<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0185-1276</journal-id>
<journal-title><![CDATA[Anales del Instituto de Investigaciones Estéticas]]></journal-title>
<abbrev-journal-title><![CDATA[An. Inst. Investig. Estét]]></abbrev-journal-title>
<issn>0185-1276</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Estéticas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0185-12762023000200313</article-id>
<article-id pub-id-type="doi">10.22201/iie.18703062e.2023.123.2820</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Imagen fotográfica y bloques de sensaciones: relaciones entre experiencia autoral y forma fotográfica en los paisajes productivos en Chile]]></article-title>
<article-title xml:lang="en"><![CDATA[Image and Blocks of Sensations: Relationships between Authorial Experience and Photographic Form in Productive Landscapes in Chile]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Vielma Cabruja]]></surname>
<given-names><![CDATA[José Ignacio]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Velásquez Betancourt]]></surname>
<given-names><![CDATA[Paola]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Gallardo Frías]]></surname>
<given-names><![CDATA[Laura]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad de Chile Departamento de Arquitectura,Santiago de Chile ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Chile</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidad de Chile Departamento de Urbanismo ]]></institution>
<addr-line><![CDATA[Santiago de Chile ]]></addr-line>
<country>Chile</country>
</aff>
<aff id="Af3">
<institution><![CDATA[,Universidad de Chile Departamento de Arquitectura ]]></institution>
<addr-line><![CDATA[Santiago de Chile ]]></addr-line>
<country>Chile</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2023</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2023</year>
</pub-date>
<volume>45</volume>
<numero>123</numero>
<fpage>313</fpage>
<lpage>366</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0185-12762023000200313&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0185-12762023000200313&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0185-12762023000200313&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen En este estudio se explora la relación entre la forma fotográfica y la experiencia emocional de los autores en seis prácticas fotográficas contemporáneas en Chile (2000-2020), realizadas en conexión con los territorios transformados por los modos actuales de producción. Se propone y utiliza un método que combina entrevistas a profundidad con componentes microfenomenológicos, con el fin de aproximarnos a la experiencia sensorial y emocional. Con esto se identifican seis bloques de sensaciones que predominan en distintas proporciones en cada uno de los autores analizados, lo cual permite contrastar la emocionalidad con un análisis morfológico de las imágenes. Los resultados muestran posibles correlaciones entre la forma de la imagen y la experiencia emocional de los autores; además, evidencian que el daño en el territorio tiene un alcance emocional en ellos, el cual se refleja en el trabajo fotográfico, aspecto éste que puede ser adicional a las interpretaciones argumentativas y sociales o históricas de la obra.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The relationship between photographic form and the emotional experience of authors is explored in six contemporary photographic practices in Chile (2000-2020), conducted in correspondence with territories transformed by current modes of production. A method combining in-depth interviews with micro-phenomenological components was used to access sensorial and emotional experience. Through this, six blocks of sensations were identified, which predominate in different proportions in each of the analyzed authors, allowing for a contrast between the emotional aspect and a morphological analysis of the images. The results show possible correlations between the form of the image and the emotional experience of the authors, demonstrating that damage to the environment has an emotional impact on them, reflected in their photographic work, and that it is an aspect that can be additional to argumentative, social, or historical interpretations of the artwork.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Fotografía de paisaje]]></kwd>
<kwd lng="es"><![CDATA[fotografía contemporánea]]></kwd>
<kwd lng="es"><![CDATA[Chile]]></kwd>
<kwd lng="es"><![CDATA[análisis foto gráfico]]></kwd>
<kwd lng="es"><![CDATA[entrevistas microfenomenológicas]]></kwd>
<kwd lng="es"><![CDATA[experiencia autoral]]></kwd>
<kwd lng="en"><![CDATA[Landscape photography]]></kwd>
<kwd lng="en"><![CDATA[contemporary photography]]></kwd>
<kwd lng="en"><![CDATA[Chile]]></kwd>
<kwd lng="en"><![CDATA[photographic analysis]]></kwd>
<kwd lng="en"><![CDATA[micro-phenomenological interviews]]></kwd>
<kwd lng="en"><![CDATA[author&#8217;s experience]]></kwd>
</kwd-group>
</article-meta>
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