<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2448-6019</journal-id>
<journal-title><![CDATA[Connotas. Revista de crítica y teoría literarias]]></journal-title>
<abbrev-journal-title><![CDATA[Connotas. Rev. crit. teór. lit.]]></abbrev-journal-title>
<issn>2448-6019</issn>
<publisher>
<publisher-name><![CDATA[Universidad de Sonora, Departamento de Letras y Lingüística]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2448-60192023000100264</article-id>
<article-id pub-id-type="doi">10.36798/critlit.v0i26.442</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Confluencia entre cuerpo y espacio: la construcción de Jerusalén en Todo aquí es polvo y Escritos a mano de Esther Seligson]]></article-title>
<article-title xml:lang="en"><![CDATA[Confluency between body and space: the Jerusalem construction Todo aquí es polvo and Escritos a mano by Esther Seligson]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Mejía González]]></surname>
<given-names><![CDATA[Alejandro Adalberto]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Université Paul-Valéry Montpellier 3  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>France</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2023</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2023</year>
</pub-date>
<numero>26</numero>
<fpage>264</fpage>
<lpage>283</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S2448-60192023000100264&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S2448-60192023000100264&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S2448-60192023000100264&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: La obra literaria de Esther Seligson (1941-2010) se encuentra poblada por diferentes espacios tanto factuales como ficcionales. Como parte de su experiencia nómada, la escritora busca retornar hacia lo íntimo de su pasado mediante la escritura y la rememoración de dichos espacios. Este trabajo plantea una lectura cruzada de Todo aquí es polvo (2010) y de Escritos a mano (2011) para revelar un espacio que se anuncia fundamental en su obra: la ciudad de Jerusalén. Por medio de diferentes marcadores discursivos, se busca analizar la correlación entre el espacio ambivalente de Jerusalén y el cuerpo del yo lírico de la escritora, una comunión que conviene develar a la luz del concepto de la &#8220;carne del mundo&#8221; de Maurice Merleau-Ponty y de las reflexiones de Gaston Bachelard alrededor de la topofilia. Así, será posible mostrar la manera en la que el espacio de Jerusalén y el cuerpo de Seligson (en su plano físico y espiritual) se relacionan y se ensamblan mediante la literatura.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: The literary work of Esther Seligson (1941-2010) is populated by different spaces, both factual and fictional. As part of her nomadic experience, the writer seeks to return to the intimacy of her past through writing and the remembrance of these spaces. This paper proposes a cross-reading of Todo aquí es polvo (2010) and Escritos a mano (2011) to reveal a space that is announced as fundamental in her work: the city of Jerusalem. By means of different discursive markers, we seek to analyze the correlation between the ambivalent space of Jerusalem and the body of the writer&#8217;s lyrical self, a communion that should be unveiled in the light of Maurice Merleau-Ponty&#8217;s concept of the &#8220;flesh of the world&#8221; and Gaston Bachelard&#8217;s reflections on topophilia. Thus, it will be possible to show the way in which the space of Jerusalem and Seligson&#8217;s body (in its physical and spiritual plane) are related and assembled through literature.]]></p></abstract>
<kwd-group>
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<kwd lng="es"><![CDATA[espacialidad]]></kwd>
<kwd lng="es"><![CDATA[carne del mundo]]></kwd>
<kwd lng="es"><![CDATA[topofilia]]></kwd>
<kwd lng="en"><![CDATA[corporality]]></kwd>
<kwd lng="en"><![CDATA[spatiality]]></kwd>
<kwd lng="en"><![CDATA[flesh of the world]]></kwd>
<kwd lng="en"><![CDATA[topophilia]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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