<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0185-3082</journal-id>
<journal-title><![CDATA[Acta poética]]></journal-title>
<abbrev-journal-title><![CDATA[Acta poét]]></abbrev-journal-title>
<issn>0185-3082</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Filológicas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0185-30822023000200149</article-id>
<article-id pub-id-type="doi">10.19130/iifl.ap.2023.2/100x26s477</article-id>
<title-group>
<article-title xml:lang="en"><![CDATA[In search of a Queer Pathos: Connections between Aby Warburg and Queer Studies]]></article-title>
<article-title xml:lang="es"><![CDATA[En busca de un pathos Queer: Conexiones entre Aby Warburg y los estudios Queer]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Marconi]]></surname>
<given-names><![CDATA[Dieison]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Machado Ramos de Almeida]]></surname>
<given-names><![CDATA[Gabriela]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade Federal do Rio de Janeiro Posgrado en Comunicación y Cultura ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Brazil</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Escola Superior de Propaganda e Marketing  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Brazil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2023</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2023</year>
</pub-date>
<volume>44</volume>
<numero>2</numero>
<fpage>149</fpage>
<lpage>169</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0185-30822023000200149&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0185-30822023000200149&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0185-30822023000200149&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: The paper investigates connections between queer studies and the contributions of Aby Warburg to image theories, specifically the notion of time as a fundamental conceptual operator in the work of Warburg and his main exegete, Georges Didi-Huberman, from whom we sought help in the endeavor of envisioning a queer pathos that would survive in visual culture. Time is also at the core of a certain criticism by some authors of queer studies to the notion of chrononormativity as biopolitical regulation. This paper attempts to understand how Warburgian notions of Nachleben and Pathosformel help to investigate how abject and anachronistic gestures which keep reappearing as a queer symptom in culture, disorganizing a &#8220;natural model&#8221; of history of art and breaking with the history of progress that organizes relations between gender, body and sexuality according to disciplinary temporal schema.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: El artículo investiga las conexiones entre los estudios queer y las contribuciones de Aby Warburg a las teorías de la imagen, específicamente la noción de tiempo como operador conceptual fundamental en la obra de Warburg y su principal exégeta, Georges Didi-Huberman, de quien buscamos ayuda en el empeño de imaginar un pathos queer que sobreviviría en la cultura visual. El tiempo también está en el centro de cierta crítica de algunos autores de estudios queer a la noción de crononormatividad como regulación biopolítica. Este artículo intenta comprender cómo las nociones warburgianas de Nachleben y Pathosformel ayudan a investigar los gestos abyectos y anacrónicos que siguen reapareciendo como síntoma queer en la cultura, desorganizando un &#8220;modelo natural&#8221; de historia del arte y rompiendo con la historia del progreso que organiza las relaciones entre género, cuerpo y sexualidad según el esquema temporal disciplinar.]]></p></abstract>
<kwd-group>
<kwd lng="en"><![CDATA[Aby Warburg]]></kwd>
<kwd lng="en"><![CDATA[Queer theory]]></kwd>
<kwd lng="en"><![CDATA[Nachleben and Pathosformel]]></kwd>
<kwd lng="en"><![CDATA[Time]]></kwd>
<kwd lng="en"><![CDATA[Chrononormativity]]></kwd>
<kwd lng="es"><![CDATA[Aby Warburg]]></kwd>
<kwd lng="es"><![CDATA[teoría Queer]]></kwd>
<kwd lng="es"><![CDATA[Nachleben y Pathosformel]]></kwd>
<kwd lng="es"><![CDATA[tiempo]]></kwd>
<kwd lng="es"><![CDATA[crononormatividad]]></kwd>
</kwd-group>
</article-meta>
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