<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2007-8110</journal-id>
<journal-title><![CDATA[Cultura y representaciones sociales]]></journal-title>
<abbrev-journal-title><![CDATA[Cultura representaciones soc]]></abbrev-journal-title>
<issn>2007-8110</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Sociales]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2007-81102023000200005</article-id>
<article-id pub-id-type="doi">10.22201/crim.20078110e.2023.3180</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Cuerpo transfronterizo: análisis visual de la serie M de Michoacán Del fotógrafo Carlos Álvarez Montero]]></article-title>
<article-title xml:lang="en"><![CDATA[Cross-border body: Visual analysis of M de MiChoaCán by photographer Carlos Álvarez Montero]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Reyes Tovar]]></surname>
<given-names><![CDATA[Miriam]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Macías]]></surname>
<given-names><![CDATA[Eugenia]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad de Guanajuato Departamento de Estudios Culturales, Demográficos y Políticos ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Mexico</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,INAH  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Mexico</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2023</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2023</year>
</pub-date>
<volume>18</volume>
<numero>35</numero>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S2007-81102023000200005&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S2007-81102023000200005&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S2007-81102023000200005&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: Aludir a los procesos de movilidad, como lo es la migración, es pensar en el valor que el cuerpo, en tanto elemento que permite los desplazamientos, conlleva como narrativa del recuerdo y de la memoria de su andar, posibilitando preguntar, ¿cómo acercarnos al valor sensible del cuerpo en la migración? Como una posible respuesta a esta pregunta, presentamos la noción de cuerpo como espacialidad del sujeto que deviene en experiencias, mismas que irán conformando su imagen como un territorio que se escribe. Para explicar lo anterior, en el presente trabajo, analizamos la serie M de Michoacán del fotógrafo Carlos Álvarez Montero y tratamos elementos de discusiones sobre lo fotográfico sobre tres ejes: a) el carácter interpretativo de la fotografía aunque sea un medio aparentemente &#8220;fiel a lo real&#8221;; b) las interacciones complejas entre sujetos fotografiados, autor y situación contextual y c) la visualidad de las imágenes que comunica procesos sociales, para dar una mirada a esos cuerpos que se convierten en territorios de una memoria que no posee o quiere olvido.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: Alluding to mobility processes, such as migration, is to think about the value that the body, as an element that allows displacement, entails as a narrative of memory. This created the posibility to ask, how do we approach the sensible value of the body in migration? As a possible answer to this question, we present the notion of the body as a spatiality of the subject that becomes experiences, the same that will shape the image of it as a territory that is written. To explain the above, in this paper, we analyze the series M de Michoacán by photographer Carlos Álvarez Montero, and we deal with elements of discussions about the photographic on three axes: a) the interpretative nature of photography, even though it is an apparently &#8220;faithful to reality&#8221; medium; b) the complex interactions between photographed subjects, author and contextual situation and c) the visuality of the images that communicates social processes, to take a look at those bodies that become territories of a memory that does not have or wants to be forgotten.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[cuerpo]]></kwd>
<kwd lng="es"><![CDATA[territorio]]></kwd>
<kwd lng="es"><![CDATA[migración]]></kwd>
<kwd lng="es"><![CDATA[fotografía]]></kwd>
<kwd lng="es"><![CDATA[Michoacán]]></kwd>
<kwd lng="en"><![CDATA[body]]></kwd>
<kwd lng="en"><![CDATA[territory]]></kwd>
<kwd lng="en"><![CDATA[cross-border]]></kwd>
<kwd lng="en"><![CDATA[migration]]></kwd>
<kwd lng="en"><![CDATA[photography]]></kwd>
<kwd lng="en"><![CDATA[Michoacan]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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