<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2594-066X</journal-id>
<journal-title><![CDATA[Debate feminista]]></journal-title>
<abbrev-journal-title><![CDATA[Debate fem.]]></abbrev-journal-title>
<issn>2594-066X</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Centro de Investigaciones y Estudios de Género]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2594-066X2020000100048</article-id>
<article-id pub-id-type="doi">10.22201/cieg.2594066xe.2020.59.03</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[ARTivismo político y teoría queer: hacia una politización de la autobiografía femenina]]></article-title>
<article-title xml:lang="en"><![CDATA[Political ARTivism and Queer Theory: Towards a Politicization of Female Autobiography]]></article-title>
<article-title xml:lang="pt"><![CDATA[ARTivismo politico e teoria queer: para uma politização da autobiografia feminina]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Scerbo]]></surname>
<given-names><![CDATA[Rosita]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Allegheny College Department of Modern and Classical Languages ]]></institution>
<addr-line><![CDATA[Meadville Pensilvania]]></addr-line>
<country>USA</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2020</year>
</pub-date>
<volume>59</volume>
<fpage>48</fpage>
<lpage>71</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S2594-066X2020000100048&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S2594-066X2020000100048&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S2594-066X2020000100048&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen El objetivo de la teoría queer es desafiar la normalidad y no exclusivamente la heterosexualidad. Los intereses de la teoría queer se extienden a una deconstrucción más general de la ontología social contemporánea y nacen a partir de estructuras y etiquetas impuestas por la cultura dominante. Mi estudio analiza el arte visual de carácter autobiográfico de la fotógrafa argentina Gabriela Liffschitz y de la artista chicana Laura Aguilar. Ambas están parodiando la mirada masculina y desafiando sus expectativas con sus proyectos fotográficos. Al hacerlo, Liffschitz interrumpe la convención visual del pecho femenino visto como un objeto sexual para la apropiación y el placer masculino, y Aguilar hace lo mismo al revalorar el cuerpo femenino obeso. Intento demostrar los beneficios del uso del término queer en todo su potencial sin restringir su ámbito de investigación.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The purpose of queer theory is to challenge normality, not just heterosexuality. The interests of queer theory extend to a more general deconstruction of contemporary social ontology and arise from structures and labels imposed by the dominant culture. My study analyzes the autobiographical visual art of Argentine photographer Gabriela Liffschitz and Chicano artist Laura Aguilar. Both artists parody the male perspective and challenge expectations through their photographic projects. To this end, Liffschitz disrupts the visual convention of the female breast regarded as a sexual object for male appropriation and pleasure, and Aguilar does the same by reassessing the obese female body. I attempt to show the benefits of using the term &#8220;queer&#8221; to its full potential without restricting its scope of research.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo O objetivo da teoria queer é desafiar a normalidade e não exclusivamente a heterossexualidade. Os interesses da teoria queer se estendem à uma desconstrução mais geral da ontologia social contemporânea e nascem de estruturas e rótulos impostos pela cultura dominante. Meu estudo analisa a arte visual autobiográfica da fotógrafa argentina Gabriela Liffschitz e da artista chicana Laura Aguilar. Ambas estão parodiando o visual masculino e desafiando suas expectativas com seus projetos fotográficos. Ao fazê-lo, Liffschitz interrompe a convenção visual do seio feminino visto como um objeto sexual para apropriação e prazer masculino, e Aguilar faz o mesmo reavaliando o corpo feminino obeso. Tento demonstrar os benefícios de usar o termo &#8220;queer&#8221; em todo o seu potencial, sem restringir seu escopo de pesquisa.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Autobiografía femenina]]></kwd>
<kwd lng="es"><![CDATA[Gabriela Liffschitz]]></kwd>
<kwd lng="es"><![CDATA[Laura Aguilar]]></kwd>
<kwd lng="es"><![CDATA[Teoría queer]]></kwd>
<kwd lng="en"><![CDATA[Female autobiography]]></kwd>
<kwd lng="en"><![CDATA[Gabriela Liffschitz]]></kwd>
<kwd lng="en"><![CDATA[Laura Aguilar]]></kwd>
<kwd lng="en"><![CDATA[Queer theory]]></kwd>
<kwd lng="pt"><![CDATA[Autobiografia feminina]]></kwd>
<kwd lng="pt"><![CDATA[Gabriela Liffschitz]]></kwd>
<kwd lng="pt"><![CDATA[Laura Aguilar]]></kwd>
<kwd lng="pt"><![CDATA[Teoria queer]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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