<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1405-0927</journal-id>
<journal-title><![CDATA[Historia y grafía]]></journal-title>
<abbrev-journal-title><![CDATA[Hist. graf]]></abbrev-journal-title>
<issn>1405-0927</issn>
<publisher>
<publisher-name><![CDATA[Universidad Iberoamericana, Departamento de Historia]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1405-09272022000100133</article-id>
<article-id pub-id-type="doi">10.48102/hyg.vi58.393</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Dos Zapatas televisivos. La reiteración de usos simbólicos heredados]]></article-title>
<article-title xml:lang="en"><![CDATA[Two Television Zapatas. The Reiteration of Inherited Symbolic Uses]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Charlois Allende]]></surname>
<given-names><![CDATA[Adrien]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad de Guadalajara  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Mexico</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2022</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2022</year>
</pub-date>
<numero>58</numero>
<fpage>133</fpage>
<lpage>159</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S1405-09272022000100133&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S1405-09272022000100133&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S1405-09272022000100133&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen El gobierno federal de México declaró a 2019 como el &#8220;Año del Caudillo del Sur. Emiliano Zapata Salazar&#8221; para conmemorar el centenario de su asesinato. No sólo intentaba vincularse al movimiento social liderado por el suriano, sino que establecía una invitación para la revisión del personaje. El presente artículo pretende contribuir al análisis de Zapata mediante la revisión de la construcción de su figura en la ficción televisiva nacional. Senda de gloria, telenovela de 1987, y El encanto del águila, miniserie de 2011, son dos casos a través de los cuales se estudia la relación entre la constitución televisiva del personaje y la construcción historiográfica del zapatismo. El análisis nos lleva a evidenciar la reiteraciones de símbolos diferenciados en dos ficciones de distinta temporalidad, desde el vínculo entre la producción televisiva y el ambiente historiográfico del momento. En este sentido, los cambios en la representación del pasado en televisión forman parte de la historia del propio medio.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The Federal Government of Mexico declared 2019 as the &#8220;Year of the Southern Leader. Emiliano Zapata Salazar&#8221; on the occasion of the centenary of his murder. Not only did the Government tried to link itself to the social movement led by Zapata, but also established an invitation to review the character. This text intends to contribute to the analysis by reviewing the construction of his figure in national television fiction. Senda de gloria, a 1987 telenovela, and El Encanto del águila, a miniseries from 2011, are two cases through which the relationship between the television constitution of the character and the historiographic construction of the Zapatismo is reviewed. The analysis leads us to show the reiterations of differentiated symbols in two fictions of different temporality, from the relationship between television production and the historiographic environment of the moment. In this sense, changes in the representation of the past on television are part of the history of the medium itself.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Zapata]]></kwd>
<kwd lng="es"><![CDATA[televisión]]></kwd>
<kwd lng="es"><![CDATA[ficción televisiva]]></kwd>
<kwd lng="es"><![CDATA[historiografía]]></kwd>
<kwd lng="en"><![CDATA[Zapata]]></kwd>
<kwd lng="en"><![CDATA[Television]]></kwd>
<kwd lng="en"><![CDATA[Television Fiction]]></kwd>
<kwd lng="en"><![CDATA[Historiography]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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</article>
