<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2448-6558</journal-id>
<journal-title><![CDATA[Nueva revista de filología hispánica]]></journal-title>
<abbrev-journal-title><![CDATA[Nueva rev. filol. hisp.]]></abbrev-journal-title>
<issn>2448-6558</issn>
<publisher>
<publisher-name><![CDATA[El Colegio de México A.C., Centro de Estudios Lingüísticos y Literarios]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2448-65582016000200457</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[El canon parnasiano de la poesía modernista mexicana]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Feria]]></surname>
<given-names><![CDATA[Miguel Ángel]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Université Paris Diderot UFR d&#8217;Études Interculturelles de Langues Appliquées ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Francia</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2016</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2016</year>
</pub-date>
<volume>64</volume>
<numero>2</numero>
<fpage>457</fpage>
<lpage>493</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S2448-65582016000200457&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S2448-65582016000200457&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S2448-65582016000200457&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen En México, la superación del romanticismo hacia el modernismo vino propiciada por la aportación clave del parnasianismo francés, alentada primero por críticos y traductores en diarios y revistas. Poco a poco acabó instaurándose un canon parnasiano que sería la nota dominante hasta aproximadamente 1898. En dicho año se publica la fundamental Revista moderna, donde lo parnasiano ha de convivir con tendencias más novedosas como el decadentismo y el simbolismo. un nuevo canon orienta los designios de la modernidad, y el parnasianismo se irá viendo relegado en las letras mexicanas a mera retórica, más propia del siglo XIX que del XX.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract In Mexico, the transition from Romanticism to Hispanic Modernism was fostered by a notable interest in French Parnassianism, a movement which was given ample publicity by Mexican critics and translators in newspapers and magazines. Gradually, a Parnassian canon was established, which was dominant until around 1898, the year in which the important magazine Revista Moderna was published. There, Parnassianism coexisted with more original tendencies, like Decandentism and Symbolism. From then on a new canon oriented the plans of modernity, and Parnassianism began to be written off as simple rhetoric, something more typical of the 19th than the 20th century.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[modernismo]]></kwd>
<kwd lng="es"><![CDATA[fin de siglo]]></kwd>
<kwd lng="es"><![CDATA[poesía]]></kwd>
<kwd lng="es"><![CDATA[parnasianismo]]></kwd>
<kwd lng="es"><![CDATA[simbolismo]]></kwd>
<kwd lng="en"><![CDATA[hispanic modernism]]></kwd>
<kwd lng="en"><![CDATA[fin de siècle]]></kwd>
<kwd lng="en"><![CDATA[poetry]]></kwd>
<kwd lng="en"><![CDATA[parnassianism]]></kwd>
<kwd lng="en"><![CDATA[symbolism]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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