<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2395-9185</journal-id>
<journal-title><![CDATA[Revista interdisciplinaria de estudios de género de El Colegio de México]]></journal-title>
<abbrev-journal-title><![CDATA[Rev. interdiscip. estud. género Col. Méx.]]></abbrev-journal-title>
<issn>2395-9185</issn>
<publisher>
<publisher-name><![CDATA[El Colegio de México A.C., Centro de Estudios de Género]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2395-91852016000100051</article-id>
<article-id pub-id-type="doi">10.24201/eg.v2i3.3</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[La belleza es un corsé de acero: Los pazos de Ulloa y La Desheredada]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Huamán Andía]]></surname>
<given-names><![CDATA[Bethsabé]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Tulane University  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>USA</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2016</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2016</year>
</pub-date>
<volume>2</volume>
<numero>3</numero>
<fpage>51</fpage>
<lpage>72</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S2395-91852016000100051&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S2395-91852016000100051&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S2395-91852016000100051&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Las novelas del siglo XIX español presentan personajes femeninos atrapados por una demanda de honradez extrema, imposible de cumplir si se trata de una mujer bella. La belleza se entendía como lo opuesto de la virtud y a la virtud se le relacionaba con la obediencia y sumisión al hombre. En el presente artículo, que analiza los personajes femeninos de Los pazos de Ulloa, de Emilia Pardo Bazán, y de La desheredada, de Benito Pérez Galdós, se busca hacer evidentes los mecanismos bajo los cuales la mujer es un objeto de deseo del hombre. Asimismo, se quiere mostrar cómo los demoledores prejuicios bajo los que la mirada masculina la concibe, castran y matan, literal y simbólicamente, sus posibilidades de estar y sobrevivir en la sociedad. Se hará visible cómo, en estos discursos, la única mujer verdaderamente aceptable es la mujer muerta.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The Spanish novels of nineteenth century presented feminine characters entrapped by the extreme demands of honor, an ideal which was impossible to realize for beautiful women. Beauty was understood as the opposite of virtue, with virtue being understood as submission and obedience to men. This article will analyze feminine characters in Los pazos de Ulloa by Emilia Pardo Bazán and La desheredada by Benito Pérez Galdós to focus on the ways by which women are constructed as objects of male desire and how the destructive prejudices of the male gaze kill, literally and symbolically, any possibilities for women to exist and survive in society. I will try to show how in these discourses the only acceptable woman is the dead one.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Belleza]]></kwd>
<kwd lng="es"><![CDATA[Mujer]]></kwd>
<kwd lng="es"><![CDATA[Pérez Galdós]]></kwd>
<kwd lng="es"><![CDATA[Pardo Bazán]]></kwd>
<kwd lng="es"><![CDATA[Siglo XIX español]]></kwd>
<kwd lng="en"><![CDATA[Beauty]]></kwd>
<kwd lng="en"><![CDATA[Women]]></kwd>
<kwd lng="en"><![CDATA[Pérez Galdós]]></kwd>
<kwd lng="en"><![CDATA[Pardo Bazán]]></kwd>
<kwd lng="en"><![CDATA[Spanish 19th-century]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Dijkstra]]></surname>
<given-names><![CDATA[Bram]]></given-names>
</name>
</person-group>
<source><![CDATA[Idols of perversity: fantasies of feminine evil in fin-de-siècle culture]]></source>
<year>1986</year>
<publisher-loc><![CDATA[New York ]]></publisher-loc>
<publisher-name><![CDATA[Oxford University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Douglas]]></surname>
<given-names><![CDATA[Mary]]></given-names>
</name>
</person-group>
<source><![CDATA[Purity and Danger. An analysis of concepts of pollution and taboo]]></source>
<year>1966</year>
<publisher-loc><![CDATA[London ]]></publisher-loc>
<publisher-name><![CDATA[Routledge &amp; Kegan]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Feal Deibe]]></surname>
<given-names><![CDATA[Carlos]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[La voz femenina en Los pazos de Ulloa]]></article-title>
<source><![CDATA[Hispania]]></source>
<year>1987</year>
<volume>70</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>214-21</page-range></nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Fernández Cifuentes]]></surname>
<given-names><![CDATA[Luis]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Signs for Sale in the City of Galdós]]></article-title>
<source><![CDATA[MLN Hispanic Issue]]></source>
<year>1988</year>
<volume>103</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>289-311</page-range></nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Jaffe]]></surname>
<given-names><![CDATA[Catherine]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Mothers and orphans in La desheredada]]></article-title>
<source><![CDATA[Confluencia]]></source>
<year>1990</year>
<volume>5</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>27-38</page-range></nlm-citation>
</ref>
<ref id="B6">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Kirkpatrick]]></surname>
<given-names><![CDATA[Susan]]></given-names>
</name>
</person-group>
<source><![CDATA[Las románticas. Women Writers and Subjectivity in Spain, 1835-1850]]></source>
<year>1989</year>
<publisher-loc><![CDATA[Berkeley ]]></publisher-loc>
<publisher-name><![CDATA[University of California Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B7">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Pardo Bazán]]></surname>
<given-names><![CDATA[Emilia]]></given-names>
</name>
</person-group>
<source><![CDATA[La mujer española y otros artículos feministas]]></source>
<year>1976</year>
<publisher-loc><![CDATA[Madrid ]]></publisher-loc>
<publisher-name><![CDATA[Editora Nacional]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B8">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Pardo Bazán]]></surname>
<given-names><![CDATA[Emilia]]></given-names>
</name>
</person-group>
<source><![CDATA[La cuestión palpitante]]></source>
<year>1989</year>
<publisher-loc><![CDATA[Barcelona ]]></publisher-loc>
<publisher-name><![CDATA[Editorial Anthropos]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B9">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Pardo Bazán]]></surname>
<given-names><![CDATA[Emilia]]></given-names>
</name>
</person-group>
<source><![CDATA[Los pazos de Ulloa]]></source>
<year>2006</year>
<publisher-loc><![CDATA[Teddigton ]]></publisher-loc>
<publisher-name><![CDATA[The Echo Library]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B10">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Pérez Galdós]]></surname>
<given-names><![CDATA[Benito]]></given-names>
</name>
</person-group>
<source><![CDATA[La desheredada]]></source>
<year>1997</year>
<publisher-loc><![CDATA[Madrid ]]></publisher-loc>
<publisher-name><![CDATA[Alianza Editorial]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B11">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Solanas]]></surname>
<given-names><![CDATA[Juan V.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Estructura y simbolismo en Los Pazos de Ulloa]]></article-title>
<source><![CDATA[Hispania]]></source>
<year>1981</year>
<volume>64</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>199-208</page-range></nlm-citation>
</ref>
<ref id="B12">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Tsuchiya]]></surname>
<given-names><![CDATA[Akiko]]></given-names>
</name>
</person-group>
<source><![CDATA[Marginal subjects: gender and deviance in fin-de-siecle Spain]]></source>
<year>2011</year>
<publisher-loc><![CDATA[Toronto ]]></publisher-loc>
<publisher-name><![CDATA[University of Toronto Press]]></publisher-name>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
