<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2594-2999</journal-id>
<journal-title><![CDATA[Encartes]]></journal-title>
<abbrev-journal-title><![CDATA[Encartes]]></abbrev-journal-title>
<issn>2594-2999</issn>
<publisher>
<publisher-name><![CDATA[Centro de Investigaciones y Estudios Superiores en Antropología Social]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2594-29992025000200295</article-id>
<article-id pub-id-type="doi">10.29340/en.v8n16.427</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Una visita audiovisual a la etnografía de las culturas musicales en Oaxaca (ECMO)]]></article-title>
<article-title xml:lang="en"><![CDATA[An audiovisual journey through the ethnography of musical cultures in Oaxaca (ECMO)]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Navarrete Pellicer]]></surname>
<given-names><![CDATA[Sergio]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Centro de Investigaciones y Estudios Superiores en Antropología Social  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Mexico</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2025</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2025</year>
</pub-date>
<volume>8</volume>
<numero>16</numero>
<fpage>295</fpage>
<lpage>318</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S2594-29992025000200295&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S2594-29992025000200295&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S2594-29992025000200295&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen El artículo ofrece una descripción del proyecto ECMO y un viaje audiovisual por su archivo, al poner énfasis en la diversidad musical del estado de Oaxaca, sus géneros, repertorios y dotaciones instrumentales, así como sus usos, contextos, ocasiones musicales, condiciones de la práctica musical y agentes que participan en su producción y consumo. La finalidad de esta muestra es invitar al público a la consulta en línea de este acervo en la mediateca de la fonoteca nacional.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This article provides a description of the ECMO project and an audiovisual journey through its archive. It emphasizes the musical diversity of the state of Oaxaca, including its genres, repertoires, instrumental ensembles, as well as the uses, contexts, occasions for music performance, conditions of musical practice, and the agents involved in the production and consumption of music. The purpose is to encourage the public to access the online media library of Mexico&#8217;s Fonoteca Nacional (National Sound Archive).]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[música]]></kwd>
<kwd lng="es"><![CDATA[archivos audiovisuales]]></kwd>
<kwd lng="es"><![CDATA[etnomusicología]]></kwd>
<kwd lng="es"><![CDATA[Oaxaca]]></kwd>
<kwd lng="en"><![CDATA[music]]></kwd>
<kwd lng="en"><![CDATA[audiovisual archives]]></kwd>
<kwd lng="en"><![CDATA[ethnomusicology]]></kwd>
<kwd lng="en"><![CDATA[Oaxaca]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Attali]]></surname>
<given-names><![CDATA[Jacques]]></given-names>
</name>
</person-group>
<source><![CDATA[Ruido. Ensayo sobre la economía política de la música]]></source>
<year>2011</year>
<publisher-loc><![CDATA[México ]]></publisher-loc>
<publisher-name><![CDATA[Siglo XXI]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Barabás]]></surname>
<given-names><![CDATA[Alicia]]></given-names>
</name>
<name>
<surname><![CDATA[Bartolomé]]></surname>
<given-names><![CDATA[Miguel]]></given-names>
</name>
</person-group>
<source><![CDATA[Configuraciones étnicas en Oaxaca. Perspectivas etnográficas para las autonomías]]></source>
<year>1999</year>
<volume>3</volume>
<publisher-loc><![CDATA[México ]]></publisher-loc>
<publisher-name><![CDATA[INAH]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Basso]]></surname>
<given-names><![CDATA[Ellen]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[A Musical View of the Universe: Kalapalo Myth and Ritual as Religious Performance]]></article-title>
<source><![CDATA[Journal of American Folklore Society]]></source>
<year>1981</year>
<volume>94</volume>
<page-range>273-91</page-range></nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bauman]]></surname>
<given-names><![CDATA[Richard]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Performance]]></article-title>
<source><![CDATA[Folklore, Cultural Performances, and Popular Entertainment. A Communications Centered Handbook]]></source>
