<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2007-8110</journal-id>
<journal-title><![CDATA[Cultura y representaciones sociales]]></journal-title>
<abbrev-journal-title><![CDATA[Cultura representaciones soc]]></abbrev-journal-title>
<issn>2007-8110</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Sociales]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2007-81102019000100129</article-id>
<article-id pub-id-type="doi">10.28965/2019-26-06</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Multiculturalismo canadiense y arte colombiano en Montreal: desarmando estereotipos nacionales con Fritta Caro]]></article-title>
<article-title xml:lang="en"><![CDATA[Canadian multiculturalism and Colombian art in Montreal: disarming national stereotypes with Fritta Caro]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Beaudoin Duquette]]></surname>
<given-names><![CDATA[Alexandre]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,UNAM Instituto de Investigaciones Antropológicas ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Mexico</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2019</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2019</year>
</pub-date>
<volume>13</volume>
<numero>26</numero>
<fpage>129</fpage>
<lpage>160</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S2007-81102019000100129&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S2007-81102019000100129&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S2007-81102019000100129&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen La propaganda de las instituciones migratorias canadienses se basa en la política del multiculturalismo para proyectar el estereotipo de Canadá como un país en el que diversas culturas coexisten sin conflicto, así como el de un actor internacional magnánimo. De este modo se busca atraer mano de obra calificada para fomentar la competitividad del país en un mercado globalizado sin comprometer la seguridad nacional. En el presente trabajo, se contrasta esta imagen estereotipada con el discurso que emerge de los testimonios de Helena Martín Franco, una artista visual colombiana establecida en la ciudad de Montreal, y su personaje Fritta Caro. Se parte de la hipótesis según la cual sus obras y testimonios ofrecen elementos de información incompatibles con los de la propaganda migratoria canadiense, por lo cual constituyen un acervo de disonancias que tiene un potencial para contribuir a desarmar los estereotipos que ésta difunde.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract Canadian multiculturalism inspires Canadian immigration institutions in the shaping of their propaganda campaigns to attract a qualified labour force in order to foster Canada&#8217;s competitiveness in a globalized market without compromising the country&#8217;s national security. These campaigns typecast the nation as a place where diverse cultures coexist without conflict, and in which Canada is a magnanimous global actor. In this article, the author contrasts this stereotyped image with the testimonies of Helena Martin Franco, a Colombian visual artist who lives in Montreal, and a character that she created called Fritta Caro. This contrast offers various dissonances that have the potential to contribute dismantling the stereotypes of the Canadian immigration institutions&#8217; propaganda.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[multiculturalismo canadiense]]></kwd>
<kwd lng="es"><![CDATA[arte latinoamericano]]></kwd>
<kwd lng="es"><![CDATA[diásporas latinoamericanas]]></kwd>
<kwd lng="es"><![CDATA[arte colombiano]]></kwd>
<kwd lng="es"><![CDATA[performance]]></kwd>
<kwd lng="en"><![CDATA[Canadian multiculturalism]]></kwd>
<kwd lng="en"><![CDATA[Latin American art]]></kwd>
<kwd lng="en"><![CDATA[diasporas]]></kwd>
<kwd lng="en"><![CDATA[Colombian art]]></kwd>
<kwd lng="en"><![CDATA[performance]]></kwd>
</kwd-group>
</article-meta>
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