<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0188-4611</journal-id>
<journal-title><![CDATA[Investigaciones geográficas]]></journal-title>
<abbrev-journal-title><![CDATA[Invest. Geog]]></abbrev-journal-title>
<issn>0188-4611</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Geografía]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0188-46112020000200108</article-id>
<article-id pub-id-type="doi">10.14350/rig.59913</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[La textura del lugar: los atlas imposibles, insondables e inagotables de Rebecca Solnit]]></article-title>
<article-title xml:lang="en"><![CDATA[The Texture of Location: Rebecca Solnit&#8217;s Impossible, Unfathomable and Inexhaustible Atlases]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Artigas Albarelli]]></surname>
<given-names><![CDATA[Irene María]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Nacional Autónoma de México Facultad de Filosofía y Letras Colegio de Letras Modernas]]></institution>
<addr-line><![CDATA[Ciudad de México ]]></addr-line>
<country>Mexico</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2020</year>
</pub-date>
<numero>102</numero>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0188-46112020000200108&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0188-46112020000200108&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0188-46112020000200108&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Entre 2010 y 2016, Rebecca Solnit publicó tres atlas sobre tres ciudades diferentes: San Francisco, Nueva Orleans y Nueva York, respectivamente. Además de ser ejemplos interesantes de la riqueza de las relaciones entre la cartografía, los estudios literarios y otras disciplinas, estos libros plantean una aparente paradoja vinculada a la decisión de hacer mapas desde la creencia de que se trata de una tarea imposible por infinita, insondable e inagotable. Este ensayo muestra cómo estos atlas son iconotextos que responden a dicha contradicción a partir de considerar que un lugar es un tejido que depende de las palabras, las imágenes, los afectos, los recuerdos, las percepciones asociadas al mismo, esto es, que es resultado tanto de relaciones humanas como de representaciones simbólicas. Además, el artículo revisa algunas de las estrategias utilizadas en estas colecciones para dar cuenta de dicho tejido, por ejemplo, la utilización de una retórica similar a la emblemática y metafórica, relacionada con su carácter intermedial y la presencia de elementos de distintas materialidades -literarios, cartográficos, fotográficos o pictóricos-; la bifurcación de perspectivas de diferentes autores, o la ventaja de narrativas anacrónicas, complejas e hipotéticas para conformar historias públicas. Los atlas de Solnit se apropian de la cartografía, estética y políticamente, y demuestran que también puede ser una práctica creativa, constructiva y restaurativa.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract Between 2010 to 2016, Rebecca Solnit published atlases of three different cities: San Francisco, New Orleans, and New York. In addition to being interesting examples of the wealth of relationships between cartography, literary studies, and other disciplines, these books raise an apparent paradox stemming from the decision to elaborate maps based on the assumption that it is an impossible, infinite, unfathomable, and inexhaustible task. This article shows that these atlases are iconotexts that respond to this contradiction by considering that a location is a fabric that depends on the words, images, affection, memories, and perceptions associated with it. In other words, a place is a product of both human relationships and symbolic representations. This article also highlights some of the strategies used in these atlases to explain this texture. For instance, the use of rhetoric figures akin to emblematic and metaphoric ones, linked to their intermediate character, and the presence of elements of different materiality, including literary, cartographic, photographic and pictorial ones; the bifurcation of the perspectives of various authors; or the advantage of using anachronic, complex, and hypothetical narratives to draft public stories. Solnit&#8217;s atlases appropriate cartography, in aesthetical and political senses, and prove that it may be a creative, constructive, and restorative practice. The article first describes concepts that are key to understanding these atlases, including space, location, texture, iconotextuality, and intermediality. Then, it analyzes each atlas in general terms, based on a selection of maps and emphasizing their common features. On the atlas of San Francisco, the essay underlines the advantages of it being a collection of maps created collaboratively