<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2448-5705</journal-id>
<journal-title><![CDATA[Inter disciplina]]></journal-title>
<abbrev-journal-title><![CDATA[Inter disciplina]]></abbrev-journal-title>
<issn>2448-5705</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Centro de Investigaciones Interdisciplinarias en Ciencias y Humanidades]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2448-57052022000300423</article-id>
<article-id pub-id-type="doi">10.22201/ceiich.24485705e.2022.28.83309</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Jean-Luc Godard y Antonin Artaud. Perspectivas críticas sobre la imagen]]></article-title>
<article-title xml:lang="en"><![CDATA[Jean-Luc Godard and Antonin Artaud. Critical perspectives on the image]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Navarro Fuentes]]></surname>
<given-names><![CDATA[Carlos Alberto]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Autónoma de San Luis Potosí  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Mexico</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2022</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2022</year>
</pub-date>
<volume>10</volume>
<numero>28</numero>
<fpage>423</fpage>
<lpage>446</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S2448-57052022000300423&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S2448-57052022000300423&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S2448-57052022000300423&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen El objetivo del ensayo es ofrecer una perspectiva sociohistórica y humanística del contexto que ve nacer la Nouvelle Vague, donde emerge Jean-Luc Godard. En la primera parte, se ahonda en el pensamiento del autor sobre la ontología de la imagen como base del lenguaje cinematográfico e innovaciones técnicas que le acompañan, tomando distancia del lenguaje literario y las implicaciones que conlleva. En la segunda parte, se presenta la crítica que Antonin Artaud emprende sobre el funcionamiento de la escena, tomando distancia y autonomía del lenguaje literario y la tiranía que el texto imprime sobre el lenguaje del cuerpo actoral como fundamentos de la tradición teatral occidental. Se enuncian aspectos críticos que Artaud encuentra en el cine y en el teatro, revisando textos escritos por ambos autores, donde critican el régimen de representación, los usos mercantiles y de entretenimiento en los que están imbuidos. Finalmente, el ensayo muestra que la crítica afín de ambos autores pervive en sus respectivas esferas y que posee un talante ético y proactivo, no solo estético para horadar el régimen de sensibilidad y representación, asumiendo la imagen como pilar cognoscitivo y pedagógico para aprehender, comprender -y actuar en- la realidad.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The aim of the essay is to offer a sociohistorical and humanistic perspective of the context which saw the birth of the Nouvelle Vague, where Jean-Luc Godard emerged. Firstly, it goes into the author&#8217;s thinking about the ontology of the image as basis of the cinematographic language and accompanying technical innovations, distancing from the literary language and the implications that it entails. Secondly, the criticism that Antonin Artaud undertakes on the operation of the scene is presented, taking distance and autonomy from the literary language and the tyranny that the text prints on the language of the acting body as foundations of the western theatrical tradition. Critical aspects Artaud finds in both cinema and theater reviewing texts written by both authors, where they criticize the regime of representation, the mercantile and entertainment uses in which they are imbued. Finally, the essay shows how criticism of both authors survives in their respective spheres having in itself an ethical and proactive disposition, not only aesthetic, to pierce the regimes of sensitivity and representation, assuming the image as a cognitive and pedagogical pillar to apprehend, understand -and act on- reality.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[imagen]]></kwd>
<kwd lng="es"><![CDATA[teatro]]></kwd>
<kwd lng="es"><![CDATA[lenguaje]]></kwd>
<kwd lng="es"><![CDATA[interdisciplina]]></kwd>
<kwd lng="es"><![CDATA[texto]]></kwd>
<kwd lng="es"><![CDATA[literatura]]></kwd>
<kwd lng="en"><![CDATA[image]]></kwd>
<kwd lng="en"><![CDATA[theater]]></kwd>
<kwd lng="en"><![CDATA[language]]></kwd>
<kwd lng="en"><![CDATA[interdiscipline]]></kwd>
<kwd lng="en"><![CDATA[text]]></kwd>
<kwd lng="en"><![CDATA[literature]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="book">
<source><![CDATA[La Nouvelle Vague]]></source>
<year>2004</year>
<publisher-loc><![CDATA[Barcelona ]]></publisher-loc>
<publisher-name><![CDATA[Paidós]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Artaud]]></surname>
<given-names><![CDATA[Antonin]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Guiones y selección de ensayos sobre cine de Antonin Artaud]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Artaud]]></surname>