<year>1992</year>
<page-range>41-9</page-range><publisher-loc><![CDATA[Oxford ]]></publisher-loc>
<publisher-name><![CDATA[Oxford University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Blacking]]></surname>
<given-names><![CDATA[John]]></given-names>
</name>
</person-group>
<source><![CDATA[How Musical is Man]]></source>
<year>1974</year>
<publisher-loc><![CDATA[Seattle ]]></publisher-loc>
<publisher-name><![CDATA[University of Washington Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B6">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Camacho]]></surname>
<given-names><![CDATA[Gonzalo]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Las culturas musicales de México: un patrimonio germinal]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Híjar Sánchez]]></surname>
<given-names><![CDATA[Fernando]]></given-names>
</name>
</person-group>
<source><![CDATA[Cunas, ramas y encuentros sonoros. Doce ensayos sobre el patrimonio musical de México]]></source>
<year>2009</year>
<page-range>25-38</page-range><publisher-loc><![CDATA[México ]]></publisher-loc>
<publisher-name><![CDATA[CONACULTA]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B7">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Feld]]></surname>
<given-names><![CDATA[Steven]]></given-names>
</name>
</person-group>
<source><![CDATA[Sound and Sentiment. Birds, Weeping, Poetics, and Song in Kaluli Expression]]></source>
<year>1990</year>
<edition>2a</edition>
<publisher-loc><![CDATA[Filadelfia ]]></publisher-loc>
<publisher-name><![CDATA[University of Pennsylvania Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B8">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Herndon]]></surname>
<given-names><![CDATA[Marcia]]></given-names>
</name>
<name>
<surname><![CDATA[Leod]]></surname>
<given-names><![CDATA[Norma Mc]]></given-names>
</name>
</person-group>
<source><![CDATA[Music as Culture]]></source>
<year>1990</year>
<publisher-loc><![CDATA[Darby ]]></publisher-loc>
<publisher-name><![CDATA[Norwood Editions]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B9">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Jáuregui]]></surname>
<given-names><![CDATA[Jesús]]></given-names>
</name>
<name>
<surname><![CDATA[Bonfiglioli]]></surname>
<given-names><![CDATA[Carlo]]></given-names>
</name>
</person-group>
<source><![CDATA[Las danzas de Conquista I. México contemporáneo]]></source>
<year>1996</year>
<publisher-loc><![CDATA[México ]]></publisher-loc>
<publisher-name><![CDATA[Fondo de Cultura Económica]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B10">
<nlm-citation citation-type="">
<collab>Ley de desarrollo cultural para el estado de Oaxaca</collab>
<source><![CDATA[Periódico oficial del estado de Oaxaca]]></source>
<year>2010</year>
</nlm-citation>
</ref>
<ref id="B11">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Lutz]]></surname>
<given-names><![CDATA[Catherine A.]]></given-names>
</name>
<name>
<surname><![CDATA[Abu-lughod]]></surname>
<given-names><![CDATA[Lila]]></given-names>
</name>
</person-group>
<source><![CDATA[Language and the Politics of Emotion. Studies in Emotion and Social Interaction]]></source>
<year>1990</year>
<publisher-loc><![CDATA[Cambridge ]]></publisher-loc>
<publisher-name><![CDATA[Cambridge University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B12">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Mauss]]></surname>
<given-names><![CDATA[Marcel]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Ensayo sobre los dones, razón y forma del cambio en las sociedades primitivas]]></article-title>
<source><![CDATA[Sociología y antropología]]></source>
<year>1971</year>
<page-range>153-263</page-range><publisher-loc><![CDATA[Madrid ]]></publisher-loc>
<publisher-name><![CDATA[Tecnos]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B13">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Merriam]]></surname>
<given-names><![CDATA[Alan]]></given-names>
</name>
</person-group>
<source><![CDATA[The Anthropology of Music]]></source>
<year>1964</year>
<publisher-loc><![CDATA[Evanston ]]></publisher-loc>
<publisher-name><![CDATA[Northwestern University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B14">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Meyer]]></surname>
<given-names><![CDATA[B. Leonard]]></given-names>
</name>
</person-group>
<source><![CDATA[Emotion and Meaning in Music]]></source>
<year>1956</year>
