<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2448-5705</journal-id>
<journal-title><![CDATA[Inter disciplina]]></journal-title>
<abbrev-journal-title><![CDATA[Inter disciplina]]></abbrev-journal-title>
<issn>2448-5705</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Centro de Investigaciones Interdisciplinarias en Ciencias y Humanidades]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2448-57052020000200075</article-id>
<article-id pub-id-type="doi">10.22201/ceiich.24485705e.2020.21.75148</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Las ideas de la complejidad en la obra de Leonardo da Vinci]]></article-title>
<article-title xml:lang="en"><![CDATA[The ideas of complexity in the work of Leonardo da Vinci]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Mansilla]]></surname>
<given-names><![CDATA[Ricardo]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Nacional Autónoma de México Centro de Investigaciones Interdisciplinarias en Ciencias y Humanidades ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Mexico</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>08</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>08</month>
<year>2020</year>
</pub-date>
<volume>8</volume>
<numero>21</numero>
<fpage>75</fpage>
<lpage>88</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S2448-57052020000200075&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S2448-57052020000200075&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S2448-57052020000200075&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Uno de los más notables integrantes de nuestra civilización a lo largo de toda su historia es sin duda Leonardo da Vinci. Fue pintor, ingeniero, músico, científico, escultor y organizador de soberbios festejos entre otras muchas vocaciones. Después de su muerte, ocurrida en 1519, su obra languideció en la oscuridad hasta finales del siglo XVIII. Solo entonces, en plena Ilustración, su reputación como científico e ingeniero se igualó a su extraordinario prestigio como pintor, mostrando de paso su acentuado fundamento interdisciplinario. Para lograr el profundo realismo que observamos en sus obras artísticas, Leonardo emprendió cuidadosos estudios geológicos, biológicos y anatómicos. Para documentar estos estudios científicos se valió en sus códices de hermosos dibujos de elevada calidad artística. Es este el círculo virtuoso del trabajo interdisciplinario de Leonardo: ciencia para elevar la calidad de la obra artística, arte para documentar el trabajo científico. Si bien concebimos las ideas de la complejidad como un vástago de la segunda mitad del siglo XX, impulsadas en su desarrollo por el rotundo progreso de las computadoras digitales, que a decir de H. Pagels son el instrumento fundacional de la teoría homónima, se pueden observar atisbos de las ideas esenciales de este cuerpo doctrinario en pensadores asentados en siglos previos. Tal es el caso de Leonardo. Este trabajo intenta mostrar cómo en los códices leonardianos se vislumbran las ideas cardinales de la teoría de los sistemas complejos.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract One of the most notable members of our civilization throughout its history is undoubtedly Leonardo da Vinci. He was a painter, engineer, musician, scientist, sculptor and organizer of superb celebrations among many other vocations. After his death, in 1519, his work languished in the dark until the end of the 18th century. Only then, in full Enlightenment, his reputation as a scientist and engineer matched his extraordinary prestige as a painter, showing his accentuated interdisciplinary foundation. To achieve the deep realism we observe in his artistic works, Leonardo undertook careful geological, biological and anatomical studies. To document these scientific studies, he used in his codex&#8217;s beautiful drawings of high artistic quality. This is the virtuous circle of Leonardo&#8217;s interdisciplinary work: science to raise the quality of artistic work, art to document scientific work. Although we conceive the ideas of complexity as a scion of the second half of the twentieth century, driven in its development by the resounding progress of digital computers, which in the words of H. Pagels are the foundational instrument of the homonymous theory, it can be observed glimpses of the essential ideas of this doctrinal body in thinkers settled in previous centuries. Such is the case of Leonardo. This work tries to show how the cardinal ideas of the theory of complex systems are glimpsed in Leonardian codices.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Leonardo Da Vinci]]></kwd>
<kwd lng="es"><![CDATA[teoría de la complejidad]]></kwd>
<kwd lng="en"><![CDATA[Leonardo da Vinci]]></kwd>
<kwd lng="en"><![CDATA[complex systems theory]]></kwd>
</kwd-group>
</article-meta>
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