<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2395-8669</journal-id>
<journal-title><![CDATA[Nóesis. Revista de ciencias sociales]]></journal-title>
<abbrev-journal-title><![CDATA[Nóesis, Rev. cienc. soc.]]></abbrev-journal-title>
<issn>2395-8669</issn>
<publisher>
<publisher-name><![CDATA[Universidad Autónoma de Ciudad Juárez, Instituto de Ciencias Sociales y Administración]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2395-86692020000300121</article-id>
<article-id pub-id-type="doi">10.20983/noesis.2020.3.6</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[La ficción de la inclusión cultural en el cine Hollywoodense: Babel y la reproducción de estereotipos culturales]]></article-title>
<article-title xml:lang="en"><![CDATA[The fiction of cultural inclusion in Hollywood movies: Babel and the reproduction of cultural stereotypes]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Mandujano-Salazar]]></surname>
<given-names><![CDATA[Yunuen Ysela]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Ramírez-Sánchez]]></surname>
<given-names><![CDATA[Andrés]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Autónoma de Ciudad Juárez  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Mexico</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2020</year>
</pub-date>
<volume>29</volume>
<numero>58-1</numero>
<fpage>121</fpage>
<lpage>137</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S2395-86692020000300121&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S2395-86692020000300121&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S2395-86692020000300121&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen En el presente artículo se realiza, desde la perspectiva de los estudios culturales, un análisis textual interpretativo centrado en la película dramática Babel, en donde se entrelazan cuatro sociedades y culturas en un contexto realista contemporáneo. Este críticamente aclamado filme, estrenado en 2006, fue dirigido y escrito por dos mexicanos, pero producido y distribuido hacia el mundo desde Hollywood. Se tiene por objetivo extraer las imágenes y características predominantes en la representación de las sociedades mexicana, estadounidense, japonesa y marroquí&#769;, así como de sus ciudadanos, y problematizar si en esas representaciones y en los discursos que se construyen a través del argumento del filme se refuerzan o desafían estereotipos culturales y étnicos vigentes en Estados Unidos con respecto a las sociedades involucradas, sirviendo de alguna manera a los intereses políticos dominantes.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract From the perspective of the cultural studies, this article presents an interpretative textual analysis focused on the drama film "Babel", in which four societies and cultures are intertwined in a realist and contemporary context. This critically acclaimed film from 2006 was directed and written by two Mexican citizens but produced and distributed to the world from Hollywood. The objective is to extract the images and main characteristics of the representation of the Mexican, American, Japanese, and Moroccan societies and citizens. Then it is debated if those representations and the discourses that are built through the argument of the film function to reinforce or defy cultural, ethnic, and linguistic stereotypes that exist in the United States about the other societies, supporting dominant political interests.]]></p></abstract>
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<kwd lng="es"><![CDATA[Cine]]></kwd>
<kwd lng="es"><![CDATA[Representaciones mediáticas]]></kwd>
<kwd lng="es"><![CDATA[Estereotipos]]></kwd>
<kwd lng="es"><![CDATA[Cultura]]></kwd>
<kwd lng="es"><![CDATA[Medios de comunicación]]></kwd>
<kwd lng="en"><![CDATA[Film]]></kwd>
<kwd lng="en"><![CDATA[Media representations]]></kwd>
<kwd lng="en"><![CDATA[Stereotypes]]></kwd>
<kwd lng="en"><![CDATA[Culture]]></kwd>
<kwd lng="en"><![CDATA[Media]]></kwd>
</kwd-group>
</article-meta>
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<year>2004</year>
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<year>2006</year>
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</article>
