<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2594-2999</journal-id>
<journal-title><![CDATA[Encartes]]></journal-title>
<abbrev-journal-title><![CDATA[Encartes]]></abbrev-journal-title>
<issn>2594-2999</issn>
<publisher>
<publisher-name><![CDATA[Centro de Investigaciones y Estudios Superiores en Antropología Social]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2594-29992025000100281</article-id>
<article-id pub-id-type="doi">10.29340/en.v8n15.394</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Ser artesana: un trabajo entre otros.Un video etnográfico sobre los ritmos laborales de una bordadora tseltal]]></article-title>
<article-title xml:lang="en"><![CDATA[Artisanship as just another job: an ethnographic study on different work paces of a tseltal embroiderer]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Barber]]></surname>
<given-names><![CDATA[Rachel]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Centro de Investigaciones y Estudios Superiores en Antropología Social  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Mexico</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2025</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2025</year>
</pub-date>
<volume>8</volume>
<numero>15</numero>
<fpage>281</fpage>
<lpage>292</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S2594-29992025000100281&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S2594-29992025000100281&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S2594-29992025000100281&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Las imágenes y descripciones de la producción artesanal textil en México, en gran parte creadas con fines comerciales o para documentar proyectos con impacto social, suelen subrayar el carácter ancestral de la artesanía o su utilidad para cultivar el empoderamiento de las mujeres artesanas en camino a un futuro mejor. Sin embargo, ambos enfoques hacen caso omiso de las formas concretas en que las mujeres trabajan en su cotidianidad. Este cortometraje, que retrata un día en la vida de Antonia, una bordadora tseltal del municipio de Tenejapa, en los Altos de Chiapas, busca pintar un retrato más fidedigno del lugar que ocupa la producción artesanal en la vida diaria de las mujeres artesanas.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract Videos, photographs, and descriptions of crafted textile production in Mexico, often made to promote the products or to document social impact projects, tend to emphasize the craft as an age-old practice or one that empowers women artisans on a path to a better future. Both of these focuses, however, overlook the actual form this work takes in these women&#8217;s day-to-day lives. This short film depicts a day in the life of Antonia, a Tseltal embroiderer from the town of Tenejapa in the Chiapas highlands. It seeks to provide a more faithful depiction of the place that craftsmanship occupies in the daily lives of women artisans.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[trabajo artesanal]]></kwd>
<kwd lng="es"><![CDATA[Chiapas]]></kwd>
<kwd lng="es"><![CDATA[representación audiovisual]]></kwd>
<kwd lng="en"><![CDATA[artisanal work]]></kwd>
<kwd lng="en"><![CDATA[Chiapas]]></kwd>
<kwd lng="en"><![CDATA[audiovisual depiction]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Balsom]]></surname>
<given-names><![CDATA[Erika]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[There is no such Thing as Documentary&#8221;: An Interview with Trinh T. Minh-ha]]></article-title>
<source><![CDATA[Frieze]]></source>
<year>2018</year>
<page-range>199</page-range></nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bazin]]></surname>
<given-names><![CDATA[André]]></given-names>
</name>
</person-group>
<source><![CDATA[What is Cinema?]]></source>
<year>2005</year>
<volume>I</volume>
<publisher-loc><![CDATA[Berkeley ]]></publisher-loc>
<publisher-name><![CDATA[University of California Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Berger]]></surname>
<given-names><![CDATA[John]]></given-names>
</name>
</person-group>
<source><![CDATA[Modos de ver]]></source>
<year>2016</year>
<publisher-loc><![CDATA[México ]]></publisher-loc>
<publisher-name><![CDATA[Gustavo Gili]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="">
<collab>CONEVAL</collab>
<source><![CDATA[Medición de la pobreza, Estados Unidos Mexicanos, 2010-2020. Indicadores de pobreza por municipio]]></source>
<year>2020</year>
</nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Fraser]]></surname>
<given-names><![CDATA[Nancy]]></given-names>
</name>
<name>
<surname><![CDATA[Jaeggi]]></surname>
<given-names><![CDATA[Rahel]]></given-names>
</name>
</person-group>
<source><![CDATA[Capitalismo: una conversación desde la teoría crítica]]></source>
<year>2019</year>
<publisher-loc><![CDATA[Madrid ]]></publisher-loc>
<publisher-name><![CDATA[Morata]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B6">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[García Canclini]]></surname>
<given-names><![CDATA[Néstor]]></given-names>
</name>
</person-group>
<source><![CDATA[Las culturas populares en el capitalismo]]></source>
<year>1989</year>
<publisher-loc><![CDATA[México ]]></publisher-loc>
<publisher-name><![CDATA[Nueva Imagen]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B7">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Gibson-Graham]]></surname>
<given-names><![CDATA[J. K]]></given-names>
</name>
</person-group>
<source><![CDATA[The End of Capitalism (As We Knew It): A Feminist Critique of Political Economy]]></source>
<year>2006</year>
<publisher-loc><![CDATA[Minneapolis ]]></publisher-loc>
<publisher-name><![CDATA[University of Minnesota Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B8">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Kracauer]]></surname>
<given-names><![CDATA[Siegfried]]></given-names>
</name>
</person-group>
<source><![CDATA[Theory of Film: The Redemption of Physical Reality]]></source>
<year>1997</year>
<publisher-loc><![CDATA[Princeton ]]></publisher-loc>
<publisher-name><![CDATA[Princeton University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B9">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[López-López]]></surname>
<given-names><![CDATA[Silvia]]></given-names>
</name>
<name>
<surname><![CDATA[Isunza-Bizuet]]></surname>
<given-names><![CDATA[Alma]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Tejido y vida cotidiana: &#8216;El cuerpo manda&#8217;. Discurso sobre trabajo y corporeidad entre las artesanas expertas de San Juan Chamula]]></article-title>
<source><![CDATA[LiminaR]]></source>
<year>2019</year>
<volume>17</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>131-47</page-range></nlm-citation>
</ref>
<ref id="B10">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[MacDougall]]></surname>
<given-names><![CDATA[David]]></given-names>
</name>
</person-group>
<source><![CDATA[Transcultural Cinema]]></source>
<year>1998</year>
<publisher-loc><![CDATA[Princeton ]]></publisher-loc>
<publisher-name><![CDATA[Princeton University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B11">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Martínez]]></surname>
<given-names><![CDATA[Hortensia]]></given-names>
</name>
</person-group>
<source><![CDATA[Los procesos de producción y comercialización de textiles y bordados al interior de una familia zinacanteca: desde la mirada de la reproducción, resistencia, y cambio social]]></source>
<year>2014</year>
<publisher-loc><![CDATA[San Cristóbal ]]></publisher-loc>
<publisher-name><![CDATA[Universidad Autónoma de Chiapas]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B12">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Thompson]]></surname>
<given-names><![CDATA[E. P.]]></given-names>
</name>
</person-group>
<source><![CDATA[Costumbres en común. Estudios sobre la cultura popular]]></source>
<year>2019</year>
<publisher-loc><![CDATA[Madrid ]]></publisher-loc>
<publisher-name><![CDATA[Capitán Swing]]></publisher-name>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
