<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0187-358X</journal-id>
<journal-title><![CDATA[Investigación bibliotecológica]]></journal-title>
<abbrev-journal-title><![CDATA[Investig. bibl]]></abbrev-journal-title>
<issn>0187-358X</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Bibliotecológicas y de la Información]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0187-358X2025000200001</article-id>
<article-id pub-id-type="doi">10.22201/iibi.24488321xe.2025.103.58967</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[La noción de &#8216;obra&#8217; en la catalogación de los objetos artísticos]]></article-title>
<article-title xml:lang="en"><![CDATA[The Concept of &#8216;Artwork&#8217; in Artistic Item Cataloging Renato González Mello]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[González Mello]]></surname>
<given-names><![CDATA[Renato]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Nacional Autónoma de México Instituto de Investigaciones Estéticas ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>México</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2025</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2025</year>
</pub-date>
<volume>39</volume>
<numero>103</numero>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0187-358X2025000200001&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0187-358X2025000200001&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0187-358X2025000200001&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Este texto describe un problema en la catalogación de los bienes artísticos en México, particularmente los que son propiedad o se encuentran bajo la tutela del Estado y tienen o podrían tener la condición de &#8216;obras de arte&#8217;. Los dictámenes de la Auditoría Superior de la Federación han señalado de manera consistente que la catalogación de dichos bienes está muy atrasada. Por lo menos una parte de ese retraso puede atribuirse a la aplicación de criterios legales en los cuales la polisemia, las determinaciones teóricas, las necesidades administrativas o la costumbre cultural dejan problemas sin resolver en la determinación de los &#8216;tipos&#8217; de objetos. Siendo este dato, el tipo, una disyunción crucial en el universo de los bienes culturales, su ambigüedad acaba provocando inconsistencias en los instrumentos digitales de organización. En las conclusiones, se reflexiona sobre la conveniencia de multiplicar el uso del campo Tipo, y se explora la posibilidad de incluir algunos metadatos necesarios en su definición, aunque señalando las consecuencias y dificultades de elaborar un sistema en exceso complejo.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[ABSTRACT This text addresses an issue in the cataloging of fine arts collections in Mexico, particularly those that belong to the federal government or that are under guardianship of the State, and bear or might be assigned the category of &#8216;artworks&#8217;. Documents by the Superior Audit of the Federation (Auditoría Superior de la Federación) have consistently pointed out that the cataloging of such objects lags behind schedule. Such delay can be explained, at least partially, by the use of legal criteria, in which polysemy, theoretical definitions, management needs or cultural customs create unsolved ambiguity in stating object &#8216;types&#8217;. Since &#8216;type&#8217; entails a crucial disjunction in the cultural heritage sphere, its lack of precision ends up begetting incoherence in modern digital systems. The conclusion of this paper discusses the convenience of making Type a repeating field and the possibility of including some metadata to properly define &#8216;types&#8217;, while warning about the consequences and difficulties of building a system too complex.]]></p></abstract>
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<kwd lng="es"><![CDATA[Obra de arte - Concepto]]></kwd>
<kwd lng="es"><![CDATA[Arte conceptual]]></kwd>
<kwd lng="en"><![CDATA[Cultural Heritage]]></kwd>
<kwd lng="en"><![CDATA[Cataloging]]></kwd>
<kwd lng="en"><![CDATA[Artwork - Concept]]></kwd>
<kwd lng="en"><![CDATA[Conceptual Art]]></kwd>
</kwd-group>
</article-meta>
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