<publisher-loc><![CDATA[Chicago ]]></publisher-loc>
<publisher-name><![CDATA[University of Chicago Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B15">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Middleton]]></surname>
<given-names><![CDATA[Richard]]></given-names>
</name>
</person-group>
<source><![CDATA[Studying Popular Music]]></source>
<year>1990</year>
<publisher-loc><![CDATA[Milton Keynes ]]></publisher-loc>
<publisher-name><![CDATA[Open University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B16">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Millan]]></surname>
<given-names><![CDATA[Saúl]]></given-names>
</name>
<name>
<surname><![CDATA[García]]></surname>
<given-names><![CDATA[Paula]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Música de los huaves o mareños]]></article-title>
<source><![CDATA[Testimonio Musical de México 14]]></source>
<year>2002</year>
<edition>4ª</edition>
<publisher-loc><![CDATA[México ]]></publisher-loc>
<publisher-name><![CDATA[Fonoteca del INAH]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B17">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Navarrete Pellicer]]></surname>
<given-names><![CDATA[Sergio]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Etnografía de las culturas musicales en Oaxaca: diversidad y educación musical sustentables]]></article-title>
<source><![CDATA[Diagnóstico]]></source>
<year>2013</year>
<publisher-name><![CDATA[Conacyt]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B18">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Navarrete Pellicer]]></surname>
<given-names><![CDATA[Sergio]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Comunidad y ciudadanía: la transición de capillas de viento a cuerpos filarmónicos durante el siglo XIX en Oaxaca]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Navarrete Pellicer]]></surname>
<given-names><![CDATA[Sergio]]></given-names>
</name>
</person-group>
<source><![CDATA[Ritual sonoro en catedral y parroquias]]></source>
<year>2013</year>
<page-range>301-33</page-range><publisher-loc><![CDATA[México ]]></publisher-loc>
<publisher-name><![CDATA[CIESAS]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B19">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Reynoso Riqué]]></surname>
<given-names><![CDATA[Cecilia]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[¿Qué es una cultura musical?]]></article-title>
<source><![CDATA[El Comején]]></source>
<year>2012</year>
<numero>6</numero>
<issue>6</issue>
<page-range>5-9</page-range></nlm-citation>
</ref>
<ref id="B20">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Roux]]></surname>
<given-names><![CDATA[Rhina]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Subalternidad y hegemonía. Gramsci y el proceso estatal]]></article-title>
<source><![CDATA[Veredas]]></source>
<year>2020</year>
<page-range>147-59</page-range></nlm-citation>
</ref>
<ref id="B21">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Schafer]]></surname>
<given-names><![CDATA[Murray R.]]></given-names>
</name>
</person-group>
<source><![CDATA[The Soundscape. Our Sonic Environment and the Tuning of the World]]></source>
<year>1994</year>
<publisher-loc><![CDATA[Rochester ]]></publisher-loc>
<publisher-name><![CDATA[Destiny Books]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B22">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Seeger]]></surname>
<given-names><![CDATA[Anthony]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Styles of Musical Ethnography]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Nettl]]></surname>
<given-names><![CDATA[Bruno]]></given-names>
</name>
<name>
<surname><![CDATA[Bohlman]]></surname>
<given-names><![CDATA[Philip]]></given-names>
</name>
</person-group>
<source><![CDATA[Chicago]]></source>
<year>1991</year>
<page-range>342-55</page-range><publisher-loc><![CDATA[Londres ]]></publisher-loc>
<publisher-name><![CDATA[University of Chicago Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B23">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Singer]]></surname>
<given-names><![CDATA[Milton]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The Great Tradition in a Metropolitan Center: Madras]]></article-title>
<source><![CDATA[The Journal of American Folklore]]></source>
<year>1958</year>
<volume>71</volume>
<numero>281</numero>
<issue>281</issue>
<page-range>347-88</page-range></nlm-citation>
</ref>
</ref-list>
</back>
</article>
