quoi la subjectivité « subjective » et le sujet d&#8217;énonciation prennent forme dans un texte non seulement à travers des marques, des traces et des empreintes, mais encore à travers des formes d&#8217;organisation appelées genre, style, idiolecte ou texture. Le sujet d&#8217;énonciation peut ainsi être défini comme un point de convergence de trois régimes de subjectivité, qui caractérisent le développement du sujet (subjectivation). Les différents niveaux, qui correspondent aux régimes « participant », « subjectal » et « subjectif » de la subjectivité, définissent un parcours de l&#8217;énonciation.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: The theoretical and methodological frame of this paper is given by greimassian and post-greimassian semiotics linked to linguistics. At the cross-roads of these disciplines, enunciative semiotics enables us to examine further the notions of subjectivity, subjectality and subjectivation, as they enter into the definition of the subject of enunciation. These notions are closely interrelated. More precisely, we approach these notions from three points of view. First, we focus on the marks, traces and prints (empreintes) in a text in order to examine further the notion of expressivity, which is related to one of the regimes of subjectivity: the &#8220;subjective&#8221; subjectivity, which characterizes the subject of enunciation. Secondly, we turn our attention to the origins of the subject of enunciation and we identify two more regimes of subjectivity: the &#8220;participant&#8221; subjectivity, which is related to a sensitive body (corps-actant) and its sensori-motricity, and the &#8220;subjectal&#8221; subjectivity, which is linked to perception. Thirdly, we want to show how the &#8220;subjective&#8221; subjectivity and the subject of enunciation take shape in a text not only through marks, traces and prints, but even more so through the organizational forms called genre, style, idiolect or texture. Thus the subject of enunciation may be defined as the convergence point of three regimes of subjectivity, which characterize the development of the subject (subjectivation). The different levels corresponding to the &#8220;participant&#8221;, the &#8220;subjectal&#8221; and the &#8220;subjective&#8221; regimes of subjectivity define an enunciative path.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[regímenes de subjetividad]]></kwd>
<kwd lng="es"><![CDATA[expresividad]]></kwd>
<kwd lng="es"><![CDATA[sujeto de enunciación]]></kwd>
<kwd lng="fr"><![CDATA[régimes de subjectivité]]></kwd>
<kwd lng="fr"><![CDATA[expressivité]]></kwd>
<kwd lng="fr"><![CDATA[sujet d&#8217;énonciation]]></kwd>
<kwd lng="en"><![CDATA[regimes of subjectivity]]></kwd>
<kwd lng="en"><![CDATA[expressivity]]></kwd>
<kwd lng="en"><![CDATA[enunciative subject]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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