<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1405-9436</journal-id>
<journal-title><![CDATA[La ventana. Revista de estudios de género]]></journal-title>
<abbrev-journal-title><![CDATA[La ventana]]></abbrev-journal-title>
<issn>1405-9436</issn>
<publisher>
<publisher-name><![CDATA[Universidad de Guadalajara, Centro de Estudios de Género]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1405-94362020000100053</article-id>
<article-id pub-id-type="doi">10.32870/lv.v6i51.7081</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[MIRADAS SOBRE LO &#8220;QUEER&#8221;: CINE Y REPRESENTACIÓN]]></article-title>
<article-title xml:lang="en"><![CDATA[VIEWS ON QUEER: FILM AND REPRESENTATION]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[García Calderón]]></surname>
<given-names><![CDATA[Gerónimo Iván]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Iberoamericana  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Mexico</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2020</year>
</pub-date>
<volume>6</volume>
<numero>51</numero>
<fpage>53</fpage>
<lpage>86</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S1405-94362020000100053&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S1405-94362020000100053&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S1405-94362020000100053&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: La presente reflexión explora la idea de que el cine opera como un dispositivo de poder y cómo por medio de éste, crea imágenes y representaciones sobre la homosexualidad desde el discurso dominante del heteropatriarcado. Por otro lado, se exploran los márgenes de cómo está constituida la visión cinematográfica comercial, para evidenciar que el llamado &#8220;cinema queer&#8221; no es más que la reproducción de una cierta idea de homosexualidad impuesta y distribuida en nuestra cultura por la industria cultural hegemónica estadounidense.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: This present reflection explores the idea that cinema operates as a device of power and how, through it, creates images and representations about homosexuality from the dominant discourse of the heteropatriarchy. On the other hand, the margins of how the commercial film vision is constituted are explored, to show that the so-called "cinema queer" is only that reproduction of a certain idea of homosexuality imposed and distributed in our culture by the American hegemonic cultural industry.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[poder]]></kwd>
<kwd lng="es"><![CDATA[cine]]></kwd>
<kwd lng="es"><![CDATA[heteronorma]]></kwd>
<kwd lng="es"><![CDATA[queer]]></kwd>
<kwd lng="es"><![CDATA[representación]]></kwd>
<kwd lng="en"><![CDATA[power]]></kwd>
<kwd lng="en"><![CDATA[film]]></kwd>
<kwd lng="en"><![CDATA[heteronormative]]></kwd>
<kwd lng="en"><![CDATA[queer]]></kwd>
<kwd lng="en"><![CDATA[representation]]></kwd>
</kwd-group>
</article-meta>
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