by people from different study fields, including cartography, literature, photography, botany, and history. The concept of &#8220;anachronic public story&#8221; is introduced to account for the temporal leaps between different sections and the ability to preserve some life stories from oblivion through the so-called &#8220;restorative epistemology&#8221;. The atlas of New Orleans emphasizes the fluidity of this city, along with the key role of cultural memory in rescuing it from hurricane Katrina. Special attention is devoted to the materiality of atlases as books. Solnit prefers printed maps over the virtual materiality of digital maps. The atlas of New York is approached from its fragmental character and the importance of language conservation therein. This article highlights the way fiction is able to display reality in clever and understandable ways by means of a map depicting New York as one of the Caribbean isles. The comparisons included in the article show how Solnit&#8217;s atlases do not attempt to account for all locations and their truth; instead, it addresses a multiplicity of perspectives, times, topics and materials that shape their texture and complexity.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[atlas]]></kwd>
<kwd lng="es"><![CDATA[textura del lugar]]></kwd>
<kwd lng="es"><![CDATA[iconotexto]]></kwd>
<kwd lng="es"><![CDATA[intermedialidad]]></kwd>
<kwd lng="es"><![CDATA[Rebecca Solnitt]]></kwd>
<kwd lng="en"><![CDATA[atlas]]></kwd>
<kwd lng="en"><![CDATA[texture of locations]]></kwd>
<kwd lng="en"><![CDATA[iconotext]]></kwd>
<kwd lng="en"><![CDATA[intermediality]]></kwd>
<kwd lng="en"><![CDATA[Rebecca Solnit]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Artigas]]></surname>
<given-names><![CDATA[I.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Ecfrasis y naturaleza muerta: los &#8216;Botines con lazos&#8217; de van Gogh y Olga Orozco]]></article-title>
<source><![CDATA[TRANS]]></source>
<year>2006</year>
<volume>2</volume>
</nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Artigas]]></surname>
<given-names><![CDATA[I.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Las poéticas visuales: un espacio en la (in)disciplina]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Ochoa]]></surname>
<given-names><![CDATA[A. de T.]]></given-names>
</name>
</person-group>
<source><![CDATA[Tránsitos y umbrales de los estudios literarios]]></source>
<year>2012</year>
<page-range>177-92</page-range><publisher-loc><![CDATA[México ]]></publisher-loc>
<publisher-name><![CDATA[Bonilla Artigas Editores, Facultad de Filosofía y Letras, UNAM]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Benjamin]]></surname>
<given-names><![CDATA[W.]]></given-names>
</name>
<name>
<surname><![CDATA[Tiedeman]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
</person-group>
<source><![CDATA[Libro de los pasajes]]></source>
<year>2005</year>
<publisher-loc><![CDATA[Madrid ]]></publisher-loc>
<publisher-name><![CDATA[Akal]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Benjamin]]></surname>
<given-names><![CDATA[W.]]></given-names>
</name>
<name>
<surname><![CDATA[Echeverría]]></surname>
<given-names><![CDATA[B.]]></given-names>
</name>
</person-group>
<source><![CDATA[Tesis sobre la historia y otros fragmentos]]></source>
<year>2005</year>
<publisher-loc><![CDATA[México ]]></publisher-loc>
<publisher-name><![CDATA[Contrahistorias]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Beristáin]]></surname>
<given-names><![CDATA[H.]]></given-names>
</name>
</person-group>
<source><![CDATA[Diccionario de retórica y poética]]></source>
<year>1995</year>
<publisher-loc><![CDATA[México ]]></publisher-loc>
<publisher-name><![CDATA[Editorial Porrúa]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B6">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Borges]]></surname>
<given-names><![CDATA[J. L.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Del rigor en la ciencia]]></article-title>
<source><![CDATA[Historia Universal de la Infamia]]></source>
<year>1954</year>
<page-range>131-2</page-range><publisher-loc><![CDATA[Buenos Aires ]]></publisher-loc>
<publisher-name><![CDATA[Emecé Editores]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B7">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Borges]]></surname>
<given-names><![CDATA[J. L.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[La perpetua carrera de Aquiles y la tortuga]]></article-title>
<source><![CDATA[Obras completas 1923-1972]]></source>
<year>1974</year>
<page-range>244-8</page-range><publisher-loc><![CDATA[Buenos Aires ]]></publisher-loc>
<publisher-name><![CDATA[Emecé Editores]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B8">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Calvino]]></surname>
