<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2594-066X</journal-id>
<journal-title><![CDATA[Debate feminista]]></journal-title>
<abbrev-journal-title><![CDATA[Debate fem.]]></abbrev-journal-title>
<issn>2594-066X</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Centro de Investigaciones y Estudios de Género]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2594-066X2021000200047</article-id>
<article-id pub-id-type="doi">10.22201/cieg.2594066xe.2021.62.2272</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Teatralidad y performance en Foster y Butler: sobre el lugar de la coreografía en la filosofía]]></article-title>
<article-title xml:lang="en"><![CDATA[Theatricality and Performance in Foster and Butler: on the Place of Choreography in Philosophy]]></article-title>
<article-title xml:lang="pt"><![CDATA[Teatralidade e performance em Foster e Butler: sobre o lugar da coreografia na filosofía]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Franko]]></surname>
<given-names><![CDATA[Mark]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Vallejos]]></surname>
<given-names><![CDATA[Juan Ignacio]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Temple University Boyer College of Music and Dance ]]></institution>
<addr-line><![CDATA[Filadelfia ]]></addr-line>
<country>USA</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidad de Buenos Aires Instituto de Artes del Espectáculo ]]></institution>
<addr-line><![CDATA[Buenos Aires ]]></addr-line>
<country>Argentina</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2021</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2021</year>
</pub-date>
<volume>62</volume>
<fpage>47</fpage>
<lpage>71</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S2594-066X2021000200047&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S2594-066X2021000200047&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S2594-066X2021000200047&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Este ensayo parte del análisis de un artículo de Susan Leigh Foster que critica la aplicabilidad de la idea de performatividad de Judith Butler a los estudios de danza, y en particular, el rol del travestismo como una subversión de las normas de género. Foster propone el concepto de coreografía como una alternativa al de performatividad, porque compromete el imaginario histórico y la memoria cultural de la danza, entendida como una materia cuyo análisis debe ser fundamental para la reconceptualización del género a través del movimiento. El artículo revisa esta disputa como un conflicto entre los estudios de danza y la filosofía, y explora las diferencias entre ontología y teatralidad que se encuentran en la raíz del conflicto entre Butler y Foster.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This essay begins with an analysis of an article by Susan Leigh Foster that criticizes the applicability of Judith Butler's idea of performativity to dance studies, and in particular, the role of transvestism as a subversion of gender norms. Foster proposes the concept of choreography as an alternative to performativity because it involves the historical imaginary and cultural memory of dance, understood as a subject whose analysis should be crucial to the reconceptualization of gender through movement. The article examines this dispute as a conflict between dance studies and philosophy and explores the differences between ontology and theatricality that lie at the root of the conflict between Butler and Foster.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Este ensaio parte da análise de um artigo de Susan Leigh Foster que critica a aplicabilidade da ideia de performatividade de Judith Butler aos estudos da dança e, em particular, o papel do travestismo como subversão das normas de gênero. Foster propõe o conceito de coreografia como alternativo ao de performatividade, pois compromete o imaginário histórico e a memória cultural da dança, entendida como um tema cuja análise deve ser fundamental para a re-conceituação do gênero pelo movimento. O artigo analisa essa disputa como um conflito entre estudos de dança e filosofia e explora as diferenças entre ontologia e teatralidade que estão na raiz do conflito entre Butler e Foster.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Género]]></kwd>
<kwd lng="es"><![CDATA[Performatividad]]></kwd>
<kwd lng="es"><![CDATA[Expresión]]></kwd>
<kwd lng="es"><![CDATA[Coreografía]]></kwd>
<kwd lng="es"><![CDATA[Subversión]]></kwd>
<kwd lng="en"><![CDATA[Gender]]></kwd>
<kwd lng="en"><![CDATA[Performativity]]></kwd>
<kwd lng="en"><![CDATA[Expression]]></kwd>
<kwd lng="en"><![CDATA[Choreography]]></kwd>
<kwd lng="en"><![CDATA[Subversion]]></kwd>
<kwd lng="pt"><![CDATA[Gênero]]></kwd>
<kwd lng="pt"><![CDATA[Performatividade]]></kwd>
<kwd lng="pt"><![CDATA[Expressão]]></kwd>
<kwd lng="pt"><![CDATA[Coreografia]]></kwd>
<kwd lng="pt"><![CDATA[Subversão]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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