<given-names><![CDATA[Antonin]]></given-names>
</name>
</person-group>
<source><![CDATA[El cine]]></source>
<year>1982</year>
<publisher-loc><![CDATA[Madrid ]]></publisher-loc>
<publisher-name><![CDATA[Alianza]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Artaud]]></surname>
<given-names><![CDATA[Antonin]]></given-names>
</name>
</person-group>
<source><![CDATA[Oeuvres complètes]]></source>
<year>1978</year>
<volume>V</volume>
<publisher-loc><![CDATA[París ]]></publisher-loc>
<publisher-name><![CDATA[Gallimard]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Artaud]]></surname>
<given-names><![CDATA[Antonin]]></given-names>
</name>
</person-group>
<source><![CDATA[Oeuvres complètes]]></source>
<year>1978</year>
<volume>IV</volume>
<publisher-loc><![CDATA[París ]]></publisher-loc>
<publisher-name><![CDATA[Gallimard]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Artaud]]></surname>
<given-names><![CDATA[Antonin]]></given-names>
</name>
</person-group>
<source><![CDATA[Oeuvres complètes]]></source>
<year>1978</year>
<volume>III</volume>
<publisher-loc><![CDATA[París ]]></publisher-loc>
<publisher-name><![CDATA[Gallimard]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B6">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Artaud]]></surname>
<given-names><![CDATA[Antonin]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[La piedra filosofal]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Grotowski]]></surname>
<given-names><![CDATA[Jerzy]]></given-names>
</name>
</person-group>
<source><![CDATA[Tres piezas cortas]]></source>
<year>1972</year>
<publisher-loc><![CDATA[Madrid ]]></publisher-loc>
<publisher-name><![CDATA[Editorial Fundamentos]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B7">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Artaud]]></surname>
<given-names><![CDATA[Antonin]]></given-names>
</name>
</person-group>
<source><![CDATA[Oeuvres complètes]]></source>
<year>1971</year>
<volume>VIII</volume>
<publisher-loc><![CDATA[París ]]></publisher-loc>
<publisher-name><![CDATA[Gallimard]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B8">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Artaud]]></surname>
<given-names><![CDATA[Antonin]]></given-names>
</name>
</person-group>
<source><![CDATA[Oeuvres complètes]]></source>
<year>1961</year>
<volume>II</volume>
<publisher-loc><![CDATA[París ]]></publisher-loc>
<publisher-name><![CDATA[Gallimard]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B9">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Artaud]]></surname>
<given-names><![CDATA[Antonin]]></given-names>
</name>
</person-group>
<source><![CDATA[Oeuvres complètes]]></source>
<year>1956</year>
<volume>IX</volume>
<publisher-loc><![CDATA[París ]]></publisher-loc>
<publisher-name><![CDATA[Gallimard]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B10">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Artaud]]></surname>
<given-names><![CDATA[Antonin]]></given-names>
</name>
</person-group>
<source><![CDATA[Oeuvres]]></source>
<year>1956</year>
<publisher-loc><![CDATA[París ]]></publisher-loc>
<publisher-name><![CDATA[Gallimard]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B11">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Astruc]]></surname>
<given-names><![CDATA[Alexandre]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Naissance d&#8217;une nouvelle avante-garde: La camèra stylo]]></article-title>
<source><![CDATA[L&#8217;Ecran Française]]></source>
<year>1948</year>
<volume>144</volume>
<publisher-loc><![CDATA[París ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B12">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bazin]]></surname>
<given-names><![CDATA[André]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Ontología de la imagen fotográfica]]></article-title>
<source><![CDATA[¿Qué es el Cine? 1966]]></source>
<year>1945</year>
<publisher-loc><![CDATA[Madrid ]]></publisher-loc>
<publisher-name><![CDATA[Rialp, S. A.]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B13">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Brenez]]></surname>
<given-names><![CDATA[Nicole]]></given-names>
</name>
</person-group>
<source><![CDATA[Introducción al cine letrista]]></source>
<year>2019</year>
<publisher-loc><![CDATA[México ]]></publisher-loc>
<publisher-name><![CDATA[Mangos de Hacha]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B14">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Carrière]]></surname>
<given-names><![CDATA[Jean-Claude]]></given-names>
</name>
</person-group>
<source><![CDATA[La película que no se ve]]></source>
<year>1993</year>
<publisher-loc><![CDATA[Barcelona ]]></publisher-loc>
<publisher-name><![CDATA[Paidós]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B15">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Debord]]></surname>
<given-names><![CDATA[Guy]]></given-names>
</name>
</person-group>
<source><![CDATA[La sociedad del espectáculo]]></source>
