<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0185-3082</journal-id>
<journal-title><![CDATA[Acta poética]]></journal-title>
<abbrev-journal-title><![CDATA[Acta poét]]></abbrev-journal-title>
<issn>0185-3082</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Filológicas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0185-30822021000100013</article-id>
<article-id pub-id-type="doi">10.19130/iifl.ap.2021.1.883</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Búsquedas estéticas para el afecto y la desafección. La memoria de hijos de sobrevivientes y desaparecidos en Chile y Argentina]]></article-title>
<article-title xml:lang="en"><![CDATA[Aesthetic Searches for Affection and Disaffection. The Memory of Children of Survivors and Missing Persons in Chile and Argentina]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Gallardo]]></surname>
<given-names><![CDATA[Milena]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Saban]]></surname>
<given-names><![CDATA[Karen]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad de Chile  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Chile</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Ruprecht-Karls-Universität Heidelberg Instituto de Romanística Departamento de Filología Hispanoamericana Ruprecht-Karls]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Germany</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2021</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2021</year>
</pub-date>
<volume>42</volume>
<numero>1</numero>
<fpage>13</fpage>
<lpage>42</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0185-30822021000100013&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0185-30822021000100013&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0185-30822021000100013&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: Tomando como marco metodológico los estudios culturales de la memoria transgeneracional y el trauma, por un lado, así como los aportes teóricos sobre el afecto y las emociones, por otro, en este artículo se analizan y comparan una serie de novelas y de películas escritas y realizadas por novelistas y realizadores/as chilenos/as y argentinos/as en las que se reflexiona sobre el exilio, la desaparición forzada y la violencia perpetrada por las dictaduras del Cono Sur. En particular se indaga en el modo como se codifican los afectos en la producción literaria y audiovisual contemporánea de estos hijos e hijas de desaparecidos y de ex militantes. Se analizan para ello las relaciones de tensión, resignificación, diálogo y/o cuestionamiento en torno al papel de los padres y madres en la vida de esos hijos y su configuración en algunas obras ilustrativas. El análisis parte del relevamiento de los recursos compositivos y formales de dichos relatos para luego, en un nivel interpretativo, vincular estas decisiones estéticas con distintas estrategias que son utilizadas para lidiar con las complejas experiencias vividas en la infancia y con las relaciones con los progenitores. Finalmente, la interpretación conduce a identificar distintas elecciones estéticas y resoluciones posibles vinculadas con el mundo de lo afectivo para hacer memoria y construir un presente y una identidad.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: Using a methodological framework based on cultural studies concerning transgenerational memory and trauma, on the one hand, and theoretical contributions on affection and emotions, on the other, this article analyzes and compares a series of novels and films written and made by Chilean and Argentine novelists and filmmakers in which they reflect on exile, forced disappearance and the violence perpetrated by the dictatorships of the Southern Cone. In particular, it investigates the way in which affection is encoded in the contemporary literary and audiovisual production of these sons and daughters of the disappeared and of former militants. For this purpose, the relationships of tension, resignification, dialogue and / or questioning about the role of fathers and mothers in the lives of these children and their configuration in some illustrative works are analyzed. We begin with a consideration of the compositional and formal resources of these stories in order to then, on an interpretive level, link these aesthetic decisions with different strategies that are used to deal with the complex situations experienced in childhood and with relationships with parents. Finally, the interpretation leads to identifying different aesthetic choices and possible resolutions related to the affective world that help to promote memory and build a present and an identity.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Estudios culturales]]></kwd>
<kwd lng="es"><![CDATA[novela]]></kwd>
<kwd lng="es"><![CDATA[filme]]></kwd>
<kwd lng="es"><![CDATA[desaparición forzada]]></kwd>
<kwd lng="es"><![CDATA[mundo afectivo]]></kwd>
<kwd lng="en"><![CDATA[Cultural Studies]]></kwd>
<kwd lng="en"><![CDATA[Novel]]></kwd>
<kwd lng="en"><![CDATA[Film]]></kwd>
<kwd lng="en"><![CDATA[Forced Disappearance]]></kwd>
<kwd lng="en"><![CDATA[Affective World]]></kwd>
</kwd-group>
</article-meta>
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