<given-names><![CDATA[I.]]></given-names>
</name>
<name>
<surname><![CDATA[Benárdez]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<source><![CDATA[Las ciudades invisibles]]></source>
<year>1990</year>
<publisher-loc><![CDATA[Madrid ]]></publisher-loc>
<publisher-name><![CDATA[Ediciones Siruela]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B9">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Cohen]]></surname>
<given-names><![CDATA[E.]]></given-names>
</name>
</person-group>
<source><![CDATA[Glosario Walter Benjamin. Conceptos y figuras]]></source>
<year>2016</year>
<publisher-loc><![CDATA[México ]]></publisher-loc>
<publisher-name><![CDATA[Instituto de Investigaciones Filológicas]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B10">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Didi-Huberman]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
</person-group>
<source><![CDATA[Atlas. ¿Cómo llevar el mundo a cuestas?]]></source>
<year>2011</year>
<publisher-loc><![CDATA[Madrid ]]></publisher-loc>
<publisher-name><![CDATA[Museo Nacional Centro de Arte Reina Sofía, Museum fur Neue Kunst, Karlsruhe. Sammlung Falckenberg]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B11">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Halder]]></surname>
<given-names><![CDATA[S]]></given-names>
</name>
<name>
<surname><![CDATA[Michel]]></surname>
<given-names><![CDATA[B.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Editorial]]></article-title>
<source><![CDATA[This is Not an Atlas. A Global Collection of Counter-Cartographies]]></source>
<year>2018</year>
<page-range>12-9</page-range><publisher-loc><![CDATA[Düsseldorf ]]></publisher-loc>
<publisher-name><![CDATA[Verlag, Bielefel]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B12">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Harley]]></surname>
<given-names><![CDATA[J. B.]]></given-names>
</name>
</person-group>
<source><![CDATA[La nueva naturaleza de los mapas. Ensayos sobre la historia de la cartografía]]></source>
<year>2001</year>
<publisher-loc><![CDATA[México ]]></publisher-loc>
<publisher-name><![CDATA[Fondo de Cultura Económica]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B13">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Harley]]></surname>
<given-names><![CDATA[J. B.]]></given-names>
</name>
<name>
<surname><![CDATA[Woodward]]></surname>
<given-names><![CDATA[D.]]></given-names>
</name>
</person-group>
<source><![CDATA[The History of Cartography]]></source>
<year>1987</year>
<publisher-loc><![CDATA[Chicago ]]></publisher-loc>
<publisher-name><![CDATA[The University of Chicago Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B14">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Manolescu]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Cartography and Renewal]]></article-title>
<source><![CDATA[Canadian Review of American Studies]]></source>
<year>2014</year>
<volume>44</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>240-59</page-range></nlm-citation>
</ref>
<ref id="B15">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Nogué]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Yi-Fu Tuan en el contexto de la gelgrafía humanística]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Nogué]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<source><![CDATA[El arte de la geografía]]></source>
<year>2018</year>
<page-range>239-62</page-range><publisher-loc><![CDATA[Barcelona ]]></publisher-loc>
<publisher-name><![CDATA[Icaria]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B16">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Reyes]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Mapping the Story of New York]]></article-title>
<source><![CDATA[Virginia Quaterly Review]]></source>
<year>2017</year>
<volume>93</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>22-5</page-range></nlm-citation>
</ref>
<ref id="B17">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Ric&#339;ur]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The Function of Fiction in Shaping Reality]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Valdés]]></surname>
<given-names><![CDATA[M. J.]]></given-names>
</name>
</person-group>
<source><![CDATA[A Ricoeur Reader. Reflection and Imagination]]></source>
<year>1991</year>
<publisher-loc><![CDATA[Toronto ]]></publisher-loc>
<publisher-name><![CDATA[University of Toronto Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B18">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Romney]]></surname>
<given-names><![CDATA[Ch. W.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[New City Guides and Anachronic Public History]]></article-title>
<source><![CDATA[The Public Historian]]></source>
<year>2015</year>
