<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2448-6019</journal-id>
<journal-title><![CDATA[Connotas. Revista de crítica y teoría literarias]]></journal-title>
<abbrev-journal-title><![CDATA[Connotas. Rev. crit. teór. lit.]]></abbrev-journal-title>
<issn>2448-6019</issn>
<publisher>
<publisher-name><![CDATA[Universidad de Sonora, Departamento de Letras y Lingüística]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2448-60192021000200007</article-id>
<article-id pub-id-type="doi">10.36798/critlit.v0i23.372</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Topografía alegórica de la exclusión del otro: Tierra adentro de Angelina Muñiz Huberman]]></article-title>
<article-title xml:lang="en"><![CDATA[Allegorical Topography of the Exclusion of the Other:Inland by Angelina Muñiz Huberman]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Houvenaghel]]></surname>
<given-names><![CDATA[E. Helena]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Serlet]]></surname>
<given-names><![CDATA[Florien]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universiteit Utrecht ICON ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Netherlands</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universiteit Gent FWO-Vlaanderen ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Belgium</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2021</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2021</year>
</pub-date>
<numero>23</numero>
<fpage>7</fpage>
<lpage>20</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S2448-60192021000200007&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S2448-60192021000200007&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S2448-60192021000200007&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: La obra de la autora judío-mexicana Angelina Muñiz-Huberman (Francia, 1936) destaca por dos aportes: una de índole temática, la transmisión de la cultura y del pensamiento judíos, y otra de índole formal, la escritura &#8220;transgenérica&#8221; a través de la fusión de los géneros literarios. ¿Cómo se relacionan entre sí dichos aportes? Una de las obras tempranas de Angelina Muñiz-Huberman, Tierra adentro (1977), parece apuntar a un proceso de refuerzo mutuo en el cual el modo alegórico desempeña un papel fundamental. Tierra adentro, en el nivel literal del texto, narra la trayectoria de un sefardí expulsado de la España del Siglo de Oro a la Tierra Santa y evoca, simultáneamente, en el segundo nivel de lectura, la persecución del pueblo asquenazi en el siglo XX. La alegoría propicia una reflexión ética sobre el carácter repetitivo del mismo patrón de la exclusión de la comunidad judía a través de la historia y simultáneamente estimula la fusión de los géneros literarios tradicionales.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: The work of Jewish-Mexican writer Angelina Muñiz-Huberman (France, 1936) stands out for two contributions: one of a thematic nature, namely the transmission of Jewish culture and thought, and the other of a formal nature, namely &#8216;transgeneric&#8217; writing via the fusion of literary genres. How do these contributions relate to each other? One of Muñiz-Huberman&#8217;s early works, Tierra adentro (Inland, 1977), seems to point out toward a process of mutual reinforcement in which the allegory plays a key role. Tierra adentro, on the literal level, narrates how a Sephardic Jew is expulsed from the Spain of the Golden Age and makes his way to Holy Land. On the secondary level, it simultaneously evokes the persecution of the Askhenazi Jews in the 20th century. The allegorical mode encourages an ethical reflection on the repetitive character of the pattern of expulsion and persecution of the Jewish community throughout history, and simultaneously stimulates the fusion of the traditional literary genres.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Angelina Muñiz-Huberman]]></kwd>
<kwd lng="es"><![CDATA[escritura transgenérica]]></kwd>
<kwd lng="es"><![CDATA[alegoría]]></kwd>
<kwd lng="es"><![CDATA[ética]]></kwd>
<kwd lng="es"><![CDATA[cultura judía]]></kwd>
<kwd lng="es"><![CDATA[exclusión del otro]]></kwd>
<kwd lng="en"><![CDATA[Angelina Muñiz-Huberman]]></kwd>
<kwd lng="en"><![CDATA[transgeneric writing]]></kwd>
<kwd lng="en"><![CDATA[allegory]]></kwd>
<kwd lng="en"><![CDATA[ethics]]></kwd>
<kwd lng="en"><![CDATA[Jewish culture]]></kwd>
<kwd lng="en"><![CDATA[exclusion of the other]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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