<year>2006</year>
<publisher-loc><![CDATA[Valencia ]]></publisher-loc>
<publisher-name><![CDATA[Pre-textos]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B16">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Sontag]]></surname>
<given-names><![CDATA[Susan]]></given-names>
</name>
</person-group>
<source><![CDATA[Aproximación a Artaud]]></source>
<year>1976</year>
<publisher-loc><![CDATA[Barcelona ]]></publisher-loc>
<publisher-name><![CDATA[Lumen]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B17">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Eisner]]></surname>
<given-names><![CDATA[Lotte]]></given-names>
</name>
</person-group>
<source><![CDATA[La pantalla diabólica. Panorama del cine clásico alemán]]></source>
<year>2013</year>
<publisher-loc><![CDATA[Buenos Aires ]]></publisher-loc>
<publisher-name><![CDATA[El cuenco de plata]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B18">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Godard]]></surname>
<given-names><![CDATA[Jean-Luc]]></given-names>
</name>
</person-group>
<source><![CDATA[Historia(s) del cine]]></source>
<year>2016</year>
<publisher-loc><![CDATA[Buenos Aires ]]></publisher-loc>
<publisher-name><![CDATA[Caja Negra]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B19">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Godard]]></surname>
<given-names><![CDATA[Jean-Luc]]></given-names>
</name>
</person-group>
<source><![CDATA[Godard on Godard]]></source>
<year>1986</year>
<publisher-loc><![CDATA[Nueva York ]]></publisher-loc>
<publisher-name><![CDATA[Da Capo Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B20">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Godard]]></surname>
<given-names><![CDATA[Jean-Luc]]></given-names>
</name>
</person-group>
<source><![CDATA[Cinco guiones]]></source>
<year>1973</year>
<publisher-loc><![CDATA[Madrid ]]></publisher-loc>
<publisher-name><![CDATA[Alianza]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B21">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Michelson]]></surname>
<given-names><![CDATA[Annette]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Prólogo]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Godard]]></surname>
<given-names><![CDATA[Jean-Luc]]></given-names>
</name>
</person-group>
<source><![CDATA[Godard on Godard]]></source>
<year></year>
<publisher-loc><![CDATA[Nueva York ]]></publisher-loc>
<publisher-name><![CDATA[Da Capo Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B22">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Metz]]></surname>
<given-names><![CDATA[Christian]]></given-names>
</name>
</person-group>
<source><![CDATA[Langage et cinéma]]></source>
<year>1971</year>
<publisher-loc><![CDATA[París ]]></publisher-loc>
<publisher-name><![CDATA[Librairie Larousse]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B23">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Rancière]]></surname>
<given-names><![CDATA[Jacques]]></given-names>
</name>
</person-group>
<source><![CDATA[Las distancias del cine]]></source>
<year>2012</year>
<publisher-loc><![CDATA[Buenos Aires ]]></publisher-loc>
<publisher-name><![CDATA[Manantial]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B24">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Romaguera]]></surname>
<given-names><![CDATA[Joaquim]]></given-names>
</name>
<name>
<surname><![CDATA[Alsina]]></surname>
<given-names><![CDATA[Homero]]></given-names>
</name>
</person-group>
<source><![CDATA[Textos y manifiestos del cine]]></source>
<year>1998</year>
<publisher-loc><![CDATA[Madrid ]]></publisher-loc>
<publisher-name><![CDATA[Cátedra]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B25">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Santiago]]></surname>
<given-names><![CDATA[Carmen de]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Antonin Artaud: la relación de sus teorías teatrales con el cine]]></article-title>
<source><![CDATA[1616: Anuario de la Sociedad Española de Literatura General y Comparada]]></source>
<year>1990</year>
<volume>8</volume>
<page-range>151-8</page-range></nlm-citation>
</ref>
<ref id="B26">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Tarkovski]]></surname>
<given-names><![CDATA[Andrei]]></given-names>
</name>
</person-group>
<source><![CDATA[Esculpir el tiempo]]></source>
<year>1993</year>
<publisher-loc><![CDATA[México ]]></publisher-loc>
<publisher-name><![CDATA[UNAM]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B27">
<nlm-citation citation-type="">
<source><![CDATA[Entrevista realizada a Godard en torno a la filmación de Pierrot el loco]]></source>
<year></year>
</nlm-citation>
</ref>
<ref id="B28">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Godard]]></surname>
<given-names><![CDATA[Jean-Luc]]></given-names>
</name>
</person-group>
<source><![CDATA[Sympathy for the devil]]></source>
<year></year>
<publisher-loc><![CDATA[Reino Unido ]]></publisher-loc>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