<volume>37</volume>
<numero>3</numero>
<issue>3</issue>
<page-range>29-44</page-range></nlm-citation>
</ref>
<ref id="B19">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Ross]]></surname>
<given-names><![CDATA[L.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Unfathomable City: A New Orleans Atlas]]></article-title>
<source><![CDATA[The Georgia Review]]></source>
<year>2014</year>
<volume>68</volume>
<numero>4</numero>
<issue>4</issue>
<page-range>847-57</page-range></nlm-citation>
</ref>
<ref id="B20">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Sloterdijk]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
<name>
<surname><![CDATA[Reguera]]></surname>
<given-names><![CDATA[Isidoro]]></given-names>
</name>
</person-group>
<source><![CDATA[Esferas II. Globos. Macrosferología]]></source>
<year>2004</year>
<publisher-loc><![CDATA[Madrid ]]></publisher-loc>
<publisher-name><![CDATA[Ediciones Siruela]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B21">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Solnit]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
</person-group>
<source><![CDATA[Infinite City: A San Francisco Atlas]]></source>
<year>2010</year>
<publisher-loc><![CDATA[Berkeley ]]></publisher-loc>
<publisher-name><![CDATA[University of California Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B22">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Solnit]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
<name>
<surname><![CDATA[Snedeker]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
</person-group>
<source><![CDATA[Unfathomable City: A New Orleans Atlas]]></source>
<year>2013</year>
<publisher-loc><![CDATA[Berkeley ]]></publisher-loc>
<publisher-name><![CDATA[University of California Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B23">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Solnit]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[My Imperiled City]]></article-title>
<source><![CDATA[Boom: A Journal of California]]></source>
<year>2014</year>
<volume>4</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>7-19</page-range></nlm-citation>
</ref>
<ref id="B24">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Solnit]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
<name>
<surname><![CDATA[Jelly-Shapiro]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<source><![CDATA[Nonstop Metropolis: A New York City Atlas]]></source>
<year>2016</year>
<publisher-loc><![CDATA[Oakland ]]></publisher-loc>
<publisher-name><![CDATA[University of California Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B25">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Solnit]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
</person-group>
<source><![CDATA[Hope in the Dark: Untold Histories, Wild Possibilities]]></source>
<year>2016</year>
<publisher-loc><![CDATA[Chicago ]]></publisher-loc>
<publisher-name><![CDATA[Haymarker]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B26">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Tuan]]></surname>
<given-names><![CDATA[Y-F.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Reflections on Humanistic Geography]]></article-title>
<source><![CDATA[JAE]]></source>
<year>1976</year>
<volume>30</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>3-5</page-range></nlm-citation>
</ref>
<ref id="B27">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Tuan]]></surname>
<given-names><![CDATA[Y-F.]]></given-names>
</name>
<name>
<surname><![CDATA[Nogué]]></surname>
<given-names><![CDATA[Joan]]></given-names>
</name>
</person-group>
<source><![CDATA[El arte de la geografía]]></source>
<year>2018</year>
<publisher-loc><![CDATA[Barcelona ]]></publisher-loc>
<publisher-name><![CDATA[Icaria]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B28">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Van den Hoonaard]]></surname>
<given-names><![CDATA[W.]]></given-names>
</name>
</person-group>
<source><![CDATA[Map Worlds. A History of Women in Cartograhy]]></source>
<year>2013</year>
<publisher-loc><![CDATA[Ontario ]]></publisher-loc>
<publisher-name><![CDATA[Wilfrid Laurier University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B29">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Wagner]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Introduction]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Wagner]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
</person-group>
<source><![CDATA[Ekphrasis, Iconotexts, and Intermediality the State of the Art(s)]]></source>
<year>1996</year>
<page-range>1-42</page-range><publisher-loc><![CDATA[Berlín ]]></publisher-loc>
<publisher-name><![CDATA[Walter de Gruyter]]></publisher-name>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
