<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2448-5705</journal-id>
<journal-title><![CDATA[Inter disciplina]]></journal-title>
<abbrev-journal-title><![CDATA[Inter disciplina]]></abbrev-journal-title>
<issn>2448-5705</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Centro de Investigaciones Interdisciplinarias en Ciencias y Humanidades]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2448-57052026000100063</article-id>
<article-id pub-id-type="doi">10.22201/ceiich.24485705e.2026.38.93501</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Pas de deux: empatía cinestésica y neuronas espejo. Diálogo sobre el lenguaje del cuerpo en movimiento]]></article-title>
<article-title xml:lang="en"><![CDATA[Pas de deux: kinesthetic empathy and mirror neurons. Dialogue on the language of the body in movement]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Suárez Gómez]]></surname>
<given-names><![CDATA[Ainhoa]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Nacional Autónoma de México Centro de Investigaciones Interdisciplinarias en Ciencias y Humanidades ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Mexico</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>04</month>
<year>2026</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>04</month>
<year>2026</year>
</pub-date>
<volume>14</volume>
<numero>38</numero>
<fpage>63</fpage>
<lpage>86</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S2448-57052026000100063&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S2448-57052026000100063&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S2448-57052026000100063&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Recientemente, el concepto de empatía cinestésica ha cobrado relevancia en las artes vivas, principalmente en la danza, para referir a la conexión sensorial y afectiva entre intérpretes y audiencias. El término destaca la capacidad de percibir movimientos ajenos y establecer vínculos intersubjetivos sin recurrir al lenguaje hablado. El interés creciente por este fenómeno fue impulsado por el descubrimiento de las neuronas espejo, células ubicadas en la corteza premotora, las cuales permiten simular los movimientos observados en otros. El presente texto explora la intersección entre la empatía cinestésica y las neuronas espejo, rastreando momentos clave en la literatura de ambos paradigmas. Primero se revisa la teoría de John Martin, pionero en la reflexión sobre la imitación corporal en la danza, y las críticas contemporáneas a su propuesta. A continuación, se analizan las investigaciones sobre las neuronas espejo de Giacomo Rizzolatti y otros investigadores de la Universidad de Parma, así como estudios empíricos recientes en neurodanza. El texto concluye reflexionando sobre los vínculos interdisciplinarios entre arte y ciencia, haciendo énfasis en cómo este diálogo permite ahondar en la manera en la cual el cuerpo transmite sensaciones, intenciones y estados mentales constitutivos de la comunicación no verbal a través del movimiento.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract Recently, the concept of kinesthetic empathy has gained prominence in the living arts, mainly in dance, to refer to the sensory and affective connection between performers and audiences. The term highlights the ability to perceive other people&#8217;s movements and establish inter-subjective links without resorting to spoken language. Growing interest in the phenomenon is linked to the discovery of mirror neurons, cells located in the premotor cortex that allow us to simulate the movements we observe in others. This article explores the intersection between kinesthetic empathy and mirror neurons, tracing key moments in the literature of both paradigms. It first reviews the theory of John Martin, a pioneer in thinking about bodily imitation in dance, and contemporary critiques of his proposal. This is followed by an analysis of research on mirror neurons by Giacomo Rizzolatti and other researchers at the University of Parma, as well as recent empirical studies in neurodance. The article concludes by reflecting on the interdisciplinary links between art and science, emphasising how this dialogue allows us to delve into the way in which the body transmits sensations, intentions and mental states constitutive of non-verbal communication through movement.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[empatía cinestésica]]></kwd>
<kwd lng="es"><![CDATA[neuronas espejo]]></kwd>
<kwd lng="es"><![CDATA[cuerpo]]></kwd>
<kwd lng="es"><![CDATA[movimiento]]></kwd>
<kwd lng="es"><![CDATA[danza]]></kwd>
<kwd lng="en"><![CDATA[kinesthetic empathy]]></kwd>
<kwd lng="en"><![CDATA[mirror neurons]]></kwd>
<kwd lng="en"><![CDATA[body]]></kwd>
<kwd lng="en"><![CDATA[movement]]></kwd>
<kwd lng="en"><![CDATA[dance]]></kwd>
</kwd-group>
</article-meta>
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